Un joven afroamericano visita a la familia de su novia durante el fin de semana, eventualmente la historia toma un rumbo escalofriante.Un joven afroamericano visita a la familia de su novia durante el fin de semana, eventualmente la historia toma un rumbo escalofriante.Un joven afroamericano visita a la familia de su novia durante el fin de semana, eventualmente la historia toma un rumbo escalofriante.
- Ganó 1 premio Óscar
- 154 premios ganados y 214 nominaciones en total
Caren L. Larkey
- Emily Greene
- (as Caren Larkey)
Julie Ann Jones
- April Dray
- (as Julie Ann Doan)
- Dirección
- Escritura
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Satire doesn't get much darker than this, a perspective derived from the opposite of bliss, the frictions and prejudice society draws, to control and manipulate, exploit and ignore.
What would you do, if someone took control of you, could control you're every move, set the tempo to your groove, had the first and final say, how you went about your day, chose the things that you would do, when and where, with what, with who. If you tried to make a stand, put a halt or raise a hand, the mighty structures that surround, would envelop and impound, one for all and all for one, will ensure you'll soon be gone, but be under little doubt, that you're never getting out.
An outstanding piece of cinema and satirical observation with added barbs.
What would you do, if someone took control of you, could control you're every move, set the tempo to your groove, had the first and final say, how you went about your day, chose the things that you would do, when and where, with what, with who. If you tried to make a stand, put a halt or raise a hand, the mighty structures that surround, would envelop and impound, one for all and all for one, will ensure you'll soon be gone, but be under little doubt, that you're never getting out.
An outstanding piece of cinema and satirical observation with added barbs.
Jordan Peele's directorial debut is an exhilarating horror thriller that also manages to spark laughter and comment on social issues. The cinematography, tropes, and soundtrack echo horror, but the film finds abundant moments of comic relief like when a father reassures the main character he isn't racist by claiming, "I would have voted for Obama for a third term." Before the plot delves into a traditional horror frenzy, it mines the horrors of racism. The social commentary plays on audience expectations and results in both humor and suspense. Delivering both on the expectations of the genre and the comedic expectations of a Jordan Peele creation, GET OUT is simply amazing.
Let's clear the air about this film. It's not a horror film. It's not a comedy. What it is, is a suspenseful thriller of the highest level, worthy to be compared to Hitchcock caliber. The humor is there, along with a few horror scenes, but not enough to overshadow the main theme of the story. The film hits all cylinders with almost no misfires. As far as complaints that the film is racist, it is not. It would work just as well with an all-black or all-white cast. Those complaints are from people who are uncomfortable with black people or interracial relationships and are letting it distract them from the narrative of the film. I most certainly hope that it reaches the wider audience that it so richly deserves.
A unique and effective blend of horror film and social commentary if there ever was one! Young, modest black photographer Chris Washington is understandably nervous about going to spend the weekend with the parents of his sweet white girlfriend Rose Armitage, who for reasons totally unbeknownst to him has yet to tell her parents that he's black. They set out on their trip and...well the rest is really left for the viewer to discover. Writer-director Jordan Peele truly shows his master craftsmanship by taking this simple premise and expanding it in many different directions, also incorporating elements of racism, comedy, shock and awe, and wisely never taking things too seriously. The climax is a bit formulaic and over-the-top, but the journey is effectively unnerving and features much stronger acting than you would expect for a film of this genre. Not for everyone, but refreshingly unconventional and worth the viewing experience. ***
Jordan Peele's strong directorial debut got well deserved Oscar attention, as it's unique, intelligent, and often times subtle storytelling made for a well layered, suspenseful film experience.
It is hard to say one actor out of the supporting roles stuck out as they all performed so well, but Daniel Kaluuya in the lead role as Chris was superb. His usage of facial expression and body language played so well to his character, and in a movie with plenty of good qualities about it he shines.
Jordan Peele also uses a lot of subtle imagery that contributes well to the themes and tone of his story, which is notably impressive especially for a first time director and make for rewarding second, third and maybe even more repeat viewings.
This movie is not without faults however, as there is a handful of times where characters inexplicably act strange seemingly just for the audience, and like most horror movies coming out recently it has it's pointless, shrill music stabs to emphasize a silly jump scare.
Despite it's faults, I would still highly recommend this one to anyone looking for an intriguing story.
It is hard to say one actor out of the supporting roles stuck out as they all performed so well, but Daniel Kaluuya in the lead role as Chris was superb. His usage of facial expression and body language played so well to his character, and in a movie with plenty of good qualities about it he shines.
Jordan Peele also uses a lot of subtle imagery that contributes well to the themes and tone of his story, which is notably impressive especially for a first time director and make for rewarding second, third and maybe even more repeat viewings.
This movie is not without faults however, as there is a handful of times where characters inexplicably act strange seemingly just for the audience, and like most horror movies coming out recently it has it's pointless, shrill music stabs to emphasize a silly jump scare.
Despite it's faults, I would still highly recommend this one to anyone looking for an intriguing story.
Blumhouse Horror Films, Ranked by IMDb Rating
Blumhouse Horror Films, Ranked by IMDb Rating
Blumhouse Productions has been a major force in the horror genre since 2007's Paranormal Activity became a worldwide sensation. See how IMDb users rank all of Blumhouse's horror movies since 2007.
Banda sonora
Previsualiza la banda sonora aquí y sigue escuchando en Amazon Music.
¿Sabías que…?
- TriviaDaniel Kaluuya was given the lead role on the spot after nailing his audition. Writer, co-producer, and director Jordan Peele said Kaluuya did about five takes of a key scene, in which his character needs to cry, and each was so perfect that the single tear came down at the exact same time for each take.
- Errores(at around 1h 12 mins) When Rod searches for information on Andre Hayworth, the second result is a page titled "How to report a missing person." However, in the close-up, the excerpt from the page shows instructions on how to feed a dog.
- Citas
[last lines]
Rod Williams: I mean, I told you not to go in that house. I mean...
Chris Washington: How you find me?
Rod Williams: I'm TS-motherfuckin'-A. We handle shit. That's what we do. Consider this situation fuckin' handled.
- Bandas sonorasRun Rabbit Run
Written by Ralph T. Butler and Noel Gay
Performed by Flanagan and Allen
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises
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- How long is Get Out?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 4,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 176,196,665
- Fin de semana de estreno en EE. UU. y Canadá
- USD 33,377,060
- 26 feb 2017
- Total a nivel mundial
- USD 259,861,530
- Tiempo de ejecución
- 1h 44min(104 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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