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En un remoto pueblo, dos hermanos encuentran a un hombre infectado por el demonio a punto de dar a luz al mismísimo mal. Deciden deshacerse del hombre, pero sólo consiguen extender el caos.

The day before their wedding party, a couple arrives at the country house to finalize the preparations for the celebration.

The uncertain hours after a vampire hunt when it's unclear if the hunter has himself been turned into a creature of the night. Will his family find out in time, or will their sentiment make them easy prey for the novice nightwalker?

Narra en tiempo real la despedida entre dos mujeres enfermas. En esta conversación íntima y profunda, discuten sus puntos de vista sobre la maternidad, la amistad y sus formas de enfrentarse a la enfermedad.

Mr. Arguello, school director, must take care of Cata, a 14-year-old student, injured in a lake, while waiting for her parents to arrive. During the wait the most important story of their lives will unravel.

Un adolescente sueña con convertirse en actor y toma clases, aunque oculta su ambición a su madre.

Argentinian soccer player leaves his club for a career outside sports. During his last five matches , he struggles with the question what he will do with his life.

Yineth is the woman of the seven names. Each of them shows a different way of being, a way of relating to the world, a reinvention. All the faces of Yineth today are not only in the same body, but they also agree that they all flee from a past that always finds them again. Yineth was recruited at the age of 12 by the FARC guerrillas. Today he works for the government. Yineth's story cuts across the pain of this country. The weight of putting on a camouflaged uniform again in his living room, the vanity of a city woman and a set of opposites, draws us the most human and therefore the most dangerous of this character: the contradiction that if well Yineth is a woman who runs away from her past, she is also addicted to it.

Fleeing from their violent father, siblings Lucía and Adrián take refuge in a remote mansion. With the help of a hidden micro-camera on a cat, Lucía uncovers a terrifying secret: their neighbors are part of a criminal network that kidnaps teenage girls to make snuff films, and they intend to get rid of the siblings. As Lucía fights to protect her brother, she must face a dark family curse that follows them into their newfound sanctuary.

Ten Argentine Olympic athletes' journeys, overcoming challenges with unwavering determination. United by dreams, their stories showcase grit and passion as they strive for greatness, raising their nation's flag on the world stage.

The question is: How do you film a community that rejects the concept of nation, the values of modern civilization, the papacy, the army, the military service, the accumulation of wealth, and instead embraces rural work and a life of praying? We're talking about more than a simple commitment to a creed or an ideology, we're talking about accepting to be a part of a world created out of your own convictions, and eluding any coexistence with everything that's different from that. How do you film this semi-limbo that has its own notion of time and history? This seems to be the question Nikolas Klement asks himself in his first film, a documentary that goes deep into a Mennonite community in La Pampa and portrays its everyday activities. Ekyprosis never picks up the counter-shot to "the others" -this is not a documentary that plays with contrasts. Klement's interest never exceeds the limits of this settlement, and tries to capture a sense of tempo and montage, a perception of light and framing that stresses the state of extreme of physical, mental, and spiritual asceticism.