Romance à Rio

Fortune certainly smiled on the talented Doris Day when she landed her first movie role in this typical late-Forties musical comedy confection. She looks great, sounds terrific and acts with confidence, supported by the best that Warner Brothers could muster (except for the annoying Oscar Levant, an all-time UNfavorite of mine). And, as always, the Warners music department and sound technicians provide a wonderfully lush treat for the ears.

Turner Classic Movies, bless 'em, occasionally hauls this one out of their vaults and it's fun to see it uninterrupted and causing one's TV screen to glow with that particularly cool, yet warm at the same time, three-strip Technicolor that Warners seemed to specialize in before Warnercolor's less vibrant tones decorated the studio's color output. Of course the clothes, the elaborately formal sets, and those hairdos (Could any woman back then achieve those coiffures without the aid of a platoon of hairdressers?) all are quintessentially Hollywood just before the Fifties demanded that everything look very modern and somewhat more sleek. But as a way to enjoy a bit of still very entertaining nostalgia, this one is hard to beat!

It's hard to believe 'Romance on the High Seas' is Doris Day's first flick. She's awesome in a role originally intended for Betty Hutton--and everyone has a great time poking fun at manners and morals in this breezy sea breeze of a farce.

When Day and Jack Carson aren't coming up with one-liners, she takes time to sing some nifty tunes--among them, 'Put 'Em in A Box', 'It's You Or No One' and, of course, 'It's Magic'. Her rendering of the latter song in a Cuban nightclub is one of the highlights of the film--and her career. Never has she expressed the simple emotions of the lyric more beautifully with a honey of a voice that is always directly on pitch, warming the heart with great phrasing and tone. And her comedic skills are already in evidence here.

Especially enjoyable is her first night on board the cruise ship when she and Carson mistakenly dress up. "Nobody dresses on first night shipboard," Carson tells her. Posing as a society lady, she asks in cultivated tones, "Really? Don't they get chilly?" She turns and peers into the dining room. "This I gotta see!" she says in her own voice. She uses the cultivated tones to disguise herself as society lady (Janis Paige) whose identity she has taken.

The slim plot revolves entirely around the mistaken identity theme and it's all played for laughs with lots of punch lines. Doris has an amusing scene with the fabulous Eric Blore as a doctor who comes to check on her "illness" and ends up feeling weak when she checks his pulse.

Janis Paige, Don de Fore, S.Z. Sakall, Oscar Levant and the usual Warner Bros. stock players are all adept at this sort of thing. Highly amusing comedy with some great songs--easy to take and always good for a few laughs. Doris Day at the peak of her form.

This was Doris Day's first film and what a fun one it was. I saw it as a kid in the old Monache Theater and then later on TV. I was surprised how well it had worn and was delighted to hear Doris Day, 23 years old at the making of this film, using the slang of the day, such as "Natch...Natch but def." Carson, Paige and DeFore were great as was the ever-insufferable curmudgeon, Oscar Levant alongside "Cuddles" Sakal, the perennial loveable Jewish uncle. Carson is especially good doing a Calypso number and the story is pure 1940's cotton candy.

One of the delights of "Romance on the High Seas" is the remarkable debut of Doris Day. Having replaced an indisposed Betty Hutton, Day stepped into this role with all the zest and zip that she brought to her total career.

It's rather amazing to me how accomplished Day was in her initial screen effort: her comedic work, singing, and general enactment was like that of a seasoned professional. All the infectious Day sparkle and spirit was there from the beginning, after only a brief period as a band singer.

Ably assisted by the multi-faceted Jack Carson, pretty other-woman Janis Paige, vulnerable foils Don DeFore and Oscar Levant, and top character actor S. Z. "Cuddles" Sakall, this Warner Bros. musical bounces along merrily. Fetching songs, a witty script, nice settings in Rio and Cuba, and a stylish specialty number by Avon Long keep things moving along right to the kaleidoscopic finale staged by Busby Berkeley.

"Romance on the High Seas" is a pleasurable way to spend an evening. As Doris's song goes, "It's Magic."

This one's a hoot!

This film's male cast is a very good one, and they receive most of the cargo of really funny lines: Don De Fore, Cuddles Sakall, Oscar Levant, and Canada's own Jack Carson. Oscar's misanthropic lines are usually acerbic enough, and self-referential enough, to sound as though he wrote them himself.

I was a little wary since this video is part of the Warner Brothers "Doris Day Collection". But Doris is really quite winning. According to an anonymous and unsung IMDb contributor, Judy Garland was the first choice for Doris's part. That would have been a poor fit; the role certainly calls for someone lighter. The second choice, Betty Hutton, would have been a good one as well, but Lady Day (sorry) won me over. She sings a number of delightful songs -- she just happens to find a jazz combo on shipboard to accompany her -- and there is nothing here as risible as "Que Sera Sera", the sugary kidnapping tune from "The Man Who Knew Too Much". "It's Magic" is the showstopper.

The cruise ship makes several stops as it's travelling south: Cuba, Trinidad, Rio. A song in the Hollywood version of the local style generally erupts spontaneously. Busby Berkeley called the shots on these, and his influence is, shall we say, detectable. Jack Carson sings a calypso number in an unsteady Trini accent, but it's not too bad considering he was attempting it 50 years ago, mahn.

Try booking a passage with this ship of fools the next time you're in need of a vacation.