Dead Man's Folly

Yet another one of Peter Ustinov's made-for-TV Hercule Poirot mysteries. These movies are a far cry from his theatrically released "Death on the Nile" and "Evil Under the Sun" in almost every way (cast, production values, scripting, etc.), but taken on their own they have their moments. "Dead Man's Folly" doesn't have too many of those moments, though. As the music score (which would be more appropriate for a slapstick comedy) quickly signals, this movie is played too broadly. Ustinov takes the comedic aspects of Poirot just a step too far in this one - he does a lot of mugging and even some double-takes. Hastings is not as idiotic here as he was in "Murder in Three Acts", but Hugh Fraser is much better in the David Suchet series. Jean Stapleton is OK as Mrs. Oliver, but again, Zoë Wanamaker was better in Suchet's "Cards on the Table". The cast on the whole is not bad, and there are a couple of real stunners in it (Nicolette Sheridan, Caroline Langrishe). But the direction is bland, and the result is a murder mystery more trivial than thrilling. (**)

This made-for-TV movie is a good adaptation of Agatha Christie's story of the same name. Peter Ustinov again plays Hercule Poirot with aplomb as he unravels the mystery surrounding the Fair at Nass House and the architectural Folly. Dead bodies begin to pile up and no one is sure who they can trust among the many diverse guests at the Fair.

The biggest asset of this film is that it was shot on location in Great Britain at one of the Treasure Houses of England (Wilton House, I believe), which adds greatly to the period feel of the film. If shot anywhere else, it would have been a routine TV movie.

None of the performances truly stand out, but everyone plays their part with vigor and conviction. Most of the cast are English and they are much better than the American actors, who seem to be playing stock characters and don't quite fit in. However, it is a pleasant way to spend a few hours and revel in the grandeur of an authentic English estate.

This is not one of the best movies based on a Agatha Christie novel but i have seen worse. As for Ustinov as Poirot well...i'm getting tired of all those "fans" who claim that Suchett is the "definitive" Poirot, or that Ustinov is the better one. I enjoy both of them as i think both put their own stamp on the part and both have made Poirot movies that were either good or mediocre. This one is not as good as Evil under the sun or Death on the Nile but it still provides you with 90 minutes of entertainment. Most of the acting is so so. I did like Jean Stapleton as Ariadne Oliver but Ustinov has done better in the other Poirot movies i mentioned. Good for a rainy Sunday afternoon.

Hercule Poirot, Agatha Christie's Belgian sleuth, is brought up to modern times in Dead Man's Folly. Normally Christie stories are better set in the period that they were written, but in this case no harm is done. Her detectives are quite eternal.

Peter Ustinov returns as Poirot with Jonathan Cecil as the ever dependable Captain Hastings and he's been invited to another one of those English estates by American mystery writer Jean Stapleton. She's giving one of those mystery hunt games at the estate and the invited guests are going to be the contestants.

It gets really out of hand when three real murders are discovered in the course of this film. A young girl from the village, an old estate caretaker and the wife of the Lord of the Manor Tim Pigott-Smith. And they are connected though how you will be surprised.

I will give you two clues the former owner of the estate Constance Cummings knows a lot more than she is revealing and the arrival of Jeff Yagher from America upsets a lot of well laid plans.

You'll enjoy figuring this one out if you can.

I haven't read the book Dead Man's Folly, and this TV movie is the only one of the 6 movies Peter Ustinov did as Poirot, where that is the case. Now Dead Man's Folly I found to be very entertaining, with very good performances and a fine denouncement. However the script was weak and underdeveloped in places, the music didn't really stand out unlike Death On the Nile(the music was absolutely superb in that movie) and I found the overall film to be a tad too broad. I don't think it is as good as Death on the Nile or Evil Under the Sun, which are the best of the Ustinov outings. On a positive note, for a TV movie, it looks beautiful, with wonderful period detail, pleasant scenery and very nice photography. And the clothes were lovely to look at too. The denouncement is very unexpected and cleverly done, and I wouldn't have guessed it in a million years. But what makes the film so enjoyable is the cast. While I still consider David Suchet to be the definitive Poirot, Peter Ustinov was still a joy to behold and is clearly enjoying himself. Jean Stapleton positively brings life to the proceedings as Ariadne Oliver. Both Kenneth Cranham and Tim Piggott-Smith give good performances, if playing it safe. Jonathan Cecil is very entertaining as Hastings and Nicollette Sheridan is lovely as Hattie. But other than Ustinov the standout was indeed Constance Cummings as Amy, a truly delightful performance. All in all, while not the best of the Ustinov Poirot outings, it is a glossy and entertaining one, and actually one of the better ones. 7.5/10 Bethany Cox