Violent Night

Isn't it fantastic when everything you love nicely comes together? Especially around Christmas! What I like to do most during the holiday period is watching at least one - preferably more - Christmas horror movies, but the two mainstream non-horror Christmas movies that I've seen the most (that everyone has seen the most, for that matter) are "Die Hard" and "Home Alone".

"Violent Night" may not be a genuine horror movie, but it's excessively violent for sure, and - moreover - it's a love letter to the two aforementioned cinematic Christmas landmarks! Tommy Wirkola, who brought us the refreshing "Dead Snow", goes mainstream with this thrill-ride of an actioner about Santa Clause - the real one - battling a small army of evil scoundrels and protecting a cute girl and her rotten wealthy family during a heist/home invasion. It's not very original, it's not particularly sophisticated, but it sure is a lot of fun.

Certain ideas and gimmicks in the script are genius, like Santa having a Viking background, the casting of Beverly D'Angelo as a loathsome hag of a matriarch, or the killing of thugs with Christmas attributes like candy canes or electric lights. Other parts are clichéd and/or sentimental (but mandatory), like the overlong "true meaning of Christmas" conversations, but that's just a minor default. The "John Wick" type of battle in the bar is déjà-vu but nonetheless exciting, especially because it's to the cheesy tones of Bryan Adams' "Christmas Time". There are other jolly great songs on the soundtrack, like from Slade and Burl Ives, and a great role for John Leguizamo as über-villain "Scrooge".

Simply put this movie is Die Hard mixed with The Santa Clause mixed with Home Alone (Macaulay Culkin would be proud). It's an enjoyable romp and should be included in any action movie fan's Christmas playlist. Sure there's some questionable content. I've noticed that directors love putting David Harbour in red, but he suited the role, and the teeny tiny bit of an origin story was, well, interesting. I'd love to see that made into an origin movie.

But, like I said, if you're an Christmas action movie person, who enjoyed Die Hard and consider it a Christmas movie, Violent Night is a good addition to your yearly play list.

'Violent Night (2022)' is surprisingly earnest in its themes of Christmas magic and rekindling your Christmas spirit. What initially seems like a sardonic anti-Christmas movie soon reveals itself to be genuinely interested in spreading Yuletide cheer, although that's not to imply it doesn't also feature all the brutality, bad language and bodily fluids its concept promises. Merging 'Die Hard (1988)', 'Home Alone (1990', 'Bad Santa (2004)' and 'John Wick (2014)' (or, perhaps more accurately, some of its lesser imitators), the piece provides a stockingful of festive fun despite its undeniably derivative nature. David Harbour and John Leguizamo make up for the cast's general lack of charisma, as they're eminently watchable and sell even the silliest of dialogue. Though the piece is certainly self-aware, it's also really sincere and it establishes a strong sense of character for its central figure. In fact, Papa Noël actually has a relatively convincing character arc which prevents his inclusion from feeling as half-baked as it may initially seem. Although the flick sometimes comes closer to feeling like 'Paul Blart: Mall Cop (2009)' than 'Die Hard (1988)' (particularly when it comes to most elements not directly associated with Santa), it features plenty of well-choreographed and exciting set-pieces that revel in all the gory mayhem you could want. The action never rises to the level of something like 'John Wick (2014)', but it's better than a lot of similar American stuff and it continues the welcome post-'Wick' trend of having clean camera work that favours wider compositions. The movie is really fun when it gets going. It has a few issues here and there, and it's arguably a little too sappy for its own good, but it's an entertaining actioner with a strong central performance and several accomplished set-pieces.

And there's nothing wrong with that.

When Violent Night is good, it's really good. It isn't always nearly as entertaining as it could be, but it definitely capitalises on its goofy premise in all the right ways at various points.

The violence is blunt and rudimentary, but there's something strikingly effective about it. Each hit is loud and visceral, and many of the actual deaths are a lot more creative than I was expecting them to be, even if the violence leads me up to each death is pretty by-the-numbers.

I was pleasantly surprised with the small but satisfying character arcs that the script weaves into the simple story. Santa is given a cynical outlook on humanity and himself to overcome, the family has tension to work out, and the mythology of Santa's backstory is actually given a twist to make his capacity for violence make sense in this movie.

There's nothing particularly groundbreaking about any of this, but it's all crafted with care and it's investing enough that I could easily see myself watching this in subsequent years.

Its aforementioned strengths help it largely overcome its weak supporting actors, dialogue that's sometimes so corny it's cringey, and its few too many scenes of characters sitting and talking.

Possibly the most tedious film question ever asked is, "is Die Hard a Christmas movie?" Violent Night says "what if Die Hard WAS a Christmas movie?"

Its an excellent mix of two genres. First and foremost it's a (very violent) man in a tight spot action movie but hidden beneath is a traditional Christmas story of people becoming believers and a jaded main character getting their feative mojo back.

The film success is largely down to David Harbour's fantastic turn as a disillusioned St Nick. His ability to project charisma even when appearing tired and fed up carries the day, or in this case, night. He also cleverly avoids the trap of playing Santa too dark, for all his boozing and necessary killing he is still recognisably Father Christmas. The rest of the cast are all decent as well, with John Leguiziamo making a fun villian. Even the child character manages to not be annoying, although some of her dialogue hints that they had originally wanted a younger actress than Leah Brady.

The other big plus Violent Night has is its, well violence. The set pieces go above and beyond, with villians being impaled, burned and dismembered. Highlights include a Home Alone inspired sequence (turns out the invaders in this film are a lot less durable than Harry and Marv) and a Mortal Kombat worthy finish to the final showdown. There's also a decent vain of comedy even if you won't exactly be guffawing in the aisles.

There are a couple of things that take you out of proceedings, like the bad guys refusal to just shoot their guns and some very generic family interactions, but overall Violent Night is a very fun couple of hours.

8 lumps of coal for 10 naughty mercenaries.