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The film unfolds in three episodes, narrated through the perspectives of the three protagonists. Each perspective is a parable exploring different facets of Sendai City's reality, an urban conglomerate where the creator and sole master is the Big Brain, a constantly expanding creature that feeds on the emotions of slaves, living beings from a parallel and underground world. The watchwords that govern civil coexistence in the great city are three: Order, Welfare, Security. Everything that happens in Sendai reflects this creed and seems to occur in the wake of perpetual, deadly pacification. Even the elections, where two candidates, Lukas Von Spieldorf and The Prince, clash, seem a formality to decide who will be the right-hand man of the eternal creator. But something simmers beneath the ashes that cloud the minds of Sendai's citizens. A group of mutants, supported by the old Yakuza families who ruled in the past, resist the power that nullifies the individual through cybernization, the process that merges the individual into the indistinct mass that composes society. Their armed force is the mutant Syan, a seductive woman with sapphire skin.

In Sendai City, maintaining order means protecting the citizens, their lives and their freedom. But at the base of everything is the brain of the robots that populate the city: a spongy globe of positronic particles of a platinum-iridium alloy, which prevents them from undergoing chemical changes. At the center of the globe, an elementary particle of the Great Brain, the supreme being. The robots must not be paralyzed in front of emotions; at the first symptoms, the liquid memory of the human Shapes of the lower world, the old Caliban, must be injected into their positronic brain. A robot cannot harm a citizen of Sendai, and it cannot allow that citizen to suffer harm because of its inaction. But despite this, the concept of good and evil does not exist in the city, and violence is legitimate if used as a tool to defend the power of the Sendai Corporation. Is prosperity really an achievable goal? And will the robots obey the programming?

The film tells of two worlds, two cities that seem to exist autonomously and instead communicate through passages, space-time tunnels, bridges between the two worlds. They are two opposite worlds, utopian and dystopian, which will find, at the end of the film, the union in a "half-breed" world, the fusion of the two, which is not a sum but a synthesis, in which the new world, which from them sees its genesis, comes to have a new identity.

We are in the Interzone and Dr. Kelly is stripped of his memory .The reasons for this action are mysterious, around him move three characters of dubious nature and motivation who try to deceive him or explain their reasons why it was right for him to remember nothing more. However, his memory resurfaces in the form of fragments of speeches and memories drawing more and more of a dark truth.