Due fratelli tornano nella loro città natale per riniziare le proprie vite, ma incontrano una presenza malvagia che li stava aspettando da tempo.Due fratelli tornano nella loro città natale per riniziare le proprie vite, ma incontrano una presenza malvagia che li stava aspettando da tempo.Due fratelli tornano nella loro città natale per riniziare le proprie vite, ma incontrano una presenza malvagia che li stava aspettando da tempo.
- Premi
- 154 vittorie e 329 candidature totali
Tenaj L. Jackson
- Beatrice
- (as Tenaj Jackson)
Omar Benson Miller
- Cornbread
- (as Omar Miller)
Riepilogo
Reviewers say 'Sinners' is an ambitious, visually stunning film that blends horror, blues music, and historical themes. Many praise its cinematography, soundtrack, and performances, particularly Michael B. Jordan and Hailee Steinfeld. It's cinematography, soundtrack, and set design are highly acclaimed, but some find the pacing slow and narrative convoluted. The film's approach to themes like racism and historical trauma receives mixed reactions. Overall, 'Sinners' is ambitious with lasting impact.
Recensioni in evidenza
It feels like The Sinners was directed by two different Cooglers-one responsible for the first half, and another for the second. If I had to rate them separately: the first half is a solid 8, the second a disappointing 4.
The film starts off brilliantly. Set in the Deep South during the 1930s, it plunges us into a world of chain gangs, overt racism, and raw human struggle-all wrapped in the soul of music. The characters are distinctive and memorable, the performances are top-notch, and the world-building is rich and atmospheric. It's a western, a drama, and a musical all at once, and somehow it works. For a while.
Then comes the second half.
This is where things fall apart. The pivot to horror-specifically vampires-feels abrupt and half-hearted. There's barely a story holding it together, and the horror/action sequences barely last 10-15 minutes. They lack any real suspense or memorable set pieces. The execution feels rushed and undercooked, especially after such a powerful setup.
The final 5-7 minutes attempt a bold anti-Klan message, and it's likely this moment of violence and symbolism that won over many critics. But for me, it was too little, too late.
What's most frustrating is the wasted potential. This could've been a truly unique vampire film-rooted in history, rich in theme, driven by character and song. Instead, it leaves you wondering what could've been if the second half had lived up to the promise of the first.
The film starts off brilliantly. Set in the Deep South during the 1930s, it plunges us into a world of chain gangs, overt racism, and raw human struggle-all wrapped in the soul of music. The characters are distinctive and memorable, the performances are top-notch, and the world-building is rich and atmospheric. It's a western, a drama, and a musical all at once, and somehow it works. For a while.
Then comes the second half.
This is where things fall apart. The pivot to horror-specifically vampires-feels abrupt and half-hearted. There's barely a story holding it together, and the horror/action sequences barely last 10-15 minutes. They lack any real suspense or memorable set pieces. The execution feels rushed and undercooked, especially after such a powerful setup.
The final 5-7 minutes attempt a bold anti-Klan message, and it's likely this moment of violence and symbolism that won over many critics. But for me, it was too little, too late.
What's most frustrating is the wasted potential. This could've been a truly unique vampire film-rooted in history, rich in theme, driven by character and song. Instead, it leaves you wondering what could've been if the second half had lived up to the promise of the first.
For years I've been emphasizing the importance of music in movies; how an amazing musical score can significantly elevate a movie. It shouldn't just be background dressing. It should be brought to the forefront. It should drive the story. It should be a character in itself. It should give you goosebumps in the big moments. Sinners is one of the best examples of this.
Aside from the music, I could tell I was watching high-quality filmmaking within five minutes. The directing, camerawork, editing, and sound design are pristine. The entire cast does a great job, but Michael B. Jordan shines. He is a superstar.
Sinners is also surprisingly funny, without taking away from the seriousness. And the horror elements are... satisfying. This movie goes hard.
(2 viewings, opening night IMAX 4/17/2025, 11/21/2025)
Aside from the music, I could tell I was watching high-quality filmmaking within five minutes. The directing, camerawork, editing, and sound design are pristine. The entire cast does a great job, but Michael B. Jordan shines. He is a superstar.
Sinners is also surprisingly funny, without taking away from the seriousness. And the horror elements are... satisfying. This movie goes hard.
(2 viewings, opening night IMAX 4/17/2025, 11/21/2025)
I'm not saying the movie is bad, it starts great, gets a little slow and the ending was okayish. But it's getting more hype that it deserves. It seems more like a one time watch rather than a timeless piece.
The cinematography is brilliant, soundtrack is great but the script is just mediocre. The plot just drops after 30 minutes or so. The ending feels somewhat lazy.
The cinematography is brilliant, soundtrack is great but the script is just mediocre. The plot just drops after 30 minutes or so. The ending feels somewhat lazy.
First half of the movie was very good. Great character set up. Second half of the movie the plot progressed very quickly with nothing particularly interesting happening. Not much of a story line involved and movie ended abruptly. The acting was great, Michael B Jordan did a wonderful job playing smock and stack and some of the supporting characters were great as well. The movie was filmed perfectly. Music was obviously great as well. Plot and storyline did not move the needle for me. Post credit scene was cool!
The plot for this movie is pretty much lifted from Dusk to Dawn. You introduce a handful of characters and get them all to a single location where they are then attacked by vampires. Sinners is much slower, more of a William Faulkner version of a vampire movie. The production design and cinematography are excellent. The cast is very good. The music is good. Everything about this production top notch.
However, I struggled to get through this. There were many long scenes where the dialogue became cumbersome. It felt like the whole movie was a slow burn moving toward a rousing climax of horror, but when they got there it was underwhelming. It never delivered the scares or the sense of danger.
However, I struggled to get through this. There were many long scenes where the dialogue became cumbersome. It felt like the whole movie was a slow burn moving toward a rousing climax of horror, but when they got there it was underwhelming. It never delivered the scares or the sense of danger.
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Colonna sonora
Visualizza l'anteprima della colonna sonora qui e continua ad ascoltarla su Amazon Music.
Lo sapevi?
- QuizMany of the musical performances were recorded live on set, with the cast members performing alongside blues musicians.
- BlooperWhen Smoke and Stack are waiting for Hogwood early in the movie to buy the sawmill from him, they are casting notably different shadows while standing beside their car, revealing how the scene was spliced together from two different shots of Michael B. Jordan taken at slightly different times of the day.
- Citazioni
Old Sammie: You know something? Maybe once a week, I wake up paralyzed reliving that night. But before the sun went down, I think that was the best day of my life. Was it like that for you?
Stack: No doubt about it. Last time I seen my brother. Last time I seen the sun. And just for a few hours, we was free.
- Curiosità sui creditiThere is a short post-credits scene that flashes back to the past where Sammie performs "I'm Gonna Let It Shine".
- ConnessioniFeatured in Dead Meat Podcast: Upcoming Horror Sneak Peeks (2025)
- Colonne sonoreIrish Filídh, Choctaw Chant and West African Griot Suite
Performed by Iarla O'Lionaird (as Iarla Ó Lionáird), Jaeden Ariana Wesley and DC6 Singers Collective
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Pecadores
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 90.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 279.653.537 USD
- Fine settimana di apertura Stati Uniti e Canada
- 48.007.468 USD
- 20 apr 2025
- Lordo in tutto il mondo
- 367.953.537 USD
- Tempo di esecuzione
- 2h 17min(137 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.76 : 1
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