Todo Tempo que Temos

Never has the gap between my expectations and the actual impact of the film been so vast. The possibilities were so high with casting two of the greatest actors of our time- and even they could not make the movie have a soul. The writing and soundtrack were totally forgettable, despite Pugh and Garfield putting in great performances of what was available to them. The back and forth timeline made for an incomplete emotional journey, as there was no build up or stakes to be invested in. Both characters fell very flat, and I felt very little emotional investment in them. I had such high hopes and was counting down the days for this film, and was sorely disappointed upon leaving the screening. Hope someone casts the two together in a future film and gives them a better opportunity to create a masterpiece.

Well, it was definitely an enjoyable film to watch with a lot of other people. Lots of people in the audience laughing and crying. I didn't feel emotionally wrecked - I felt uplifted by the performances I saw - Andrew Garfield and Florence Pugh are both wonderful in this film. They are just so good together - a real sense of trust between them. I heard a man exiting festival hall sarcastically saying to his friend 'and she just happened to be a world class chef... ' I didn't mind any of that because I believed her. I don't want to see a film abt normal boring life - I want escapism, romance, something other than my life but based in truth. A domestic drama but between two beautiful people. I'd definitely watch it again - the time flew by.

I saw it for Andrew Garfield , one of magnificient actors of present , for John Crowley , in memory of their fantastic film Boy A.

And, indeed, We Live in Time is a pure beautiful film. Its first virtue is the kick to viewer to discover his past moments and future perspectives. The second virtue is represented by acting. I do not ignore romance or problems of life together or the knife of near death.

But it is a profound subjective masterpiece for the fine portrait of ages. For message, to. For the honest definition of unique moments of life. And for the fantastic performance of Florence Pugh and Andrew Garfield .

So, see it !

We get it, some moviemakers successfully used non-linear storytelling in the past to make some good movies but now it's way over used and overdone to the point of getting old. Now we have directors making their movies non-linear on purpose just to hide poor plot because they know that if they tell their plot in a linear way it will look too simple and boring so they just use non-linear story telling to make their movie appear smarter than it is.

This is one of those movies where you have a pretty plain old storyline full of cliches but the director tries to make up for it by using non-linear storytelling not to mention using a couple super popular actors but the movie is pretty bad overall and it doesn't really work.

We Live In Time delivers a compelling and emotionally charged story that explores love, loss, and the passage of time. The film boasts strong performances, particularly from its leads, whose chemistry draws the audience into their journey. Its poignant themes and richly drawn characters make for a narrative that has the potential to resonate deeply.

However, the film's non-linear editing detracts significantly from its impact. While the fragmented structure may aim to create intrigue or mimic the unpredictability of memory, it instead muddles the storytelling. Key emotional beats lose their potency as the timeline jumps abruptly, leaving viewers disoriented rather than engaged. The disjointed sequencing diminishes the weight of the story's climax, which should have been its most powerful moment.

Ultimately, We Live In Time is a film of great promise undermined by its structural choices, leaving audiences longing for a more coherent narrative flow.