Serge_Zehnder

This touching father/daughter-story, which stars Ben Foster and Thomasin McKenzie, reaches into the disillusioned world of America's current underclass. Citizens who for one reason or another have slipped off the grid and found new ways of sharing time and responsibility.

Debra Granik's work in unison with writer/producer Anne Rosselini is proof that character dramas about love and loyalty will never get old.

In order to avoid giving too much away I want to stop here describing the film.

But I can safely say, that if you've enjoyed "Winter's Bone" you will feel right at home in this movie. It's pace is slow but deliberately so. The acting never misses a beat, the camera respects the characters spaces and lets the story go places, without any plot contrivances or false pretense.

These are the truly forgotten people and they don't belong to any political spectrum but are the ones that need society's clearest understanding without any judgement.

"Leave No Trace" is worth following.

Nothing comes close to the rush of winning, at least according to those who have succeeded where others have failed. Molly Bloom (Jessica Chastain) managed to become a millionaire with a dose of luck, will and endless street smarts. The former professional skier ran high stakes poker-games in Los Angeles and New York and found herself in the middle of a federal investigation, where she was accused of colluding with organized crime.

Being a sucker for great stories of real life characters, it is easy to see what Aaron Sorkin saw in the very true tale of Molly Bloom. The American ethos of being No. 1 combined with the isolation and principles of its heroine make "Molly's Game" a tremendous playing field for Sorkin's directorial debut.

Even though he has dealt with themes of power, loyalty and the darker side of entrepreneurial endeavors in "The Social Network", "Newsroom", "Steve Jobs" and "Moneyball", what sets this story apart is that Sorkin chooses to layer the rise-and-fall of the titular character with questions about business morals and the loss of a more principled economic system, that has been washed away by fast-buck artists and fatalistic devil-may-care attitudes.

"Molly's Game" has a speedy pace, marvelous performances by both Chastain and Idris Elba, as her lawyer, and is directed with a sure hand. Which makes Sorkin's first directorial outing a joy to watch.

It's two-hour-plus running time glides by like a breeze and ends on a corny yet truthful note about the virtues of failure, that is a glimmer of hope in times of struggle, as well as one of the tenets of screen writing.

The fight, the hustle and the failure never end, but then again, so do the rewards in their own funny way. You win some, you lose some, and Sorkin never seems to forget how close he is to the edge.

To chase after an iconic masterpiece, to imitate or to try and supplant its rightful place, is a fool's errand.

Thankfully director Denis Villeneuve along with his talented collaborators never succumbs to imitating or trying to super-cede Ridley Scott's 1982 landmark "Blade Runner".

Hampton Fancher, who created the story of the original, has crafted a new screenplay with Michael Green, that not only builds on the themes of "Blade Runner", but ties them together with larger questions about the current human state and its challenges.

Ryan Gosling stars as a replicant of the latest generation, who tries to solve a puzzle that leads him into the realm of real and manufactured life, and walks along the same noirish paths that made the original so gripping. Gosling imbues his character with a very compelling façade, which starts to crumble as his humanity takes over his mechanical design.

The equally thrilling performances by Jared Leto, Ana De Armas, Robin Wright, Carla Juri and of course Mr. Harrison Ford, forge a credible bond with the audience and enhance the visual grandeur created by cinematographer Roger Deakins and production designer Dennis Gassner.

And although "Blade Runner 2049" may not achieve the same level of force as its predecessor, it is a tremendously immersive, philosophical and touching experience, that should be enjoyed on the largest screen possible.

The movie's pace is deliberately patient, which may confuse some members of the audience. But by slowing down and observing, the audience can revel in the immensity of the images.

The more we move, inexorably it seems, towards the do-or-die reality of "Blade Runner", the more vital these stories become.

Whatever the box-office-fate of "Blade Runner 2049" will be, the long wait has paid off. It is far more than just a quick cash-in on a cult classic or an overly devoted sequel. It stands on its own and adds many new layers to the question: "What makes us human?"

And it urges us on to find the truth in the rain.