El simpatizante

I really enjoyed The Sympathizer until we got to the last episode. Brutal. I'm not even sure what they were trying to accomplish but, IMO, they failed.

The show tells an amazingly interesting story. The Vietnam war is winding down with victory for the communists. The protagonist is working against the forces fighting the communists from within as a spy. He is ordered to escape to the United States at the conclusion of the conflict where he continues to spy.

His status as half-French and half-Vietnamese make him somewhat of an outcast in his own country and he only finds happiness with a pair of friends. It is this friendship that defines most of the story. One is a fellow communist in an authority position while the other is a loyalist who fights with all his heart against the communists.

The protagonist is haunted by this duality of friend versus country, and we see both his torment and his adaptability to difficult circumstances. His various relationships, the general and his daughter, and others is a study of the painful internal conflict of being friends with but working against people.

It's all good stuff. I was ready to rate this as an 8 or 9 but the last episode doesn't provide a meaningful resolution and, frankly, the torture scenes were unpleasant to watch.

Perhaps it's my western upbringing that didn't allow me to understand the "nothing" concept, but it just didn't resonate. If you can't end a show properly, it really damages all that came before.

Still, worth watching certainly, and others might get more out of the ending than me.

Endings are hard.

The first and second episode got me get up on my feet and applause at the end credit when nobody's even looking. Interesting and intelligent at the same time. Historical and very well researched on that time but snazzy at the same time. A story within a story organization is freaking genius The external narrative is The Captain in the reeducation camp, and the inner narrative is his experience as a spy from around the fall of Saigon to new (but not very new) life in America. Because he's telling the story in front of a guard, how far is the inner narrative true? The audience experiences 'the war of memory' second handedly because the captain might restart, recollect, and reeducate.

It's not just about the story. It also feels like I'm watching the theater within the series. The first interrogation scene on the stage with the lighting makes another frame within frame. A fictional film 'The Hamlet' in Episode 4 is played like a movie within a series as well. Like there is no camera rolling, it changes the screen ratio for 'The Hamlet'. Again, frame within a frame. Park knows how to use the screen to the fullest.

However, from episode 3, 'Sympathizer' becomes loose and flabby. Park's direction is sometimes for the sake of the direction itself. It shows off and screams 'I'm such a good director', and has nothing to do with connecting with the audience. His direction does not make the story fuller or the message louder. It's just artsy. And, what is the purpose of Downey Jr. Taking four roles? He was not even that good, and it was ineffective and inefficient, adding just confusion. Hoa Xuande, on the contrary, is a newly discovered talent. He succeeds in not losing wit and humor in serious situations. His acting is on point especially in the black comedy.

Excellent casting and all brilliant actors. Fun, intense and with some slightly surreal twists and a nice touch of dark comedy in addition. A nice and fresh take to the usually fairly cliche spy genre. I couldn't take my eyes off the screen for a second in fear of missing a point or quirky twist of events. Robert Downey Jr is brilliant in 4 (or is it 5?) slimy roles, and he does each one brilliantly. But every single actor, main and others, are so well cast and brilliantly portraying their characters. I haven't read the book and don't intend to, so I've had the pleasure of being entirely unprepared, hence free/unbiased and able to just lean back and enjoy the ride. This is the best I've seen in a long time.

I didn't know what to make of this mini-series from the previews. It seemed underwhelming. And Robert Downey Jr. Looked all the bit of a caricature.

However, realizing Park Chan-wook was involved, heavily gave me all the faith needed to fully invest. His work on the original Old Boy, Sympathy for Mr Vengence and Thirst brought Korean Cinema into its golden age, two decades ago.

The Sympathizer itself has the hallmarks of a Chan-wook film. The absurd, yet believable and charming characters. The constant sense of dread and a plot that feels like it can punish someone you are starting to care for, very quickly.

Excited to see where the series goes and feeling confident it's going to be good with its source material being a Pulitzer Prize winner.

I had hopes for this show especially with Park Chan Wook involved. It was interesting to see RDJ play different roles but no one would be surprised with his versatility in acting skills. The show started off decent but felt the show just wasn't executed in the best way possible. The story felt dragged out each episode with only a seven episode count and although it was nice to see some Asian representation, I just didn't care much for any of the characters. They might've been better off with doing a 2 hour movie. The satire tone worked on some parts but really was overdone throughout the show. I expected something more to keep me engaged and feel some type of emotional attachment but it never delivered. Considering that Hoa Xuande was playing a Vietnamese communist spy, I wanted to see more scenes that made you want to empathize more for the character so by the time the ending came, you'd feel satisfied with the outcome of his character.