¿Y dónde está el policía?

The new Naked Gun isn't a bad film, but I found it underwhelming. It starts off strong, but the laughs taper off as it goes on. While it's a cut above many modern comedies, it struggles to measure up to the original films - a comparison that's hard not to make. Liam Neeson feels miscast; he leans too far into the silliness, when playing it straighter might have made his performance funnier. All in all, it's watchable, but not something I'd pay to see.

Comedy movies seem to be nearing extinction. And this type of stoopid-funny humor has been nonexistent. Long gone are the days of the Zoolanders, Kung Pows, Scary Movies, and Austin Powerses. Until now.

The Naked Gun is extremely stoopid in the best way possible. There are so many times I was shaking my head at the absurdity of what I was watching. It's cleverly random and strategically obnoxious.

I laughed out loud too many times to count. I would estimate an 85% hit rate for me. Combine that with the nonstop quick rate of comedic attempts, maybe 5-10 per minute. It was a good time.

It has an awesome musical score by beast composter Lorne Balfe, and some well-shot action scenes that feel cinematic. These things are completely unnecessary for this type of comedy movie. But it made the experience that much better.

If you're a fan of stoopid-funny, definitely check this out.

(2 viewings, opening Thursday 7/31/2025. 11/13/2025)

Not a single laugh. The movie was not funny and it should have been a straight to dvd movie. The few jokes were not funny and the writing was bad. It was a huge disappointment and we regretted going to the cinema to watch it. Initial reviews were misleading as it was such a bad movie. Initial reviews were severely misleading.

"The Naked Gun" tries to bring back the over-the-top parody and slapstick chaos of the originals, but it never fully reaches the same level of comedic brilliance. There are some genuinely funny gags that capture the absurd spirit of the franchise, yet too often the humor feels uneven - swinging between clever moments and jokes that try too hard to land.

The cast shows enthusiasm, and a few performances lean nicely into the ridiculousness, but the flow isn't always smooth, leaving parts of the film dragging instead of keeping the laughs consistent. Nostalgia carries some of the weight, but the film could have used more fresh ideas instead of leaning so heavily on old tricks.

It's not a disaster by any means, and when the comedy works, it delivers the kind of silly fun you'd expect. But as a reboot of a beloved classic, it ends up being more of a decent distraction than a must-see comedy. A watchable but underwhelming return.

I got just about what I expected-but I was hoping for a miracle. And a miracle could have happened if they had stayed true to the spirit of the original films. The originals are a parody of classic noir/detective cinema, with Leslie Nielsen as Frank Drebin doing absurd things with a completely straight face-just like Peter Sellers did a few years earlier in The Pink Panther.

Even though everything around them is parodic (as are their actions), they themselves remain serious characters and see themselves that way. In this film, though, they let that go. They threw in a bunch of anarchic humor and unintelligent stunts-clearly, in my view, aiming to attract a younger audience.

And that audience seemed to enjoy the film quite a bit. We older fans, on the other hand, swallowed the lump in our throats and took some comfort in the solid performances of our beloved aging stars, consoling ourselves that it turned out relatively well.