Hurricane Carter

That this movie is finely crafted is beyond doubt. The acting is good, and it is nicely photographed and edited, but when it belies the truth it drops several notches down.

According to many posters and factual material, the story line takes great liberty with the facts of Carter's life. A similar story was told in I AM A FUGITIVE FROM A CHAIN GANG with Paul Muni. Innocent man goes to jail, escapes, gets caught, goes back to jail. Only he was innocent and Carter seems guilty of a lot of antisocial activity.

In a sense the movie is racist because it portrays facts that are seemingly untrue for dramatic effect and to sell the film to "gullible" audiences searching for racism everywhere.

One of the lines in the movie is by the kid who is "adopted" by the Canadian couple, "are you helping me because I am black or do you have pity for me", all too often the answer is yes, which is a demeaning attitude.

During an interview, Tracy from SNL, was asked about Loren Michael hiring him and he said that Loren said, " I am hiring you because you are funny, not because you are black," and Tracy said that made all the difference to him in his career.

This movie really serves to fan the fires of injustice not to shed light on it. In the Heat of the Night and The Shawshank Redemption are much better examples of racial injustice and interracial friendships.

Perhaps if were called Round One, and been totally fictional it would have been more inspiring.

15 years after The Hurricane came out Rubin Carter passed away still quite the symbol of what can happen when a malignant criminal justice system puts a target on your back and is determined to nail you. The Hurricane became his nickname in the boxing arena given him for the speed and accuracy of the deadly attack in the ring. He was forever Rubin Hurricane Carter even after he fought his last fight.

After his boxing career had wound down he and a friend were picked up in his home town of Patterson, New Jersey because they vaguely resembled two men who had shot up and robbed a bar and killed 3 people. On some flimsy evidence and some evidence withheld Carter and the other man went to jail and probably escaped the death penalty because it wasn't being used at the time.

Besides the background events The Hurricane mostly focuses on the events of Carter trying to clear himself and the young kid who reads the book Carter wrote while he was in prison. The best scenes in the film are Vicellous Shannon as young Lezra and Denzel Washington as Carter.

The Hurricane brought Denzel Washington one of his Oscar nominations and he will keep you riveted on the screen with his intensity. Occasionally Washington boils over, but it's the slow simmering tension he conveys as Carter that really keeps you watching. His scenes with Shannon are a great relief for him as in this kid he meets someone who believes his story and gets what he's about.

Besides Washington and Shannon, performances to watch out for are Rod Steiger as Judge Sarokin who is the federal judge who decides Carter's fate and Dan Hedaya as the incredibly vicious and racist police lieutenant who made incarcerating Carter a life's obsession.

The real Rubin Carter could not have had his story better told than be Denzel Washington in The Hurricane.

I need to warn people who watch this film, even though Denzel is a great actor who always gives a fine performance, to say the least this film needs to be taken with a grain of salt because its basically biased fiction with extensive "dramatic license". I have done some research and there are some facts you need to be aware of. First of all, Carter had an extensive criminal record, he was 29 years old when arrested for the Lafayette murders and had spent 11 of those years in confinement of some sort! The film shows him as a child rescuing a friend from a child molester and then stabbing him in self defense! Wrong! Carter actually beat a defenseless man over the head and stole his watch. He was always getting in trouble for fighting and beating up people, that was why he was sent to juvenile hall. He escaped in 1954 and spent two years in the Army (he was dismissed for unfitness after four court martials). He then went to jail for four years for assaulting and robbing three people. This film makes it look like he was pursued by a Javeat-like, bigoted detective named Della Pesca who "set him up" for the murders. There was no such person. Vincent De Simone was the real detective assigned to the case. According to all accounts he was a very nice man and an outstanding police officer who was not a racist or had anything against Carter. Also, contrary to what this film would have you believe, Carter was not unfairly robbed when he lost a decision when he fought for the title. Carter himself admitted this in an interview. Bob Dylans song The Hurricane said "they put him in a prison cell but he could have been the champion of the world". Carter lost eight of his last fifteen fights and wasn't even rated when he was arrested. In a 1964 Saturday Evening Post article Carter talked about going up to Watts and shooting cops (I could get about four or five). He owned an extensive gun collection and was feared by the people in Paterson. Is it any wonder he was considered a suspect! Like I said, this is a good film, but its just not true.

Norman F. Jewison's "The Hurricane" is an exceptional piece of film making. It has good editing, good writing, good scenes, and great acting. Now, the film itself is good, but the acting makes this film outstanding.

Denzel Washington is a terrific actor, and this film proves it (also a golden globe nomination and Academy Award Win in 1989 backs it up). Washington plays Rubin "Hurricane" Carter with such perfection not seen in a very long time. It's his spirit in this movie that gets this film up in the high life.

And Norman F. Jewison, a great Oscar Winning Director who directs this film of the human spirit with great intensity and knowledge of what Carter's life was like. That makes this film one of the best of the year.

Jewison's film is an old-fashioned biopic, complete with pivotal backstory, voiceover narration, and a character who enters the protagonist's life and changes it immeasurably. It's one of those stand-up-and-cheer movies where everyone seems to be against the hero, but above all odds (and with more than a little help from some of his friends), he rises above The System and gets his belated due. It's an oft-used scenario, with many scenes that could easily have been taken from Jewison's other films A SOLDIER'S STORY or IN THE HEAT OF THE NIGHT. Yet despite the familiarity of the storyline, I'll be damned if I wasn't choking back tears of elation at the movie's triumphant conclusion. It's a masterful piece of filmmaking that proves Norman Jewison's skill as a director, as he transcends the cliche-bound script and, with the help of Washington and company, makes it a powerful entity all its own.

As the Hurricane, Denzel Washington proves he is one of the best actors (if not THE best) in the business today. He can run the gamut from cold hatred to hearty laughter like few others can. He brings dignity and class to every one of his pictures (he was the only thing worth watching in THE BONE COLLECTOR). Here, he makes you FEEL every single thing he's feeling. In times of righteous indignation, you feel morally outraged alongside him. When he's at his most vulnerable, you can feel your throat constricting and your eyes watering. He has an uncanny knack for reaching into your soul and making you part of the picture itself; it's almost as if he's channelling the viewer while acting. Other actors delight in wowing the audience with grand theatrics and histrionics, but neglect to make the audience care; Denzel is usually soft-spoken and low-key, but always holds your attention.

In summary, THE HURRICANE was one of the most exhilarating motion picture experiences I've had all year. Norman Jewison directs with a deft surehandedness reminiscent of his late 1960s/early 1970s glory years, Denzel Washington delivers perhaps the most awe-inspiring performance of the year, and the audience goes home happy and feeling good about themselves and the world. What more could be asked for?