Ein Küchenchef kündigt seinen Job im Restaurant und kauft einen Speisewagen, um sein kreatives Versprechen zurückzugewinnen, während er seine entfremdete Familie wieder zusammensetzt.Ein Küchenchef kündigt seinen Job im Restaurant und kauft einen Speisewagen, um sein kreatives Versprechen zurückzugewinnen, während er seine entfremdete Familie wieder zusammensetzt.Ein Küchenchef kündigt seinen Job im Restaurant und kauft einen Speisewagen, um sein kreatives Versprechen zurückzugewinnen, während er seine entfremdete Familie wieder zusammensetzt.
- Regisseur/-in
- Autor/-in
- Stars
- Auszeichnungen
- 2 Gewinne & 4 Nominierungen insgesamt
Jose C. Hernandez
- Abuelito
- (as Jose C. Hernandez 'Perico')
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As I've been exposing myself to new types of movies and different filmmakers, I sometimes feel like I'm trying new food. CHEF, directed by and starring Jon Favreau, was a delightful little indie "dish" and an immensely satisfying treat. It's about a chef, Carl Casper (Favreau), who works for this French restaurant. One night a critic (Oliver Platt) comes in and later posts a scathing review on Twitter that goes viral. Carl, a little bit new to social media, inadvertently starts a flame war with the critic and challenges him to come back because he'll cook the menu he wanted to cook the first time around. Things don't end up going so well, and Carl leaves his job as chef and takes his ex-wife's (Sofia Vergara) advice about starting a food truck. Narratively, the film is somewhat divided. The first third or so is more of a traditional "food" movie with some relationship drama thrown in, but at a critical point the film shifts gears into a road trip movie. Structure aside, I thought that they did a great job balancing the food aspects (which looked amazing) and the character relationships. The key relationship is between Carl and his son, who comes along with him on his food truck journey. It was really great to see how the relationship changed and improved over the course of the film. Something should also be said for the cast. Although most of them have relatively small roles, Favreau was able to call in some favors and get Scarlett Johansson, Robert Downey Jr., Dustin Hoffman, Oliver Platt, Bobby Cannavale, John Leguizamo and Sofia Vergara to appear here. Even though most of these people only appear in the first half when Carl works at the restaurant (and are therefore dropped once the narrative switches gear), it was still nice to see them. I thought they all gave excellent performances, even for such small roles. The only iffy member of the cast was the boy who plays Carl's son who, at times, seemed like a blank slate. Maybe that was intentional? I don't know, but he also is a child actor so I won't make too big a deal out of it. The only other aspect of the movie I find fault with is the way in which the film ends, which I won't spoil here. All I'll say about it is that it was a little TOO nice and clean. That being said, I thought that CHEF really worked on an emotional level. Overall, it might not be the best film I've ever seen, but it had a feelgood atmosphere, great dialogue and some great cooking. Bon appetit!
Stepping away from the blockbusters that have occupied his time and talents of late, Jon Favreau scales back the spectacle to deliver Chef, a thoroughly enjoyable story of redemption set amid the chaos and camaraderie of the kitchen in which Favreau delivers what may be his best performance yet. In addition to taking on the lead role of disgruntled chef Carl Casper, Favreau also wrote the screenplay and served as producer and director, putting himself firmly in the firing line if the film misfired. Fortunately, he has got most of it right and Chef overcomes any shortcomings through its refreshing take on relationships - particularly between Carl and his 10-year-old son Percy (Emjay Anthony) - and the power of technology and social media as both a destructive force and an instrument of considerable social currency. Confined to bit parts of late in the likes of The Wolf of Wall Street and the three Iron Man films, Favreau seems to relish the opportunity to take on this role of a man forced to re-evaluate everything that is important to him.
We first meet Carl as he begins preparations for the evening ahead at the restaurant at which he is the head chef. Once hailed as the next big thing in culinary circles, Carl's career and reputation has stagnated somewhat as he finds himself frustrated by the limitations placed on him by restaurant owner Riva (Dustin Hoffman). You see, Riva is more interested in maximising profit, while Carl is desperate to shake things up and broaden the menu, particularly with high profile critic Ramsey Michel (Oliver Platt) dropping in to sample the fare. It is not giving too much away to say that things don't go well and, when Carl unleashes at Michel in a tirade that goes viral, his tenure at the restaurant is over. At the urging of his ex-wife Inez (Sofia Vergara), Carl heads to Miami and establishes a food truck that enables him to reconnect with his love of cooking and the son he has neglected. Much merriment ensues as Carl hits the road to redemption with Percy and best friend Martin (John Leguizamo) along for the ride.
The film very much celebrates the art of cooking and gastronomes will go nuts at the myriad montages of Carl at work in the kitchen, whether it be in the restaurant, the food truck or at home where even a toasted sandwich is prepared with passion and precision. The relationship between Carl and Percy, which is the crux of the narrative with the food truck as the conduit that brings them together, is refreshingly realistic and devoid of mawkish sentimentality. Young Graham is remarkably composed and naturalistic as Percy and the underrated Leguizamo makes the most of his best role in ages. The music is fabulously funky, creating the up-tempo mood that permeates the second half of the film. There really is a lot to like here, which makes it easy enough to overlook those aspects that go unexplained. For example, Inez lives in a luxurious house with an armada of domestic staff and is always making reference to her work, yet we never get any sense of what this work entails and ultimately Vergara seems to be simply rehashing her Modern Family persona, albeit not quite so shrill.
