Dos tipos peligrosos

I'll admit that I am unfamiliar with most of Shane Black's original works, watching The Nice Guys made me want to go back and take a look at his earlier films. The characters were well written, even better cast, and fit well with the theme of the film. There was rare a dull moment, it seemed I was either enjoying the dark comedic tone, or getting engaged in the plot. While the first two thirds of the film seemed excellent, the writers set themselves up for a fantastic finish, but were unable to capitalize on that potential. The script seemed to suddenly turn very basic, with things "falling" into place almost too miraculously to be true. I never felt like I had truly been given an ending worthy of a classic detective story, but the fast pace of the film and humor was enough to make it very enjoyable.

This was an ecstatics spectacle. Ryan Gosling just keeps falling off and tumbling and walking out unscathed in search of the truth. And the beautiful vibe of 1970s Los Angeles is brought it to perfection.

Ryan gosling had me in tears at times, even Russell Crowe had me laughing. It was hilarious with a good story. I didn't really know what to expect when putting this on because I've never even heard of it, but I'm so glad I found it. Was just a solid film all round, I have absolutely zero complaints or anything negative to say about it.

This film boasts some impressive elements but falls short in key areas that detract from its overall effectiveness. The film's performances are undoubtedly a highlight; both Russell Crowe and Ryan Gosling deliver charismatic portrayals, and their chemistry is genuinely enjoyable. They bring a comedic flair and a sense of fun that makes their dynamic engaging, providing some much-needed levity amidst the chaos.

The cinematography and production design are also worth noting. The film captures the 1970s Los Angeles setting with a stylish and authentic feel. The attention to detail in the sets and costumes helps immerse me in the period, and the visual flair adds a certain charm to the movie.

However, these positives are overshadowed by several notable flaws for me. The plot often feels meandering and disjointed, making it difficult to follow and engage with. There are numerous twists and turns, but they tend to be more confusing than intriguing. The film struggles with setting up conflicts in a way that feels coherent, which undermines the suspense and stakes.

Additionally, the film's cynicism can be a bit off-putting. While it aims for a noir-inspired tone, the relentless focus on dark humor and satire sometimes feels heavy-handed, overshadowing the more nuanced aspects of the story. The film's attempt at being both a comedy and a thriller results in a tone that feels inconsistent, which can be jarring.

On the whole, The Nice Guys is a film that shines with its performances and visual style but falters with its disjointed plot and overbearing cynicism. While the stylish execution and charismatic leads offer some entertainment value, the film's lack of coherent conflict and confusing narrative detract from its overall impact. If you appreciate a period piece with flair, it might be worth a watch, but don't expect a tightly woven story.

It's an absurdist parody of neo-noir private detective movies set in 1977 in Los Angeles, California. It follows a barely competent, recently widowed private eye named Holland March (Ryan Gosling) and a bodyguard tough guy named Jackson Healy (Russell Crowe). Holland lives with his 13-year-old daughter, Holly (Angourie Rice), in a rented home since his house blew up from a gas leak that killed his wife.

They both become involved in a complex plot in which they try to find Amelia Kuttner (Margaret Qualley), a young woman sought by violent men for unclear reasons. As the bizarre plot unfolds, they intersect with Amelia's mother, Judith (Kim Basinger), a high Justice Department official, and Judith's assistant, Tally (Yaya DaCosta). They also encounter three hitmen pursuing Amelia--Older Guy (Keith David), Blueface (Beau Knapp), and John Boy (Matt Bomer). A porno star, Misty Mountains (Murielle Telio), also makes a brief appearance at the film's beginning.

"The Nice Guys" is off-the-wall with lots of physical comedy that borders on cartoonish, making the frequent violence seem less real. Angourie Rice is great as a kid who's smarter than her father but hampered by higher ethical standards. The script is funny, and Gosling and Crowe carry their roles well. It is pretty sexist. But if you like neo-noir, you may like this take-off.