Los Ángeles al desnudo

"L.A. Confidential" is brilliant. The screenplay and direction are second-to-none. The performances by the ensemble cast are also superb. Kim Basinger stands out the most with her Oscar-winning role. Kevin Spacey, Russell Crowe, Guy Pearce, James Cromwell, David Strathairn, and Danny DeVito all have their moments as well. The film deals with the seamy side of Los Angeles in the post-World War II 1950s. Los Angeles is a place of shady dealings and police corruption. To add to those problems is the creation of the smutty tabloid. Multi-layered and smart, "L.A. Confidential" will be the greatest survivor of the films released in 1997. 5 out of 5 stars.

L.A. Confidential is, without a doubt, the best film of the 1990s, and quite possibly one of the best films ever made.

As with any great film, it all starts with the writing. The story is riveting, the dialogue is smart and quite funny, and the characters are written in three dimensions.

The acting is phenomenal. Perhaps a bigger tragedy than L.A. Confidential's loss to Titanic in the Best Picture race is that none of the three lead actors even garnered nominations. Russell Crowe, Guy Pearce, and Kevin Spacey are absolutely phenomenal; it is their characters that drive this fascinating story about police corruption in 1950s Los Angeles. We get to know these people, to understand who they are and why they do what they do, and to root for them to overcome their imperfections.

The directing is fantastic. Curtis Hanson doesn't shove anything in the audience's face; instead, he allows the audience to discover the film's nuances on their own. (That makes this an excellent film for repeat viewings, you truly catch something new every time). 1950s Los Angeles is reproduced beautifully. The editing is quick and seamless, the music is perfect for the film (Hanson should teach other directors how to do a montage effectively), and the cinematography is great.

I can't find a negative thing to say about this film. It's truly a masterpiece.

L.A. Confidential is the most classy, intriguing, thought provoking and sexiest detective movie ever to be made in the history of detective films.

When you look back at it and see that Russell Crowe, Kevin Spacey and Guy Pearce actually appeared in the same film back in 97 then you wouldn't have believed it since they have all gone on to better things but before that we had L.A. Confidential which was Crowe's and Pearce's ticket into Hollywood. Spacey had already made it with his Best Supporting Actor nod for The Usual Suspects but what puzzles me is how everybody apart from Kim Basinger didn't get any acting nominations at the Oscars. James Cromwell is the most chilled out villain you'll ever going to see in a film like this and has been criminally ignored by the Academy. Curtis Hanson was also someone who had made some good films but no masterpieces till this came along.

They all must have sold their souls to make this because when you get big cast get together to make a Hollywood film then you become a bit intrigued by it because if the cast is big then is the story any good? In L.A. Confidential's case it had both and a lot more to say the least.

I still think that this is Spacey's, Crowe's and Pearce's best film of there career. Russell Crowe as tough guy but sentimental towards women Bud White is flawless and is quite like the real Russell Crowe which is scary. Guy Pearce as the quick witted but dumb looking Ed Exley is someone one you either love or you hate as the annoying rookie. Kevin Spacey is just as cool as anything that Bogart and Mitchium could have pulled off as Jack Vincennes and there is the movie along with a great script by Brain Heagland of Mystic River fame and Curtis Hanson himself who put together a great script from James Elroy's novel.

Kim Basinger is as sexy as she is going to get and her acting is very good and well deserving of her Oscar if the boys were robbed. I liked how we had three different stories and one case that all had something to do with another but were all separate anyway till the end. It was like watching a movie with three stories based on a trio of detectives. L.A. Confidential was a treat as far as storytelling goes because it enthrals you into the film straight away as well as it being more exciting than a night out in Vegas.

We don't see Detective films like this so we should be grateful that this came along when it did.

We've not come very far since this classic in terms of high quality cop crime dramas. Acting and direction is perfection.

What happens when a squad of corrupt cops in the 1950s explore a murder case from multiple angles and find their corruption coming back on them like chickens coming home to roost? Who will solve the crime? Who will survive and what will be left of them?

This movie is phenomenal. The only reason I didn't give it 10 out of 10 is because I didn't care for the ending (which I won't reveal). It's a world were Hollywood and law enforcement cross over and even the hookers want to be movie stars.

I have not read the Ellroy novels, but I have been told they are even more intricate than this film with a lot more backstory. I would watch a five or six hour version of this film. But even so, that is the strong point of this film: multiple stories that begin to overlap. Sure, others (Tarantino) have tried this, but I think this is the most expertly done conception I've seen yet.

Kevin Spacey's part as a Hollywood obsessed cop is beautiful and he fits the part to a tee. His role is supposed to be similar to Dean Martin and I can see that; Spacey again harnessed this kind of character when he made "Beyond the Sea". Spacey's role is the connection between the world of law and the world of fame.

Russell Crowe plays the "bad cop" who crosses the line with sheer thuggery and an attraction to a prostitute (Kim Basinger, who does a fine job being both alluring yet tasteful). His part was supposed to be for Michael Madsen (one of the greatest actors of all time for a cop/crook movie), but I think Crowe may have been the better choice. Who else can be a natural thug?

Guy Pearce... I was not sure how to take him. I have not enjoyed him ("Time Machine") and yet also loved him ("Memento"). In the beginning, I thought it would be another geeky Pearce role and I was a bit concerned. But as the film progresses, so does Pearce's character become more lovable and impressive. You'll agree.

Danny DeVito was okay and James Cromwell was insidiously delightful.

Brian Helgeland adapted this screenplay. You may know him best as the writer of "A Knight's Tale" and "The Order". The Order was crappy. But A Knight's Tale is fantastic. This, by far, will go down as his crowning achievement. He may as well call up Michael Bay and go retire in the South Seas where they'll never be found.

Simply put, this is the best film I've seen in at least a month (and I watch at least a movie a day). Maybe the best film I've seen all year. Don't set this movie aside, you need to put this on the top of your honeydew list.