Segue una donna in difficoltà che è felice di ricominciare da capo come domestica per una coppia benestante ed elitaria.Segue una donna in difficoltà che è felice di ricominciare da capo come domestica per una coppia benestante ed elitaria.Segue una donna in difficoltà che è felice di ricominciare da capo come domestica per una coppia benestante ed elitaria.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Lamar Baucom-Slaughter
- Officer Stanley
- (as Lamar B. Slaughter)
Recensioni in evidenza
This film is good, entertaining, solid, and cheesy fun, with just enough serious and surprisingly complex storylines to appeal to both mainstream audiences and lighter film critics. It builds steadily toward a crescendo--perhaps more than one-with a handful of well-timed twists and turns that should satisfy popcorn-loving moviegoers from college age to adulthood.
None of the performances are likely to earn an Academy Award, but the cast does a credible job portraying desperate, flawed, and occasionally unhinged characters. The film is helped along by its beautiful setting, striking home, and an ensemble of attractive actors, which carry it through a few moments where the plot flirts with jumping the shark on believability.
Still, enough thought and structure have gone into the screenplay to make it feel like one of the twist-heavy domestic dramas of past decades, rather than a throwaway thriller. The pacing holds, the stakes escalate,& the film largely earns its moments of excess.
None of the performances are likely to earn an Academy Award, but the cast does a credible job portraying desperate, flawed, and occasionally unhinged characters. The film is helped along by its beautiful setting, striking home, and an ensemble of attractive actors, which carry it through a few moments where the plot flirts with jumping the shark on believability.
Still, enough thought and structure have gone into the screenplay to make it feel like one of the twist-heavy domestic dramas of past decades, rather than a throwaway thriller. The pacing holds, the stakes escalate,& the film largely earns its moments of excess.
As a huge fan of the book, the movie didn't disappoint me at all! The character portrayals were spot on. Especially Seyfrieds performance as Nina, hand her that Oscar already!!!
I still prefer the book. But the movie actually lived up to my expectations & maybe even more!
I think I actually prefer the ending of the movie over the ending of the book!
I still prefer the book. But the movie actually lived up to my expectations & maybe even more!
I think I actually prefer the ending of the movie over the ending of the book!
6.9/10 (7) (Definitely Recommend)
I went into this movie with very little expectations, or even understanding of what I was getting myself into. Some people may know what to expect, and others may not. I aim to write this review trying to keep the mystery. After having seen only the same trailer a bunch of times, I already had a bunch of preconceived notions of what was going to happen, but damn, they were off.
Amanda Seyfried's character was nowhere near where I believed her to be according to the trailer. Amanda is fantastic in the role, and became likeable for me by the end. Sydney Sweeney was once again a little rough/rigid around the edges. However, her acting style fit this character. I was surprised by her characters progression throughout the story. From the trailer alone, I didn't know almost anything about Brandon Sklenar's character, but by the end you knew exactly who he was and why things aren't always as they appear.
The story was interesting for me. I only found out after the movie that this is a book adaptation, so people like her and her book club knew somewhat of what to expect. Me personally, again, because I didn't know what to expect, was almost bored out of my mind for the first two acts of the film. I honestly thought, and told my sister and her friends, that I believed that this was just another film for Sydney Sweeney to show off her body. While that may have very well been part of the case, by the third act it wasn't the only case. Everything about the movie got more exciting and interesting. I actually became more invested when the onion was being peeled back.
Overall, I would probably see this movie again. The story is better than just some housemaid being put through the wringer. The actin isn't out of this world, but it gets the job done with its tension and release. I think the less you know the better going in, as it certainly helped me enjoy myself. My sister did say the movie differed in some ways compared to the book so even her and her friends were a little taken aback by some of the changes. So if you're looking for a film to watch during the Christmas break, then this is one to certainly check out.
That's it for now. Thanks for taking time to read my review. Happy watching and enjoy the show!
PS Warning: if you, or someone you know, has been affected or suffered abuse in the past, this film may not be suitable for you. There are some scenes viewers may find graphic when it comes to abuse.
I went into this movie with very little expectations, or even understanding of what I was getting myself into. Some people may know what to expect, and others may not. I aim to write this review trying to keep the mystery. After having seen only the same trailer a bunch of times, I already had a bunch of preconceived notions of what was going to happen, but damn, they were off.
Amanda Seyfried's character was nowhere near where I believed her to be according to the trailer. Amanda is fantastic in the role, and became likeable for me by the end. Sydney Sweeney was once again a little rough/rigid around the edges. However, her acting style fit this character. I was surprised by her characters progression throughout the story. From the trailer alone, I didn't know almost anything about Brandon Sklenar's character, but by the end you knew exactly who he was and why things aren't always as they appear.
