Lokah Chapter One: Chandra

Back in 2017, Dominic Arun exhibited promise as a filmmaker with Tharangam, an unconventional fantasy black comedy that didn't make a lot of money but captured the attention of the ardent filmgoer. Lokah: Chapter One - Chandra is the director's second outing, and this time, he strikes GOLD! The immediate post-watch feeling was a craving to watch the next chapters unfold rather quickly. We're subjected to a universe that's brimming with unimaginable possibilities, fascinating characters, and immersive lore. Chapter One works solidly as both an origin story and an in-between adventure characterized by a neon-filled aesthetic (even if it's set in Bangalore), comprising characters that we can connect to.

Kalyani Priyadarshan is a great choice for the titular character, and while she isn't required to emote a whole lot, her stature and prowess in the action set pieces really help. Naslen, however, with his candid expressions and taking on the audience's perspective, is PERFECT. He embodies the curious guy-next-door to the T, making Sunny's camaraderie with Chandra extremely fun to watch. Chandu Salimkumar and Arun Kurian are good too, especially the former, with some of his dad's signature expressions. Sandy is excellent as the main baddie, with a menacing stare and a stance that makes him easy to despise. There are some really cool cameos in store, in case you haven't exposed yourself to all the names in the cast already. The cameos have their natural space within the universe, possibly taking on full-fledged roles in the upcoming instalments.

Special shoutout to Durga C. Vinod as young Chandra; she was riveting in that pre-interval scene. Now, the finished product wouldn't be as good if not for some of these top-tier names within the crew: DoP Nimish Ravi, who makes this world look so vibrant and engaging; Editor Chaman Chakko with some amazingly cool transitions; Composer Jakes Bejoy who once again delivers a banger of a soundtrack; and Stunt Director Yannick Ben for making Chandra look absolutely badass in the action blocks. Loved the costume designs by Melwy J and Archana Akhil, alongside Banglan's production design.

My only major screenplay gripe concerns a party scene in the first half, where a cop lets a group of youngsters go scot-free after catching them with weed at an apartment. Okay, letting that slide since the same scene also features a dashing Kalyani (in a white dress) walking into the apartment with Ilayaraja's 'Kiliye Kiliye' remix playing in the background. Also, even when we call this Chapter One, there are way too many seeds planted already, making the film a thread-opener without offering any sort of closure. At least now, can people shut up about female actors NOT being able to pull off solid action in Malayalam? That too, in an era where lavish budgets are spent on creating "pan-Indian" action spectacles that often end up as debacles.

The film stakes a bold claim as a female led superhero spectacle in Malayalam cinema, with Kalyani Priyadarshan at the centre. Many critics hail it as one of Indian cinema's finer efforts in this genre. It draws deeply from regional folklore (particularly Kerala myth), giving more texture than many generic superhero films that simply graft visual spectacle onto thin mythic bones.

The production values visual effects, cinematography, design are consistently praised. For example, the film's world building and visuals are described as "opulent", "immersive" and "a visual treat".

The supporting cast and character work also receive positive mentions: Naslen K. Gafoor as the side kick/ordinary guy works well, and the antagonistic threads (organ trafficking, corruption) give the film some socio political grit.

While the visuals and ambition are strong, you feel the script and pacing let it down. The first half is frequently described as sluggish, the film takes the scenic route instead of diving straight into the action or conflict. Some of the humour and comic relief don't always land, and the background score/music, although competent, is felt to not reach the level of iconic that such a large scale film aims for.

As a foundation for a planned cinematic universe, it makes many of the right moves like post credit teases, cameos, setting up bigger things to come. It isn't just another good movie; it's the foundation of a cinematic universe.

If you're looking for a superhero film from Malayalam cinema that raises the bar in terms of scale, ambition and local cultural flavour, Lokah Chapter 1 Chandra delivers. The film may not be flawless, but its strengths outweigh the weaknesses.

Lokah - Chapter 1: Chandra is proof that you don't need a massive budget to create a true superhero spectacle. Dominic Arun's direction and Dulquer Salmaan's backing bring a fresh, daring vision to the screen-and it lands.

The world-building is rich and immersive, blending myth and modern day in a way that feels both rooted and futuristic. The action sequences are gripping, and the visuals-thanks to Nimish Ravi's striking cinematography and Jithu Sebastian's art direction-look nothing short of world-class. Jakes Bejoy's background score pulses through the film, keeping the energy high from start to finish.

At the heart of it all is Kalyani Priyadarshan, who completely owns the role and wears the cape as India's first female superhero. She brings strength, charm, and depth to Chandra in a way that makes you root for her instantly. Naslen, Arun Kurian, Chandu Salim kumar, Sandy, Vijayaraghavan, Nishanth Sagar and the rest of the supporting cast deliver strong performances and keep the momentum alive. The humour was organic, never forced, and balances the heavier moments beautifully. The surprise cameos had my theatre erupting-what a brilliant casting!

In the end, Lokah - Chapter 1: Chandra demonstrates that vision, craft, and commitment can outweigh sheer budget. It is not only a bold first step in an ambitious superhero universe but also a reminder that Malayalam cinema continues to redefine the boundaries of what Indian films can achieve. With works like this, it's clear that Mollywood is on its right path to becoming the face of Indian cinema.

I really have high hopes for this cinematic universe. Chandra did really well as the first film in the Lokah universe. Technical side was top notch. Jakes Bejoy in music, Nimish Ravi in cinematography, Chaman Chakko in editing, Dominic Arun in direction, Santhy Balachandran in writing, all did exceptional works. Kalyani was amazing as Chandra. Naslen, Chandu, Arun Kurian combo was also nice. I am so happy that we could celebrate our stars in multi-starrer movies. Looking forward for more movies from Lokah universe.

Lokah Chapter One: Chandra feels like a strong step towards showing how the Malayalam film industry can make its mark in the PAN-Indian space-without losing its own unique style of storytelling. While Mollywood has given us gems before, this film feels different. It isn't just another good movie; it's the foundation of a cinematic universe.

The film stands out as a brilliant fusion of Indian rural folklore with international myths, giving us a refreshing take on the superhero genre. The characters are written with depth, each having their own arc and purpose, setting a solid template for how superhero films can truly work for the Indian audience.

One of the highlights is the way it handles star cameos. They aren't throwaway appearances but meaningful roles that add to the narrative. The movie also avoids the common trap of dragging its ending or forcing cliffhangers. Instead, it delivers a satisfying conclusion while teasing its future through cleverly placed post-credit scenes.

Overall, Lokah Chapter One: Chandra is an engaging, entertaining superhero film packed with surprises, heart, and vision. A must-watch for anyone who loves well-crafted cinema.