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Dora, a 45-year-old biologist lives alone in an isolated house, where she conducts an ethically questionable research. Looking for a partner she can trust, she hires a new caretaker, Mateus, not realizing that he is also hiding his own secrets. Gradually, the two grow closer and Mateus finally discovers more about Dora's research: human composting. Mateus, who applied for the job in search of his father, who he believes to have worked at the house before disappearing without reporting, confronts Dora, but she manages to lure him like prey into her office, in the Tree House.

Margem (Shore) is an existential and political docudrama. An autobiographical account of a man's search for faith and hope as he grieves tragic losses and the departure of his stepson from his life. Shore is also set against the backdrop of the Covid-19 pandemic and connects its narrator's inner and soul-searching journey to the outer despair experienced by the Brazilian population when going through the pandemic crisis under the leadership of an inhuman (former) president and his administration.

Impenetrable is an independent short film based on a short play, which explores the interaction between film and stage aesthetics, while telling a story about a young couple trying to reconnect their emotions after a traumatic episode in their lives. The film technical aspects were planned in order to express the husband's attempt to remember the last moments he spent with his wife. The filme is a poetic metaphor inspired by the physical concept of impenetrability, in which two bodies cannot occupy the same space at the same time.

A young unemployed artist who believes he communicates spiritually with Fernando Pessoa, the poet, tries to borrow money from a great childhood friend, now a successful founder of a startup, in order to start a new- and revolutionary - religiously poetic enterprise.