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A collective project with students at a junior high school in a Paris suburb, about friendship, emancipation, trust, and the act of filmmaking for a generation raised by selfies and YouTube.

May, the daughter of a Japanese terrorist, and Adachi, an activist film-maker, tell the story of their lengthy exile in Lebanon. A reflection on the relationship between life, politics and cinema.

A record of the epistolary encounter between French artist and filmmaker Eric Baudelaire and Maxim Gvinjia, former Foreign Minister of the breakaway Caucasian state of Abkhazia, Letters to Max is both a chronicle of a developing friendship and an ingenious and unusual essay film.

Through documents and landscapes we see the passage of a French-Algerian man into a Jihadist network in Syria, but we never actually see the man in question himself.

Rome, years of lead. Aldo Moro is kidnapped in the fervor of the Red Brigades. The armed struggle is propelled towards a political dead end. Alvin Curran, mythical figure of the musical Avant-Garde, strives to dissolve the figure of the author in the collective. The notion of instruments is extended to natural and everyday objects, producing revolutionary works.

Initiated by the song written by the American composer Alvin Curran, Baudelaire's ominous film charts an itinerary through Europe's normalized state of armed surveillance. Employing slow motion and vertical video footage, Baudelaire observes armed soldiers as they patrol the streets of various European cities in this reflection on the power structures of modern life.