Adiós a Las Vegas

If Mike Figgis never made another film, and Nick Cage and Elizabeth Shue retired after making Leaving Las Vegas, they would have done so with impunity. Both actors are superb, and bring the excellent screenplay to life with the help of some masterful dramatic cinematography.

Cage plays a suicidal alcoholic who has come to Las Vegas to drink himself to death, and Shue plays the unexpected problem - a prostitute who falls in love with him. The only reason this film did not receive a ten from me is the voice-over technique which was tastefully minimal, but, in my opinion, the only mistake the director made. It does help to provide closure, but I felt that closure was an unnecessary compromise here.

This is not an entertaining film, and in truth, I am surprised by its popularity among typical audiences. It is a serious film, and a work of art, but fun is not to be found here. DO NOT see this film if you dislike feeling emotionally drained and ethically challenged, and DO NOT see it if you are very prone to boredom, or easily offended by sexual violence, substance abuse and the horror of daily life on the street.

This is an intensely sad film about love shared by people who are caught in the gravity of their lives and can not escape. It is also a story of redemption and respect, found in improbable places. It is NOT a fun-filled frolicking romantic comedy, but rather, the opposite, and it achieves a beauty, dignity and power almost unique among films treating such starkly real and disturbing subjects.

Remarkable. Touching. Riveting. Leaving Las Vegas is all of these and then some. I have not seen a film of this magnitude about loneliness and acceptance in such a while that I was in tears for much of the run time.

Nicholas Cage is Ben, a man who has lost his wife and child, throws his job away, and takes all of his remaining money to buy as much liquor as possible and "drink himself to death" in the city of Las Vegas. He has given up all hope, with no wish to live, but for one reason or another, wants a companion to share in his misery, but not try to save him. He finds this companion in a hooker, Sera, played by Elizabeth Shue. They immediately form a strong relationship based on one night of talking about their lives. Sera in particular quickly grows attached to Ben, for no other reason than she has been alone her whole life and wants nothing more than to feel that want and need by someone.

Cage won his first Oscar for his role as Ben, and how deserved it was. He was astounding, perfection, down to every single tick, the volume of his voice, the pain and tragedy buried in his eyes. I could not believe the extent of his role, the dedication and time he invested in bringing this character to life. Same goes for Elizabeth Shue, who with a simple glance at a person, she reveals her entire self, and no one even dares to notice except for Ben. This neediness is apparent, she wants to hold onto this relationship so badly, yet what makes their relationship work is total and complete acceptance of their respective decisions. He will not tell her to stop being a hooker, and she in return can never ask him to stop drinking. And it is in that factor that makes this film worth watching. To be totally accepted by those around them, to open themselves up to such an extreme.

Leaving Las Vegas is a sobering film about connections, loneliness, acceptance, and a small little island of hope that is Ben and Sera. They are two good people, depicted in a world full of sorrows and misdeeds, who latch onto each other and never let go. They were nothing but ghosts, till that chance encounter, and became each others worlds. Cage and Shue bring these good people to life in such an extraordinary way, making Leaving Las Vegas a film to be treasured and remembered for years to come. I highly recommend this film.

Having recovered from the mind-numbing Heat, a supposed character study, I was eager to sink my teeth into a different 1995 gem and I found it here with Leaving Las Vegas. With only two important characters, the entire film rests heavily on the shoulders of Nicolas Cage and Elisabeth Shue, and neither of them disappoint.

Of the two, Nicolas Cage is the Oscar winner and the truly deserving one at that. He is simply hypnotic as Ben Sanderson, an alcoholic so far gone he doesn't even remember why he wants to die. His withdrawal scenes are so real they are upsetting, whereas his drunken charisma is so real its almost funny. The balance that Cage strikes really highlights how tragic his character really is. He conveys hatred and rage and loneliness and despair, and you will be so sad yet so hooked that its impossible to look away. Elisabeth Shue gets off to a slower start than Cage, but she is still an endearing, emotional character, capable of great things.

The writing is very good, giving Cage the perfect, pitiful dialogue in order to serve his woeful character, and even throws in a hypnotic monologue or two. The best thing that Figgis achieves in this film is his cruel and deliberate intersplicing of mood-killing incidents (invariably caused by alcohol) between the moments of love and passion that Shue and Cage share. It is a relentless reminder that their love story is completely doomed. Sting's My One and Only Love is all over this film, which I thought was a very good choice, in addition to the beautiful and haunting score.

The final act focuses a little too much on Shue and not enough on Cage, and whilst their final scene together was appropriately pathetic to suit the tragedy of the film, I couldn't help but feel less engaged. I also didn't enjoy Shue's constant commentary, given that it doesn't really go anywhere.

But between the raw passion of Nicholas Cage and the uncompromising guiding hand of Mike Figgis, any complaints I could ever have otherwise found in Leaving Las Vegas are completely washed away.

Ben Sanderson is an alcoholic, who after getting released from his well paid screen writing position, heads to Vegas with his severance pay. Where he seriously plans to drink himself to death. But whilst cruising down the strip he meets Sera, a nicely turned out prostitute, and both troubled souls come together in an unlikely romance.

Based around the semi-autobiographical novel by John O'Brien, an alcoholic who committed suicide before the film made it to the screen, this is a sad, dark and deeply upsetting picture. Sanderson and his plight has no motive, we are not fed reasons for his nihilistic behaviour. We find him at the beginning of the film joyously hurtling thru a liquor market isle, promptly filling his shopping cart with bottles of liquor. From here on in we know that this is no ordinary film about an alcoholic trying to get off the booze, we are on a train to Bleakville, stops at Love and Liberation seem a very long way away.

Enter Sera, the sweet and wholesome prostitute, who having escaped the abusive and borderline psycho pimp, Yuri, is herself in need of liberation. But can she carry the burden of both as this unlikely and almost certainly doomed romance starts to become significant? Nicholas Cage as Sanderson is terrific, very compelling, realistic and segueing from zany wired comedy to the desolation of Sanderson's death wish descent within a heart beat. Elisabeth Shue as Sera is also incredibly potent, if perhaps guilty of looking too pristine, and prompting questions of why she would be drawn to Ben's world anyway?

Shue none the less works her socks off to make Sera sensitive and believable. Directed by Mike Figgis, who shot it beautifully in Super 16 film, the film won a Best Actor Academy Award for Cage, and garnered nominations for Best Actress {Shue} & Best Director and Best Adapted Screenplay {both Figgis}. Massively popular and praised on release, it has lost none of the impact that it had back then. 8/10

It's not a movie I could bear to watch very often, because it's sad to see people destroy themselves. But Nicolas Cage and Elisabeth Shue are riveting to watch here. As a person who has a past involvement in alcohol and substance abuse, I found Cage's performance especially compelling, and after watching him in this one, I am sure glad that lifestyle is behind me!

The chemistry between these two is really great, two people that need each other in different ways, trying to cope with how screwed up their lives have become. Very real performances, if you're faint-of-heart be ready for some strong words, and not just obscenities. Wow! They really lay it on the line. Great performances by two of my favorites.