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A nihilistic visual journey through rage and madness, shown via distorted film techniques. Death looms while meaning vanishes in this stylized display of suffering and torment.

The Law of Sodom tells the psychedelic story of a paranoid schizophrenic, all through grotesque imagery, surreal worlds, intense atmosphere and violent eruptions, written, directed and shot by a schizophrenic completely while being psychotic, giving the film a very unique feeling.

A man drowns himself in a mix of alcohol and bath salts after making a grueling discovery in his house at during the holidays. In a frenzy of trauma and psychosis, he runs into the woods, where he finds an ominous ventriloquist doll that seems to radiate evil. Complete and utter madness ensues.

After the last witch of the south became ashes, never to be remembered, the mother of darkness, Lilith, rises from the ground to harvest the fruits of deadly sin, and set an end to the holocaust of the saints, the religious pandemic that tried to enslave and ultimately annihilate her kind. Planting the seeds of the goat into her skull, she goes her way, on a quest of darkness, to open the gates of hell, become one with the lord of flies.

The story of Sulphur for Leviathan revolves around a nun, who suddenly finds herself progressively fantasizing about things that shouldn't be in her head, increasingly having to face her own doings of blasphemy, all leading up to something demonically dark and sinister. Portrayed in a surreal manner both in color and black and white, with a heavy focus on elegant cinematography, the film tells a satanic tale of unfulfilled desires, lust, blasphemy and existential dread, packed in a controversial and disturbing, but calm and poetic experience that is heavily inspired by Andrei Tarkovsky, with a touch of satanism.

A witch fulfills a blood ritual in the woods to revive her daughter. Presented in 70mm and IMAX, Daughter of Dismay is a meditative mood piece depicting the simple moment of an occult ritual in an immersive format, aiming to utilize the 70mm/IMAX format to convey a quiet atmosphere of dread.

A man wanders through a field in front of an old house. Something about it unsettles him, gets deep under his skin, yet he finds himself being drawn to it. Once inside, dreams and reality become one.

Patterns to Follow is a music video/short film for the eponymous song by European Death Metal/Grindcore band Implore. The story revolves around three blind children, following an ominous, hooded man through a thick, fog-layered forest. As they move along, they are swallowed by the dark of the woods, and things start to become increasingly sinister for them, as they feel their physical and mental energy being drained, seemingly connected to something mysterious our antagonist has been doing on a stone old, rotten attic, leading up to a terrible fate for the young individuals.

Trinity of Decay is a music film for the eponymous song by the band ANDERWELT, exploring themes of emotional oppression, all through surreal and epic images. It revolves around a woman, who has to face demons of her mind, battling against a man with a plague doctor mask, while roaming the dark of forest landscapes at night.

Chant of Hybris is a short film in form of a music video for the eponymous song by the Austrian Death/Black Metal band Theotoxin. Through radical and disjointed sequences, it tells a nihilistic and devilish story of blasphemy, fear and disgust, in elegant and artistic but equally as disturbing and brutal black and white images, shot on 16mm, with the focus being on creating something visually diverse and beautiful that still triggers a feeling of grime and phobia through extreme sensual and psychological provocation.

The story of Tears of Apollo, a throwback flick to low budget horror films from the 70s, revolves around a suicidal woman, who, during the apocalypse, meets just the person in what are supposed to be her last minutes on earth that no one should ever meet in a situation like such, let alone at all. Morbid doom ensues.