Ricerca avanzata

Nel 1993 in Bosnia-Erzegovina durante i combattimenti tra le due parti in guerra, due soldati opposti nel conflitto, Nino e Ciki, rimangono intrappolati nella terra di nessuno e un terzo soldato diventa una trappola esplosiva vivente.

Because of a doctor's strike, Ivan is released a day early from an alcoholic treatment program. He returns to his wife Sonja and his 16-year-old son Robi. His first afternoon at home is pleasant. The next morning, Sonja sends him to a shop to get bread and milk. On the way back Ivan runs into Armando, his high-school classmate, and through their conversation at a bar, Ivan finds out that long before Sonja became his wife, Armando spent a night with her. Ivan has his first drop of the hard stuff...Kruh in mleko is a bitter-sweet tale of loneliness, estrangement, and the glowing embers of love that once was a fire.

A young car enthusiast who has issues with parents and surroundings decides to create his own vehicle and run away with friends from his everyday problems.

After his wife's death a middle-aged man and his friends become increasingly agitated and violent towards the suburbs they inhabit.

A promising début feature tells the story of a young woman returning from America to discover the realities of life in Macedonia, that looks as if it will explode with all the soldiers, corrupt crooks and terrorist idealists.

Dusha is a young dancer and dance instructor. Torn between a dominant mother, an absent father and a married lover, she is sinking into a typical crisis of the thirties, which gets worse when she starts suspecting that someone has been following her and invading her privacy.

Luka leaves for the countryside unhappy with the way his girlfriend Katarina has treated him. She follows him hoping that they could sort out their relationship. Despite the beauty and tranquillity of their surroundings they go through twists and turns that only intensify their crisis. When Katarina befriends the happy-go-lucky soldier Primoz, new dimensions and choices open up for her. Ultimately all three must decide where their own life will take them.

Based on the novels "Bijela Jutra" (White Mornings) and "Marsevski korak" (March Step) by Robert Naprta, who is also the writer of TV Series "Balkan Inc.". led by All Star Cast. The main character is a cop who browses trough the streets and city's underground where he finds himself in a series of unsolved murders, drugs, smugglers, corrupt government officials, sex, hookers and blackmail. His Name is Marko Prilika - called Cens (Chance). Even though he's a cop, he's no stranger in a world of cocaine use and hookers.

High school friends Edi, Marko, Katja, Mateja, and Petra are trying to find their way to graduation. Along the way they encounter extremely hostile teachers, offensive policemen, insane parents, and at one point aliens (?!). Will they succeed in reaching their goal: the ultimate 'be here or die' party?

Peter is in his early forties and until recently he worked in a factory, but after Slovenia's integration into the European Union, the factory closed down and Peter and his colleagues have been made redundant. Slowly but surely, he is losing self-confidence and self-esteem. His wife Vera is actually seeing another man and their marriage soon falls apart. Almost overnight Peter remains alone, as Vera moves out and takes Sonja, their daughter, with her. In a moment of despair, Peter decides to hang himself. He takes a rope and when the rope is tightening around his neck a doorbell rings. By mere coincidence a neighbor, who just wanted to borrow some coffee, saves his life. One day, on his way home, he finds all his neighbors, scared and worried, in front of the house. He learns that gas has been leaking in the cellar. Fire fighters should have arrived already, but they got stuck in a traffic jam. Peter does not hesitate; he runs into the building and manages to shut down the main valve not knowing that this will change his life...

A 17-year-old female teenager with zero sexual experience gets pregnant with her equally inexperienced peer, which creates lots of trouble for parents who prove to be no less childish when comes to problem-solving.

Several centuries ago, a castle servant girl acquires a great fortune. Presently, a simple peasant woman Manka gets this fortune back, because of denationalization. Mehmed Gigio the Superman with his associates, the leader of a criminal organization, wants this property for himself. Policemen Janez and Franci get involved into the game. In the end, Mother Manka righteously gives everything away to Sir Roger Moore for all the children that need help in this world.

The destiny unites two homeless men in the S.O.S. canteen. A failed actor and lost poet begin telling each other the key events from their lives. After an extraordinary twist we become aware that the two men are popular and will participate in a film experiment on the Moon.

Once upon a time music was able to change the world. 'No Fun' is about that time and one vinyl record which managed to do this. Featuring lots of archive material, the movie concentrates on happenings in Yugoslavia between 1977 and 1980, a period stretching from the debut concert by the band Pankrti. They acted as a detonator for many events on the local music scene, synchronizing pop culture in the socialist state with movements in the West, breaking out of a closed society, and eventually changing history. 'Without punk and No Fun the Berlin Wall would have fallen later!' claims the central figure in the movie, which also features numerous musicians, journalists, music critics and other people from the scene at that time.

L.V. Strocki is a traveling film projectionist in the best years. He is a representative of the first generation who watched partisan films, lived to see the invasion of the television and ended up among vampires. In the coastal region town he is preparing a film projection on the town square and a television team is making a documentary about this event. During the film projection about the heroines and heroes of an occupied town, a Heroine in a seductive outfit comes to see Strocki in his projection booth.

Tone, an older man, drives from Germany to visit his son Grega and his daughter-in-law Masha. Though nobody talks about it, something horrible has happened. In attempt to ease their pain for a moment, Tone takes the young couple out for an ice-cream and so begins their drive around the countryside. On the road, Grega and Masha experience sudden changes of mood. They get aggressive, deeply saddened, suddenly cheerful, nervous, depressed... They are together but each on their own. And the gap between them is growing. Meanwhile, Tone drives them further away from home but no further from what has happened.

Two men, a radio consultant and social worker, take refuge in the kingdom of the marmot - an alpine hut, which becomes their small business.

Humans' biggest delusion is their illusion of freedom. Newborns have no choice, they are brought into this world regardless of their will, groomed as utterly powerless beings to submit to the social norms imposed by those in the position of power - But what if there is an alternative?

Miha, a poet whom no one takes seriously, earns his living by writing cheap advertising slogans. This outsider poet of the new age gets commissioned to write an ode to the famous Slovene poet Preseren for the national celebration of the 200th anniversary of Preseren's birth. Who was Preseren? What did he drink? What sort of woman did he like? A comedy can begin.

The HI-RES video poses questions and gives some unexpected answers to what is to be done in art/dance today, as well as defines the representational limits of the framework that affects contemporary dance, together with the capacities of the dancing body in generating meaning for itself and others. Framework is of key importance to HI-RES, because it underlines the artificiality of the contemporary dance scene. Namely, it relates to contemporary dance as a practice which extends beyond life. Framework can clearly conceptualize the abyss, the gap, the distance between the body of life and the life of the dancing body on stage. These bodies cannot be reconnected without the pipelines and channels of the outside world. Based on the work of Gilles Deleuze, the body's capacity in HI-RES can be recapitulated as follows. First: we should introduce Deleuze's hypothesis in relation to Spinoza, namely: nobody knows what body is capable of; and secondly: together with Deleuze, pose the question: is contemporary dance capable of body representation?