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When one of Europe's most lethal terrorists shows up in New York, an elite undercover cop is assigned to take him down by any means necessary.

A young woman is granted custody of her children after a divorce. However, her ex-husband kidnaps the children soon afterward, and she can't get any help at all from the authorities.

Dame Elizabeth Taylor stars as Dr. Emily Loomis, a professor of ancient history at a small California college, who reluctantly agrees to rent a room in her house to one of the new students named Stewart Anderson (Joseph Bottoms). Both happen to be loners (she with a secret entertainment past, and he with a neglected childhood) and although they initially get on each others nerves, they eventually realize the rapport to help one another emerge from their emotional shells which leads to both of them having to rehearse with each other in order to perform in a live musical benefit for the college.

When seven year old Jarret West questions the existence of Santa Claus, his teenage older brother, Jeremy, a young man with Down Syndrome, takes him on a quest to the North Pole to prove Santa is real.

Meet William H. Ashe. That's kind of like William H. Macy, so it must be a sign, right? William Ashe is 30 years old, but he seems more like 16, still living at home with mother with no concrete plans in life other than a belief in signs, which today, have him convinced to be an actor. And with all the signs in place, William Ashe travels to the big city all by himself to audition for a movie in this absurd character study where life may lead anywhere once you choose to see the signs. And even though murder, mayhem, and mistaken identity sidetrack him along the way, a sign's a sign... right?

A night at the theatre goes awry in this comedy of manners where the audience IS the show.

The American Civil War, 1864, and a seventeen year-old Union soldier, running from the battlefield, is captured in the Virginia woods by a war-weary Confederate sergeant who must decide whether the young soldier will live or die.

A provocative visual punchline that tests our need to discern the changes around us, all through the visualization of an everyday process and especially by way of a well-known expression.

When student filmmaker Blain Conner makes a self-reflexive documentary about campus parking, his goal to change the world may actually be to dominate it.