The story was interesting for me. I only found out after the movie that this is a book adaptation, so people like her and her book club knew somewhat of what to expect. Me personally, again, because I didn't know what to expect, was almost bored out of my mind for the first two acts of the film. I honestly thought, and told my sister and her friends, that I believed that this was just another film for Sydney Sweeney to show off her body. While that may have very well been part of the case, by the third act it wasn't the only case. Everything about the movie got more exciting and interesting. I actually became more invested when the onion was being peeled back.
Overall, I would probably see this movie again. The story is better than just some housemaid being put through the wringer. The actin isn't out of this world, but it gets the job done with its tension and release. I think the less you know the better going in, as it certainly helped me enjoy myself. My sister did say the movie differed in some ways compared to the book so even her and her friends were a little taken aback by some of the changes. So if you're looking for a film to watch during the Christmas break, then this is one to certainly check out.
That's it for now. Thanks for taking time to read my review. Happy watching and enjoy the show!
PS Warning: if you, or someone you know, has been affected or suffered abuse in the past, this film may not be suitable for you. There are some scenes viewers may find graphic when it comes to abuse.
Homeless, jobless and just released from a ten year prison sentence for manslaughter Millie (Sydney Sweeney) accepts an unexpected position as a housemaid in the wealthy Winchester household in Nassau, Long Island. The behaviour of mother of one Nina (Amanda Seyfried) then becomes increasingly erratic and abusive towards Millie at the same time as a relationship starts to develop between Millie and Nina's husband Andrew (Brandon Sklenar). Desperate not to lose her job, which carries the risk of a return to gaol, Millie is taken on a terrifying psychological rollercoaster ride in which seemingly nothing is as it first appears. Filmed in New Jersey this 2025 feature film is a psychological mystery thriller based on the novel by Freida McFadden (as adapted for the screen by the hilariously named Rebecca Sonnenshine), and directed by Paul Feig, having the same kind of twisting and turning plot as Feig's impressive 'A Simple Favour'. Visceral, contrived, at times unconvincing, more than a touch operatic, tinged with occasional humour, and extremely manipulative as a story (one of the film's main themes of course is manipulation) the film deals with a number of themes and issues including gender, class, silent hidden victims (whether through exploitation in employment or domestic partner abuse), and the socially damaging effects of the so called 'justice system' (stigma, discrimination, amongst other things) and mental health system (the common problem of misdiagnosis - and worse - by doctors). And like any good thriller of this sort it saves one of it's twists til the end, involving Andrew's mum Evelyn (Elizabeth Perkins).
In general, the story was pretty good. It was a decent thriller with some jump, scare moments, some gruesome body stuff and a pretty good twist. It also reflected the realities of mental health and clingy relationships. I've heard some complain about the pacing towards the middle/end but in my opinion, the pacing was fine. It didn't feel drawn out and it ended exactly when it should've.
The characters themselves were pretty good. Sydney Sweeney did a decent job. She's not gonna win a Grammy for her performance, but she played her role well of the innocent but beautiful woman and has a good character arc.
I really did like how they used music and different camera angles to set a very tense tone.
Overall, it's in decent movie with some good tense moments and a pretty good story.
The characters themselves were pretty good. Sydney Sweeney did a decent job. She's not gonna win a Grammy for her performance, but she played her role well of the innocent but beautiful woman and has a good character arc.
I really did like how they used music and different camera angles to set a very tense tone.
Overall, it's in decent movie with some good tense moments and a pretty good story.
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Lo sapevi?
- QuizDirector Paul Feig has said he was the most uncomfortable person on set during the film's nude and sex scenes, crediting the cast's openness and the intimacy coordinator for creating a professional and respectful environment. He compared filming these scenes to staging a stunt or fight once trust was established.
- BlooperIn some shots at the end of the film, the husband has a missing tooth. In other shots from the same scene, the tooth is clearly present.
- Citazioni
Mrs. Winchester: Having teeth is a privilege!
- Colonne sonoreTake Me As I Am
written by Katelyn Lapid
Bethany Ann Warner
Andrew Haas
Ian Franzino
performed by Lyn Lapid
courtesy of: Mercury Records/Republic Records under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- La asistenta
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 49.873.698 USD
- Fine settimana di apertura Stati Uniti e Canada
- 19.010.430 USD
- 21 dic 2025
- Lordo in tutto il mondo
- 60.086.626 USD
- Tempo di esecuzione
- 2h 11min(131 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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