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A despondent young woman discovers blissful detachment after she chooses to become a vampire - only to discover that her new clutch is being hunted by their primeval, nihilistic ancestor.

In the 1987 underbelly of Portland's contaminated, trash-filled streets, a working-call clerk fights for her life against a horde of giant, man-eating mutant rats while trying to maintain her dignity at the hopeless Maxi-Mart.

LOGLINE: In this surrealist comedy, A middle-aged man comes to terms with his aging self and outer appearance he once recognized, all the while escaping a series of events that help him discover himself again.

A surrealist monologue from William Shakespeare's "Richard III" Act 1, Scene IV.

When Lizzie takes a downward spiral in her relationship with Marcus, she seeks the help of her friend Nate in order to find a more "real" her. Unable to help due to their preoccupation with work, Nate leaves Lizzie alone in an open house, letting her get some space and the alone time she needs to truly discover herself, upon the agreement that she leave after only an hour of being there so that Nate can prepare for their open house showing. After hours of self-care, self-loathing, and a little fun, Lizzie wakes up to find that her true self is revealed, not to the amusement of Nate. What happens when the real us are left alone to ponder our own existence? Is our own perception fake? If a tree falls in the woods, does any one see it?