Erweiterte Suche

Während einer Reise durchs Land auf der Suche nach seinem Neffen sieht ein Arzt aus einer kleinen Stadt sich mit Menschen aus seiner Vergangenheit und Zukunft konfrontiert.

Lai Sum works at a baby hatch, where she intervenes to support a pregnant underage girl contemplating abortion. Their lives become entangled in a perilous struggle against patriarchal and theocratic forces that threaten their safety.

Ein Film beobachtet drei Frauen, die in einer Vorstadt ihren täglichen Geschäften nachgehen.

A high heel mother shoe survives in an authoritarian world dominated by male shoes and brings up her daughter shoe by disguising herself as a male shoe.

Eine Zeitreisegeschichte über eine Frau, die an der Ostküste der malaysischen Halbinsel lebt und sich mit einem Mann in einen gefährlichen Tanz der Doppelzüngigkeit und Täuschung verstrickt.

The story tells of a monkey raised by humans, who went to a sacred mountain to look for "fire", and after going through numerous dangers and hardships, he transformed from a monkey into a human.

Girls Always Happy confronts the contemporary city life with a brand new perspective, and portrays with astonishing precision, the spectacle of mutual repulsion, hatred, and harm in a single mother-daughter relationship in a Beijing Hutong. Yet from the despair grows the power of tender love.

Yoon-yeong has been harboring feelings for Song-hyeon, a friend's wife. When he finds out that she is divorced, Yoon-yeong and Song-hyeon take a trip to Gunsan on a whim. They find lodging at an inn where the middle-aged owner lives with his autistic daughter who does not leave her room. The four become star-crossed lovers in the city of Gunsan.

ALUS is a nomadic electronic musician who accompanied his mother with Alzheimer's disease back to the grassland and spent the last time with his mother.

This three-act fable, set in wartime Chongqing, focuses on the indifferent rich, the head clerk on a farm, and some young intruders.

A film about a middle-aged man's retrospect to his past, two Koreans' trip to Fukuoka, and three people's reconciliation with love.

Shortly after The Third Solar Term of the Chinese Calendar (the Awakening of Insects), Qizhe returns home to spend his spring break with his mother. After meeting a man who he originally met online, he begins to lose control of his double life- one which is living true to himself, and the other, which is pretending to be the perfect son.

Observation of a crisis in restrained B&W, at micro and macro level. With the COVID-19 pandemic unfolding across the globe, an elderly woman fights for her life in a hospital in China. The family refuses to budge from her side, no matter what.

An old coffin painter, whose son was murdered, waits for the killer to leave prison. A mother and her daughter move to his neighborhood, which changes him. Will he still want vengeance?

In a southern Chinese town, the newly introduced firework ban is changing people's lives. On the Chinese New Year's Eve, an 8-year-old boy, Dian Dian sets out on his journey, searching for fireworks. Through his eyes, we see how different people are adapting their traditions under the new regulations. Based on the short story 'Air Cannon' by Zhanhei Wang.

A fashion shoot on the beach is derailed when the elaborate backdrop disappears overnight, swallowed by the sea. The assistant tries to recover it as the film subtly transitions into fantasy.

Ein chinesisches Mädchen namens Xingxi reist allein nach Alor Setar, einer Stadt in Nord-Malaysia. Als Folge eines geplatzten Reifens erlebt sie drei verschiedene Abenteuer.

Tells the story of Sangui, who is cursed to cause everyone he kisses to fall into a deep sleep. Only true love can break the curse. As Sangui searches for a cure, he finds a dreamer yearning to become a princess and a former superstar.

A muggy summer of 2009, reality and memory tangled together, water from the canal soaked everyone in those vanishing days.

Life on a small village in China during the last years of the Cultural Revolution takes a different course when the people is asked to prepare and perform a classic opera for government officials, entangling past, present and fiction.

Contemporary Shanghai, the young gathering A mega-structure under rapid development Ubiquitous screens, fragmented materiality, masked crowd We keep performing ourselves hard Living in a space-time construction created by the times and us Seeking for blending in and communication In many moments We have no clue in which layer of space are we in: Virtual space, dream space, daily space, urban space, bodily space, cellphone space, social space... This moment, he is a flaneur of night LA; Next moment, he is laughing on Shanghai street Today, she is a killer in suits; Next day, she is a body on beach without reason Maybe each layer keeps a "you" always in Confusion, loneliness, fragility, indifference, When smiling, mostly it's because seeing the absurdity of life itself Living in a daily routine, a sense of detachment haunts Life Imitation (2016) is the first feature film made by Chinese video artist Chen Zhou. It is a non-fiction film, an expanded documentary. It is a work parallels game image and image from daily life, a work that blurs virtual world and real world. It is an exploration through reality, dream and virtuality, also a group portrait of contemporary Chinese urban young lives. It brings you into and out of the Chinese young's fragmented daily life with its own rhythm.You will see their confusion and pain, fantasy and struggle.You will feel both the texture of their city and daily life that encircles them. Ultimately, it encourages you enter your own inner world, finding some relief, gaining some comfort, or generating some doubt.You name it.

In Inner Mongolia in the early 1990s, 12-year-old Xiaolei enjoys summer with his father, who works at a film studio, and his education-minded mother. But life is rapidly changing, as stable jobs at state-owned companies disappear. Hohhot-born director Zhang Dalei, who was inspired by "the magic of a daydream" he experienced while visiting his grandmother, has created a portrait of his country's past, in beautiful monochrome. Distancing itself from the nostalgic tone of popular teen dramas, the film presents a boy's detached view of the world. Pema Tseden, of Old Dog and Tharlo, is the executive producer. In a small town in western China in the early 1990s, after finishing primary school, Xiaolei looks forward to his long-awaited summer vacation, free of homework. However, this hot summer is not the usual leisurely summer he imagines, as it coincides with the transformation of state-owned companies and the loss of job security. While Xiaolei and his friends idle away the days, the shock of the reformation of state-owned enterprises sees his parents, seemingly calm in the blazing sunshine, seething wg with inner anxiety. As time passes, Xiaolei has a feeling that a revolution has quietly taken place. His father has to become a migrant worker to make a living, with the mother and son relying on each other. Xiaolei feels that life has changed completely. One night at the beginning of autumn, the epiphyllum in Xiaolei's yard blooms, as if it were an apocalypse.

The splash of water is like a bomb, about to break the tranquility of the pool.

Dreaming about her dead son frequently before her grandson is about to work abroad, grandma and her grandson embark on a journey to find a psychic.

They do everything together: they read poems, have breakfast, see friends, argue with each other, comfort each other, share their childhood and past memories. With imagination, they introspect in solitude and rest in intimacy.