एडवांस सर्च

A group of women go on a erotic, polyamorous, trip to free themselves from the mindset of patriarchy, while one of them plans to make a porn movie.

After studying abroad, Mercedes returns to Colombia to work on the next film by her father, the famous Víctor Gaviria. Fluctuating between admiration and reproach, Mercedes constructs a private diary that goes beyond familial conflicts to question the place of women in the film world, which is still strongly ingrained with a patriarchal mindset.

Flora Schvartzman is a ninety-year old spinster who has been wishing to die from the day she was born. Distanced from her family, she decides to contact them again in order to organize her own death. Iair, her great-nephew, is the first one to become interested in her... and in her apartment without heirs.

Melisa, filmmaker and character in The Pretty Ones is young, intelligent and funny, but also critical and ironic. She interviews her friends, reconstructs herself as a person using family photos and videos, and reflects on the images and expectations society has of young women.

Julio starts a new relationship and a new job. Little prudent, it is handled with both things as if he knew them from always. This will complicate his great project: to make an apocalyptic novel.

A tedious day in the country. A chaotic day in the city. The connection between both stories becomes complicated as image and sound begin to diverge.