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Have you ever been to a strip club? But you've already wanted to - at least once - you didn't dare, that's all. This film tells the story of someone who dared.

Thirty-year-old Alice's occupation is rather unusual for a woman: she works as an engineer on a freighter. She loves her job and does it competently but even in a greasy blue overall a woman will be a woman, with her heart, her desires and her seduction - In such conditions can an all-male crew really remain totally insensitive to her charms? A situation all the more complicated as not only does Alice leave her fiancé Felix behind but she also discovers on board the Fidélio that the captain is Gaël, her first love.

Céline, 32, is expecting her first child. But Céline is not pregnant. In three months, it is Nadia, her wife, who will give birth to their daughter.

OLLA answers an ad on a dating website for Eastern European women. Shortly thereafter, she moves in with Pierre who lives with his elderly mother and things don't go as expected.

Jeanne works in a maternity yard in Marseille. Day and night, she struggles with her colleagues to support the mothers and their babies.

Angela aveva otto anni quando il primo McDonald's ha aperto a Berlino Est. Da allora, ha combattuto contro la maledizione della sua generazione: nascere "troppo tardi" in un momento di depressione politica globale.

Samnang, vent'anni, affronta la demolizione della sua casa di una vita a Phnom Penh, e anche le pressioni di famiglia, amici e vicini che sorgono e si intersecano in questo momento di cambiamenti imprevisti.

The White Building, an iconic structure home to 493 families in Phnom Penh, faces demolition. In the building's final days, Kavich Neang follows three families, including his own, as they pack belongings, share memories and anxieties, and eventually move out before the building's total destruction.

Mai Hua, French-Vietnamese single mom with two children, brings back her dying grandmother to France. As she miraculously recovers, questions are raised on the family's origins and a spell on women in the family. An intimate archeology of female lineage and universal quest for one's own truth.

A teenage girl, her younger brother and their mother pass through a hostile area on foot, hoping to reach the sea and flee. Despite the lack of food and shelter and bands of looters, the children seem to cope. But the mother, exhausted, is gradually losing ground. When her behavior ultimately threaten their survival of all three, the girl has to make a decision.

Under the strain of the capital's bright lights, a tuk-tuk driver is reminded of his former lover from the days before Khmer Rouge rule. As he acts to move out of the family home, his wife has one last request.