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In interior Maharashtra, a fisherman's son and a local politician's daughter fall in love against the restrictions of caste hierarchy.

Un emprendedor comerciante de algodón de Bombay inicia un nuevo juego de azar llamado Matka, que toma la ciudad por asalto y democratiza un terreno que antes estaba reservado para los ricos y la élite.

The road ahead might be straight and even, but human character is shaped by the journey thereon. Sagar and his father set out to invite their far-off relatives to Sagar's wedding. But the venture is not as easy. Sagar has left his job in Pune in order to live with his parents in the village and work as a farmer. "Farmers are not good suitors", yet somehow Sagar has found a bride and they are about to be married. Sagar and his father are always at odds against each other for no particular reason. This father-son tension characterises their journey, their relationship in the hands of the dust and the soil of the road. Coming of age needs you to assume responsibilities, but familial authorities also need to relay it off. This father-son journey paints such a transfer of responsibility.

NAAL is the story of Chaitanya, an eight-year-old mischievous boy. Living in a remote village in Maharashtra, along the banks of a river, he is fathered by a small-time landlord and pampered by a loving and caring mother. Naal is attached with Chaitanya's emotional world and follows him on an unexpected journey of experiencing motherly love.

Just like our profession, our life is also an art, and there is no format for any art,' says Chandu Pansare (45), an ace photojournalist to a newly joined junior photojournalist, Siddharth Deshmukh (23). Both work for a newspaper in Pune, Maharashtra. Chandu has a 'click first' approach for every incident, whereas Siddharth has a more humanitarian take. Frame portrays how these two protagonists' lives and ideologies get intertwined due to an earthquake and a chain of events that follow. A story where it's difficult to separate right from wrong when life puts both on the threshold of professionalism and humanity. Frame is Penned and directed by an ex-photojournalist.