The Four Horsemen reunite and team up with a new generation of young illusionists to expose a diamond heiress's global money laundering scheme for criminals.The Four Horsemen reunite and team up with a new generation of young illusionists to expose a diamond heiress's global money laundering scheme for criminals.The Four Horsemen reunite and team up with a new generation of young illusionists to expose a diamond heiress's global money laundering scheme for criminals.
- Awards
- 1 nomination total
- $50,000 Bucks Audience Member
- (as Angela Stander)
Summary
Featured reviews
This type of heist film is better when we have a small team of 4 doing a mission impossible / hustle / leverage type double movie-length episode.
I know Atlas by name, the other 9 I have no idea what there names were.
Less of the CGI camera tricks. More focus on actual real world tricks and using them to solve crime.
And keep the budget low. We don't need expensive race cars (with an ending that is resolved off screen, when the character just turns up. No explanation given). No home alone optical illusion museum to set things in. It was just stupid.
Seriously too much money was spent on the sets, when a tighter more-focused script was what is needed.
It's watchable and at least they vanished a silk in a TT. They explained how the diamond was switched out. As stupid as that was (same as the car stealing scene). Security around a billion pound diamond was laughable. Even more so when the twist at the end is revealed and you realise how pointless the rest of the movie was.
What's most frustrating is how detached everything feels. The film pushes surrealism to the point of disbelief, robbing it of the charm and intrigue that once defined the franchise. The surprise character reveal at the end feels cheap and unnecessary, a nostalgic gimmick that might have worked two decades ago but now only exposes budgetary shortcuts.
The plot twist, while mildly interesting, collapses under its own lack of logic - it's hard to invest when the story keeps bending reality for convenience. In the end, Now You See Me 3 is forgettable entertainment: flashy but empty, ambitious but weightless, and a disappointing end to a once-promising saga.
The whole movie is around 10 people bickering. It is exhausting to watch and listen to. This movie is definitely for a younger generation than the last as this sort of constant barrage of verbal intercourse reminds me more of college kids bantering than anything else.
So, regardless of that its okay. Nice to see the band back together. Nothing going to set the world alight here just okay.
We do end up with what feels like the 10 horsemen but feel free to disagree.
The cast is the best thing with them all reunited. I love Jesse Eisenberg so I enjoy seeing him again. Newcomers like Justice Smith, Dominic Sessa and Ariana Greenblatt are all great charismatic new characters too. Rosamund Pike as the villain is cool just cause it's her anyway.
They have the song abracadabra in this by Lady Gaga so that's another cool thing!
Great to see them back on screen again regardless of it being more of the same stuff with less complexity.
Did you know
- TriviaWhen Veronika enters her secret caveau we can see a painting held there: that's Caravaggio's "Nativity", stolen in Palermo, Italy in 1969, and never retrieved.
- GoofsAt 1:30 during the sand trap escape, all the water empties from the sand trap through the broken glass wall, and all the sand in the trap is no longer there.
- Quotes
Charlie: How did you... find us?
J. Daniel Atlas: I don't know, took me about... 30 seconds And if it was this easy for me to find you, how hard would it be for the police?
June: Whoa, hold on, the police?
J. Daniel Atlas: Yeah, the police.
Bosco: Why would the police be looking for us?
J. Daniel Atlas: Uh, I don't know, what about that little heist you just pulled? Or... the fact that you're squatting in this place, so that your electricity comes from the circuit box in the corner, I don't know, could be anything, am I right, Bozo?
Bosco: [chuckles] Bosco. Bosco Leroy.
J. Daniel Atlas: [chuckles] Oh yes that's right, Bosco Leroy. What, did you type "fictional magician name" into ChatGPT?
Bosco: No, that's actually my real name, Atlas. What'd your mom have sex with a map?
- ConnectionsFeatured in WatchMojo: Top 10 Must Watch Movies and Shows of November 2025 (2025)
- SoundtracksCrusades
Written by Max Bassin, Dominic DiGesu, Emily Green (as Gus Green), Foster Hudson and Cameron Winter
Performed by Geese
Courtesy of Partisan Records/PIAS
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Now You See Me: Now You Don't
- Filming locations
- Belgium(Exterior)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $90,000,000 (estimated)
- Gross US & Canada
- $61,761,268
- Opening weekend US & Canada
- $21,013,793
- Nov 16, 2025
- Gross worldwide
- $218,098,193
- Runtime
- 1h 53m(113 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1






