Déjame entrar

Reeves has done it. Saw this at Fantastic Fest with director and cast present and I have to say I was very impressed. The acting is great as my heart went out to Kodi's character Owen. I honestly wanted to jump into the screen and make the cruelty stop. It was heartbreaking. Chloe is a wonderful actress and she portrays Abby very well. I wanted a bit more from that character but it is good. The scenes together are very good and sweet. Jenkins who plays the caregiver is very very good. His portrayal is a very real and creepy take. His means of attaining victims was chilling. His character climax is great, my jaw dropped.

Reeves does a wonderful job with cinematography and I loved the setting. I have been eagerly awaiting this movie and I was not disappointed. If you have seen the original you still haven't seen Let Me In.

A remake that's almost as good as the original.

What would you do, if you just couldn't change, so set in your ways, with habits quite strange; how would you live, in a divisive world, when the city's awake, while you're hidden and furled; would you hold out your hand, to stave off the brink, would you stake all you've got, just float and not sink; when you look in the mirror and nothing is there, in the darkness of night, only pain and despair; then a saviour appears, with their own set of fears, an innocent soul, undefiled, sincere; someone to trust, a protector by day, who'll carry your secret and promise to stay; unaware of the pact that you've drawn them into, endeavours they'll end up performing for you; until the time comes, to repeat and replay, like a school game of tag, I think it's called child's play.

I have seen the original Let The Right One in, and when I heard of a remake I was skeptical. Why did we need a remake this soon? However, I approached it with open eyes, as I have seen very faithful remakes in the past. I thought that the Swedish version was a good, sometimes very good film, but I ended up loving this new version.

I knew what story was coming, but I also knew that the journey is in the experience. Let Me In does a great job of creating a mood and tone that, while similar to the original's, it also adds a fresh perspective on it. That is in part thanks to the director Matt Reeves. I have only seen his previous film Cloverfield and while it is entertaining and rewatchable, I had no idea he was capable of the subtlety that is needed for this story. The cinematography is itself also amazing, and there are some shots that will linger in my memory.

Part of what I liked better in this version were the performances. Honestly, I think Chloe Moretz is just as great as the original performance, but I think the film definitely belongs to Kodi Smit- McPhee. He gives an incredible performance full of nuance and longing, and I do not recall being this impressed with the boy in the original version. I also feel the need to stop comparing them because a film should stand-alone on it's own, and this certainly does. It is a horror film, a drama, and a love story all in one, and along with the original, are vampire films to be celebrated among all the others in this time.

I believe that many viewers of this movie are fans of the original Swedish movie LTROI, so I won't be emphasizing on how much I am fond of the original one – and here we are for the American remake.

That being said, I just watched the remake. In general, I am not disappointed (if not a little pleasantly surprised) by this remake, though it still cannot catch up with the original one as a whole.

Honestly, I was a little worried when I went to the cinema, being afraid that the story would be degraded into a superficial Hollywoodian fest of clichés and pure visual stimulations. Thankfully, that didn't happen.

In general, this remake is in line with the original book (and the original movie). Many settings are almost identical with the Swedish one, so are quite a number of actors' lines (well of course they spoke English in this one, no Svenska LOL). More importantly, the tranquillity resembles a lot to the Swedish one. We can tell see that the filmmaker had no intention to challenge the basic tone of the story, a beautiful love tale under vampire's cover. This, on the other hand though, might disappoint some fans who watch the remake in search for a revolutionary interpretation of the old story, YMMV.

Sure, there are still many differences. The first one is the ambiance colour tone of many scenes where Owen and Abby meet. The director has obviously chosen a warmer tone (under orange-yellowish street lamp) in which our two protagonists interact, as compared to the sharp contrast of white snow vs dark sky in the original one. Personally I give credits to that change, as it better alludes to the tenderness of Owen and Abby's friendship / love.

The real gender of Abby is one of the hottest topics amongst fans. Here, instead of giving a direct shot to Abby's under (which I find totally unnecessary in LTROI), the director chose to interpret Abby's gender in a very ambiguous way, leaving much room for interpretation.

Also, I feel that the American remake is more "focused" on the two protagonists than the Swedish one. "More focused" has two senses: in one hand, filmmakers tend to let Owen and Abby physically occupy a bigger part of the screen, instead of the wide-angle lens in LTROI; in the other hand, the director cut many "peripheral" scenes (scenes where actors other than Owen and Abby interact). I am personally neutral to that change, though I believe that we need not give further emphasize to Owen and Abby for a better character depiction.

OK, now time for some negative comments. As a whole, I find the remake's interpretation of the gory scenes as a failure. They are too violent, bloody, and explicit, which, I think, largely spoils the basal tone of the movie, inserting some cheap and inconsistent horror elements in this supposedly beautiful, ambivalent movie.

Last, the music. Here I have to say LTROI's soundtrack totally outworks that of the remake. LMI's OST is, to its most, up to a "hardcore" horror film's suspense scenes, whereas LTROI's music is as beautiful, as poignant as the movie.

In conclusion, a good remake, loyal to the original story. One can tell the director's effort to re-interpret some minor details without changing the story's basal line/tune, though many of the modifications aren't as successful as they expect.

Basic story line: LTROI = LMI: 8.5 (basically the same) Settings: LTROI = 8.5, LMI = 9 (I am esp fond of the colour tone…) Scene interpretations: LTROI = 9, LMI = 6.5 (not so implicit...) Actors: Eli = 10, Abby = 9.5, Oskar = 8.5, Owen = 8.5 (those young actors are just gorgeous – both in Swedish and in American versions, Owen may not be as good looking as Oskar, but his acting is as excellent) Music: LTROI = 10, LMI = 5 (I bought the Swedish OST to fill my iPod. The American one? no thanks) Originality: LTROI = 10, LMI = 6 (afterall, LMI is a remake that has borrowed a lot from LTROI)

OVERALL: LTROI = 9, LMI = 7.5 congrats to both, good job done!

Let Me In is an emotionally wrenching film. My opinion/review is for this film, not the original.

Hopefully you know that the gist of the movie is about a lonely boy who is bullied at school and then a young girl moves in next door who is a vampire. By emotionally wrenching, I want say how expertly this film made you feel: anger and fury at the bullies, helpless for the boy Owen, sadness at both Owen and Abby's isolation, frustration at Owen's parents, hope for Owen and Abby with their budding friendship, and genuine surprise/horror at the violence of Abby's vampire actions. You will walk out with a lot on your mind after this movie.

Definitely NOT your mindless horror/vampire film and as a movie on its own (not compared to the original) it is capable of pulling lots of different emotions. It also definitely had some jump-in-your-seats moments, too.

This movie for kids? Definite NO - this is not a sappy romance with pretty actors. It is a dark movie with heavy themes. You need to gauge it appropriately for tweens -- it has some heavy plot lines regarding the kids at school and what Abby&'s father-figure is willing to do for her.