Black Rabbit

Black Rabbit is about when an owner of one of the hottest restaurants in New York (Jude Law) lets his troubled brother (Jason Bateman) back around the family business he brings a whole lot of trouble for both him and his brother. So much so that it threatens to bring down the business and endanger their lives. This is a tense crime story with really interesting characters that will hold your attention throughout each episode. I binged all 8 episodes in only two days. I can't say enough about Bateman and Law. They were terrific. I wouldn't be shocked to see them nominated for some awards for this, especially Bateman.

Black Rabbit is a masterclass in slow lingering suspense, a series that rewards patient viewers with a deeply satisfying and thought provoking experience. While some might be initially taken aback by its deliberate pacing and dialogue-heavy scenes, these elements are not a weakness but the very foundation of its strength. The show understands that true tension isn't always found in frantic action, but in the quiet, charged spaces between people, in the unspoken histories and simmering resentments.

I usually don't take in tv shows even limited series but this peaked my interest. I was pleasantly surprised by how quickly it grabbed my attention and kept it there. I've never watched a series this fast but it was compelling, well thought out, brilliantly acted and most likely the best Netflix film or series I've seen. Usually I am turned off by their fare, however, Black Rabbit was well wroth my time.

Well, what can I say?

Black Rabbit is one of those rare limited series that grips you from the very first scene and refuses to let go. The writing is razor sharp, the pacing is meticulous and the performances are nothing short of magnetic. Jude Law and Jason Bateman bring a gritty depth to their roles, creating a world that feels raw, lived-in and morally complex.

One of the standout touches is the episode introductions, which cleverly pay homage to Ozark. Each episode opens with a sleek, symbolic graphic that foreshadows the themes and events about to unfold. It's subtle yet striking and it adds an extra layer of anticipation before the story even kicks in. For viewers who appreciated Ozark's visual storytelling, this will feel like a respectful nod while still carving out its own identity.

The cinematography leans heavily into shadows and muted palettes, enhancing the tension without ever feeling forced. Meanwhile, the soundtrack complements the mood perfectly, weaving in and out without overshadowing the drama.

Overall, Black Rabbit is dark, deliberate and deeply compelling. It's not just another thriller - it's prestige television done right, with every detail (down to the graphics at the start of each episode) contributing to the atmosphere. If you loved Ozark but want something fresh with its own unique flavour, this is a must-watch.

If you're a film junkie like myself then you'll appreciate the time and effort that Zach Baylin and everyone else put in to make this happen.

I enjoyed it. Not my place to say where it could have been improved. It is what it is.

Thank you.

Black Rabbit has received criticism for there not being enough empathy with the central characters. While I would agree with this to a degree, Bateman and Law put in some powerful performances that are worth watching. My wife and I ended the series with a discussion about their relationship, so it must have left some kind of impression on us.

It's another one of those series where you need to work your way through the chaotic first episode before settling into the lives of the characters.

The sibling relationship between Bateman and Law, while not perfect, was convincing enough to be compelling. Bateman in particular was a force of nature. It's one of those shows that might not leave a lasting impression, but is entertaining enough to give it a go.