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Hubo un tiempo en que Rocky podía tenerlo todo. Tocaba chansons francesas y las mujeres se derretían. Eso ya pasó, pero ahora alguien ha despertado el espíritu de la seducción.

Ibrahim busca su lugar en una Alemania que no lo acepta por sus raíces y se enamora de Alexander, un criminal alemán heterosexual, quien solamente lo quiere como amigo.

In a sleepy little town somewhere in North Rhine-Westphalia, police officers Deniz (Erkan Acar) and Rocky (Adrian Topol) have almost nothing to do, nor do married couple Netti (Sanne Schnapp) and Hagen (Alexander Hörbe). Then Tina (Sina Tkotsch) turns up unexpectedly. She was assigned to begin closing down Station 23 for lack of crime, the colleagues here are apparently considered expendable. To save their jobs, the officers decide to switch sides and commit crimes themselves. Klaus (Bjarne Mädel), a homeless man, is someone they can blame for one thing or another. Tina soon becomes suspicious of the soaring crime rate. To distract from themselves and to gain time, Deniz and his colleagues pretend to be investigating anything and everything, and come across a hot lead in an unsolved case of art theft. This is a detective comedy about love, friendship, and self-determination and about the difficult handling of boundaries in the interpersonal sphere.

Though innocent, Tony Finelli spent 15 years in prison. Upon his release, he has lost everything that matters. Like a clumsy Phoenix rising from the ashes, he sets out on a bumpy journey to reclaim his life, and win back his family.

Sanya and Schulz are two Russian painters in Germany. Unlike ordinary craftsmen, they have their very own way of working. During a job that Schulz documents with a camcorder, everything seems to be as it always is, until the two painters make an unexpected discovery.

In the first half of the 1990s, Drissa Touré was an auteur fast on the rise, with his first fiction feature, Laada (1991), celebrating its world premiere in a Cannes sidebar, from whence it went around the world, Rotterdam included. Touré's next narrative project, Haramuya (1995), was again welcomed warmly and seen widely. But what happened then? How could an obviously gifted filmmaker from one of world cinema's true hubs, Burkina Faso, not find the means to continue? How did Touré end up riding a motorcycle, doing deliveries and errands? The fact that only a few years after Haramuya's release, Atria, the organisation where Touré deepened his technical knowledge of filmmaking, was closed down as the last francs of support were cancelled suggests that Touré's story is also a symptom of something more structural and grim.

The music video for "Dynamo" by Namosh takes us on a little home video trip through the 90s and early 00s - between prom, historical battles and regional trains.

It is winter in a small seaside village in Germany. There are not many inhabitants left, therefore Jan (39) decides to leave too, hoping to find a woman in town. Rose (32), a shy young woman, does not dare to confess her love to Jan. From Rose Jan experiences that his neighbor Betty (35) has placed a personal ad. Instantly Jan tries to win Betty's heart. He fishes for her, chops wood, carves a gift. But at last he must learn, that Betty has long opted for a man from the city. So Jan leaves his home. Rose remains. But just for her there is a glimmer of hope at the end. 'Nothing lost' is nearly a love story and a short film about hope.

Fleeing civilization, Benedict stumbles upon the ruins of an abandoned industrial compound. But he soon realizes he is not, in fact, alone, and that the life surrounding him here threatens to alter the familiar drastically.