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In 1950, the imminent death of a dying matriarch forces her family to reunite after many years. From his moribund confession, uncomfortable details will come to light disturbing the family. Nobody is free to kill for love.

Bárbara loves the clever Guille and wants to have his child. However, Guille hits his head in an accident. Bárbara discovers that the man she loves, now slow, without humor or memory doesn't awake any desire in her.

A young gangster deals with stolen works of art and other dodgy items under the order of his overbearing mother. When both a rival gang and a dazzlingly beautiful prostitute get in the way, our young hero has to escape to Chile in a red convertible to meet his mysterious connection, Vince Tayler.

"Tells the story of a group of Chilean children who discover a larger reality and a different world through the cinema. Each Saturday, Alicia Vega transforms the chapel of Lo Hermida into a film screening room as she conducts a workshop for children under the auspices of the Catholic church. The hundred or so children involved had never seen a movie, and in the workshop they see and learn about the cinema: photograms and moving images, projection, camera angles and movement, film genres, and much more. And they watch movies: Chaplin, Disney, Lamorisse's 'The Red Balloon,' the Lumieres' 'The Arrival of the Train to the Station.' Finally, each child designs his own film with drawings. And then, for the first time in most of their lives, the children got to the movies in downtown Santiago." [from the video container]

The ghost of a young German woman of the turn of the century appears to taxi drivers in the streets of present-day Chile.

When an elderly widow uses a state credit to start a taxi service employing only women, her son must live a lie in order to keep the business afloat