Centrado en los miembros del personal de la Casa Blanca que se enfrentan a un inminente ataque con misiles contra Estados Unidos, este apasionante drama se desarrolla en tiempo real a medida... Leer todoCentrado en los miembros del personal de la Casa Blanca que se enfrentan a un inminente ataque con misiles contra Estados Unidos, este apasionante drama se desarrolla en tiempo real a medida que aumentan las tensiones.Centrado en los miembros del personal de la Casa Blanca que se enfrentan a un inminente ataque con misiles contra Estados Unidos, este apasionante drama se desarrolla en tiempo real a medida que aumentan las tensiones.
- Premios
- 2 premios ganados y 14 nominaciones en total
- Dirección
- Escritura
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Opiniones destacadas
The film uses a flower narrative style. Which is a story told through differing perspectives that ideally come together like puzzle pieces to form a complete picture. When done right, this approach creates intrigue and mystery as each segment reveals something new. Unfortunately, that wasn't quite the case with "House of Dynamite."
Each perspective failed to add meaningful depth or new information to the overarching story. Instead, the same dialogue and moments were replayed multiple times, which quickly became repetitive and dull. I understand what the filmmakers were aiming for, but the execution never fully realized the potential of its structure. There were no fresh insights gained from the shifting perspectives just retreads of what we'd already seen.
The dialogue also felt overly on-the-nose and occasionally corny, with line deliveries that leaned too heavily into melodrama.
Where "House of Dynamite" truly shines is in its exploration of the moral and strategic decision making between individuals and departments. Those moments were far more engaging than the story's overall presentation.
In the end, "House of Dynamite" had the foundation of a great film, but its structural choices ultimately held it back from reaching its full potential.
It starts out great with good tension, keeps you on the edge of your seat, and deliveres great acting from the cast.
Then at a nerve-wrecking moment it shifts to another perspective, and that really dragged down the tension. I think this would have been better with a linear storyline. Switching between perspectives instead of dividing them into sections would have kept the tension higher throughout, bad call from the director..
The ending (without any spoilers) really ruined it for me. Could have been the movie of the year, but bad calls from the director drags it down to a 6.
Caught myself thinking: "How are they gonna keep this pressure and atmosphere going for 2 hours?" Then BAM! They're not. It's the kind of movie that shows the same event from multiple perspectives. With minor new things adding to the story with each perspective. So past the first perspective, you know what's going to happen. It feels like you're watching the same thing over and over.
It's too bad. The first part is absolutely superb. The acting is on point throughout by people who deserve their star status.
But it completely loses all excitement after the first part.
It's 3 times the same story with no added value.
They tried to do some artsy movie using the petal story structure, and utterly failed to deliver the whole point of a petal story structure.
I'm sure there was some underlying creative thoughts from the director with this story line but it wasn't clever nor smart. They had a great idea right in their palms and they threw it all away.
The ending of this film has to go down in history as one of the most frustrating endings in all of cinema. I've felt unsatisfied and in absolute disbelief. You almost feel cheated as you've become so invested in the story to only be let down right at the end! (and that's an understatement!).
It's worth watching but prepare for heartbreak.
Hot Takes From NYFF 2025
Hot Takes From NYFF 2025
¿Sabías que…?
- TriviaThe title card "Hitting a bullet with a bullet" is shown over a reenactor from Gettysburg. Famously, there is an example of a bullet hitting a bullet and fusing together at the Gettysburg museum. According to legend, this happened during Pickett's Charge on July 3rd, 1863.
- ErroresIn the absence of any threat against the American nuclear deterrent, the nuclear command authority would very definitely put a counterstrike on hold for several hours at least, by default, because in the given scenario, they do not even know which nuclear power is attacking the USA. Once the nuclear event has occurred though, they can then have the fission products analyzed and compared to previous analyses from known sources, previous foreign nuclear tests, fission products in the exhaust of foreign nuclear facilities and such. All this data is on file. It would very probably at least reveal the source of the bomb fuel with great certainty.
- Citas
Carl Sagan voice over.: [From the trailer, Carl Sagan voice over.] Home. Everyone you love, everyone you know, everyone you ever heard of, lived out their lives on a mote of dust, suspended in a sunbeam. Think of the rivers of blood spilled by all those generals and emperors, so that in glory and triumph, they could become the momentary masters of a fraction of a dot. In our obscurity, there is no hint that help will come from somewhere else to save us from ourselves. The Earth is where we make our stand, It underscores our responsibility to preserve and cherish the only home we've ever known.
- ConexionesFeatured in CBS News Sunday Morning: Episode #47.41 (2025)
- Bandas sonorasIn the Air Tonight
Written and Performed by Phil Collins
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
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Detalles
Taquilla
- Total a nivel mundial
- USD 13,567
- Tiempo de ejecución
- 1h 52min(112 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.00 : 1






