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Kaunas, Lithuania, 1941, Lithuanian activist Andrius Gluosnis kills a Jew Isaac in Lietukio garage massacre. Years after the incident Gluosnis is haunted by the guilt.

Watchmaker stumbles into a mysterious cinema and is enraptured by the sight of movie star Lisa sleeping on the screen. His life changes. A girl he meets in the cinema begins leading him through the strange world of cinematic dreams.

To win back his ex-girlfriend, a conservative banker enlists the help of an exotic dancer to guide him on a quest for sexual experience, leading him into a world of strip clubs, sensual massage parlors, cross-dressing and S and M. Finally the two fall in love and start a relationship to go back from London to Lithuania to start a new life.

A corrupt politician tries to earn some decency points by marrying his daughter to a guy from the crowd.

Interviews with survivors/participants/witnesses and recreational scenes of 1945 Kalniskes battle, scientific research on dead partisans and occupants, graphic schemes of a battle, historical meaning and aftermath explained by experts and historians.

A former NKVD officer and an opportunist become partners in search of hidden KGB treasures, which causes a clash between stale past Soviet times and new Lithuania.

Sigis is stuck in a circle of daily routine, tries to get out, but always puts it off, because Sigis is stuck in a circle of daily routine.

One of the most important battles of Middle-ages.

In Lithuania, two investigative journalists work segregated from others in an isolated office as if in a cabinet. This cabinet is the main location in the film. It seems that they are in the cabinet, like they are closed, separated from others, even from the other journalists. Their research examines corruption of politicians, suspicious ties between the Prime Minister and businessmen, they fight for media freedom, which authorities are trying little by little to consistently restrict. It's not a film about one specific journalistic research, this film presents monotonous and nervous atmosphere in this cabinet and the question what is truth is also very important. It's a slow and minimalist film. The boundaries between truth and falsehood begin to rub. Journalists experience betrayal of a colleague, the office becomes sweltering and unpleasant. It's hard, nervous and stressful work and sometimes it may seem pointless, but it's necessary for society. Indifference otherwise can have sad consequences.

Is anything changing in life when in a film your characters death, mourning the loss of beloved one - parents, children is played? In Life After Death, this question is posed in different forms to three generations of actors.

An NKVD interrogator is about to meet and question a talented writer he himself never was able to succeed. For to be strong and convincible he prepares for an interrogation and rehearses.

Marius and Nomeda are having an affair. However after they find out that Nomeda is pregnant they can't hide it anymore and decide to reveal it during the family Christmas dinner.

The story is about the times when people's true pure love was deadly because of the circumstances that surrounded it. Our protagonists saw it as the only thing to believe in. It's a story about Anne and Joseph's love. A different kind of love that is stronger than human's life. The film is about partisan who tries to come back to the love of his life. His name is Joseph and he fights in resistance movement against Soviet oppression. Joseph is forced to see Anne secretly in the woods because they live in an occupied country. As Joseph finishes his mission and finally gets back to her he faces a fatal ambush which leads to his assassination. Inevitable death forces him to make a solemn decision... The story is inspired by Juozas Luksa, one of the most prominent post-World War II leaders of the Lithuanian partisans, the anti-Soviet armed resistance, life and his writings, but the film it's not about him.

A man living in solitude, bar his pet dog, has all the mod-cons in his life to make living easy but there's an uneasy dissatisfaction lingering.

Golden Flask captures the daily prosaic routine of the impoverished. We believe it is necessary for the 'normal' society (already entangled within modern technology and absorbed in capitalist nature) to see and remember that there are still others nearby, living differently, drinking and struggling to make ends meet. Those whose needs, feelings, desires and faith are as strong or perhaps even stronger in the sincere emotional scale. These people, though living on the foreign side of the social border unnoticed, seem to have much greater existential dilemmas than most of us; however, at the same time, they may even be happier. Time and space is stretched and altered in the different planet they live in. They don't belong to the world we have, yet they don't seem to care too much. This is the other side of the social border; it's dirty, nasty and scary when perceived by the foreign, although there is a perfect honesty in accepting the truth, pain or the simple joys.

You don't need to seek for happiness somewhere far away, happiness is always near you.