The Evil Within

On its own, it was fairly good; not very much to say since I couldn't help but think about the context. The ending was a little confusing, but if you saw the movie you'd probably be surprised if it wasn't confusing.

Now for the context. No one's first film is great or even good, but this was a very good first effort from the writer-director and I think it showed a great natural artistic capability that a longer career would have honed. I was amazed at how good this was for a first film and it's tragic to think there will never be another movie from this clearly gifted artist.

That being said, if I didn't know the backstory behind the film, I probably wouldn't have sought it out, let alone even heard of it, and it's better to judge a film on its own rather than the context around its making. I acknowledge that I had a bias going into this movie as I went in knowing the tragic story of the writer-director, but the bias should not be judged too harshly as I've gone into many movies wanting them to be good and that's never stopped me from judging them to be bad if they were indeed bad. While The Evil Within is not great, it's certainly memorable. 6/10 might not sound like a good rating, but I prefer a 4-star scale, with 2 stars being average, not bad but not exactly memorable, and 3 stars being good, and this movie's in between, so my rating is 2.5/4 stars. A not exactly good but certainly memorable movie, and an incredible first and only film from an untapped talent.

The plot. The sadistic tale of a lonely, mentally handicapped boy who befriends his reflection in an antique mirror.

This demonic creature orders him to go on a murderous rampage to kill the people he loves most.

To appreciate this movie, I suspect you need to know something of the back story.

It was written, directed and financed by a reclusive heir to the Getty fortune who plowed millions into this movie but ultimately ran out of funds! Apparently he bought all the equipment instead of renting it and had meth addict dreams of becoming a movie mogul.

It's a really bizarre movie and it's hard to take your eyes off it. I think it could only be made by someone super high who was also very creative.

The movie gets increasingly odd and surreal as it progresses. But you won't be able to turn away. Getty's death was as weird as this movie. Only in Hollywood could any of this happen.

Found it at random, and decided to give it a watch, as the storyline picked my attention. Being a horror movie veteran, I know ratings are not trustworthy, so I tend to ignore them (I'd think that there may be at least 2 points of error in the ratings in horror movies).

It turned out to be quite a surprise. At first, it won't look like a big deal. One of the characters may come across as a little tiring and the acting may seem to be going a bit over the top. Although I did not find acting brilliant, it was good overall, and my first impressions dispelled. I believe that, rather than acting, it was the bad text written for a couple of scenes that caused me discomfort.

At any rate, the movie is quite dark and it grew on me. The disturbing dreams, which seems to interweave with reality, gradually throwing a fragile person out of balance, and the quite unusual narrative. The way the move progresses fascinated me; it's dark, disturbing, and verisimilar. The character plunges further into a path he can longer emerge from; he is no longer himself, but is a captive in his own body. The symbolism used pleased me.

The disturbing characters that sprang as the movie neared it's conclusion were fascinating. From one point, I was confused as to whether it was a dream of the characters, an other-worldly dimension, or simply a quite disturbing reality.

My sole disappointment was the writer felt he should he resort to Christian clichés to describe evil ("legion"). I wish writers were more creative in this respect. If they can't find words to describe evil, they should not use words. After all, that's one advantage of movies.

It is such as tough movie to critique after one viewing. It is without doubt a flawed attempt, but the concept makes it worth a viewing. it is not a gore fest, but more of a mind bender, or at least tries to be. I applaud the effort and concept, but it lacks in a few key areas. Some basic details are forgotten and the continuity is stuttering, having said all that it is a film you want to like and this is probably due to the lead character giving a good performance, whilst others in the cast struggle.

This is a special movie, not just because it's a brilliant and original horror movie, but because of the story behind the making of the film.

The writer and director Andrew Getty started this film back in 2002 when it was titled "The Storyteller" and was released in 2017 under the current title, two years after Getty's death due to an ulcer causing internal bleeding. This is a shame as he spent so much money on the project and wasn't around to see his creation brought to life... or take credit for it.

The story is about a mentally handicapped man, Dennis (expertly portrayed by Frederick Koehler), living in his brother's, John (Sean Patrick Flannery), care. Dennis is plagued by twisted and dark nightmares for which a tall grey man claims responsibility. Then one day John and his girlfriend, Lydia (Dina Meyer) bring home a mirror for Dennis' bedroom. Dennis hates the mirror as he doesn't want to loose his hamsters like he's lost his comic collection. However, his decision changes when his reflection starts talking to him and offers him a way to get better... to get smarter...

It was the trailer that had me salivating at the thought of watching the film. However, be aware the movie isn't how it looks on the trailer. Instead of an exciting run-of-the-mill horror what Getty gives his audience is a deep and powerful insight into the human psyche and not just through Dennis, but all of the other characters have some kind of dysfunction. John is hiding a secret. Lydia has relationship issues. Even Pete (Tim Bagley) - who is only in the film a few minutes - hates people touching him and invading his person space.

The film can even be taken a couple of ways. It could be a very dark psychological thriller or it could be a supernatural entity possession, making it a horror. It works in either genre.

The star of the show is Frederick Koehler as Dennis. He is brilliant at portraying the character, giving him facial ticks, body form, hand gestures, and a speech impediment. His acting is really believable and draws the audience into the film more. However, it's Flannery's and Meyer's characters that appear flat at times, a little too dimensional and wooden; I think this may be the characters they were playing or the direction at the time of the scenes, as both of them are good actors. It just jars the mood and atmosphere at times and this is a bad thing as the movie depends on mood and atmosphere, which Getty builds beautifully. It's also great to see Michael Berryman again.

This film reminds me of Phantasm in its essence and spirit, and like Phantasm I will gladly watch this film again... and again... and, probably, again... There are a lot of interesting and well thought out concepts in this story, which should send a chill down your spine. However, if you prefer shock horror over creepy and atmospheric then this probably won't be your cup of tea.