The sudden disappearance of Scarlett Johansson from the narrative is another mystery that remains unsolved. In the opening portion of the film, Johansson's Molly works as a hostess at the restaurant and there is clearly a mutual attraction between her and Carl. In fact, a scene in which Molly lounges seductively while Carl prepares a meal is sexier than most love scenes, yet once Carl leaves for Miami, Molly is neither seen nor heard from again. A cynic might suggest that Johansson's inclusion, along with a somewhat strange cameo from Robert Downey Jnr as another of Inez's ex-husbands, is simply Favreau calling upon his Iron Man co-stars in an attempt to secure maximum leverage for his film with multiplex audiences.
The film demonstrates the power of ubiquitous presence and power of social media; initially bringing Carl to his knees before ultimately playing a very significant role in his resurrection as a chef and a father. Despite a few unanswered questions along the way, Chef is a charming, refreshing surprise.
We first meet Carl as he begins preparations for the evening ahead at the restaurant at which he is the head chef. Once hailed as the next big thing in culinary circles, Carl's career and reputation has stagnated somewhat as he finds himself frustrated by the limitations placed on him by restaurant owner Riva (Dustin Hoffman). You see, Riva is more interested in maximising profit, while Carl is desperate to shake things up and broaden the menu, particularly with high profile critic Ramsey Michel (Oliver Platt) dropping in to sample the fare. It is not giving too much away to say that things don't go well and, when Carl unleashes at Michel in a tirade that goes viral, his tenure at the restaurant is over. At the urging of his ex-wife Inez (Sofia Vergara), Carl heads to Miami and establishes a food truck that enables him to reconnect with his love of cooking and the son he has neglected. Much merriment ensues as Carl hits the road to redemption with Percy and best friend Martin (John Leguizamo) along for the ride.
The film very much celebrates the art of cooking and gastronomes will go nuts at the myriad montages of Carl at work in the kitchen, whether it be in the restaurant, the food truck or at home where even a toasted sandwich is prepared with passion and precision. The relationship between Carl and Percy, which is the crux of the narrative with the food truck as the conduit that brings them together, is refreshingly realistic and devoid of mawkish sentimentality. Young Graham is remarkably composed and naturalistic as Percy and the underrated Leguizamo makes the most of his best role in ages. The music is fabulously funky, creating the up-tempo mood that permeates the second half of the film. There really is a lot to like here, which makes it easy enough to overlook those aspects that go unexplained. For example, Inez lives in a luxurious house with an armada of domestic staff and is always making reference to her work, yet we never get any sense of what this work entails and ultimately Vergara seems to be simply rehashing her Modern Family persona, albeit not quite so shrill.
The sudden disappearance of Scarlett Johansson from the narrative is another mystery that remains unsolved. In the opening portion of the film, Johansson's Molly works as a hostess at the restaurant and there is clearly a mutual attraction between her and Carl. In fact, a scene in which Molly lounges seductively while Carl prepares a meal is sexier than most love scenes, yet once Carl leaves for Miami, Molly is neither seen nor heard from again. A cynic might suggest that Johansson's inclusion, along with a somewhat strange cameo from Robert Downey Jnr as another of Inez's ex-husbands, is simply Favreau calling upon his Iron Man co-stars in an attempt to secure maximum leverage for his film with multiplex audiences.
The film demonstrates the power of ubiquitous presence and power of social media; initially bringing Carl to his knees before ultimately playing a very significant role in his resurrection as a chef and a father. Despite a few unanswered questions along the way, Chef is a charming, refreshing surprise.
I can't help feeling that this movie is not only about a chef finding himself, but it's also about lead actor/director Jon Favreau trying to get back in touch with the kind of films he used to make -- small ones without guys wearing super-suits or cowboys drawing down on aliens. Here, Favreau's Carl Casper quits his big Iron Restaurant job and rediscovers himself, and his passion for food and family, by running a Chef-sized food truck. Results: excellent.
Films like this can be lost if the wrong kid is cast. Emjay Anthony is the right kid. He's great as Percy. I particularly enjoyed the way the film handled Percy's internet-savviness, and how he used it. John Leguizamo is a great fit as Carl's friend and sous-chef. Sofia Vergara as Carl's ex- wife is, as usual, capable and stunning.
See Chef, and bear witness as a good filmmaker continues his journey to becoming a great one.
Films like this can be lost if the wrong kid is cast. Emjay Anthony is the right kid. He's great as Percy. I particularly enjoyed the way the film handled Percy's internet-savviness, and how he used it. John Leguizamo is a great fit as Carl's friend and sous-chef. Sofia Vergara as Carl's ex- wife is, as usual, capable and stunning.
See Chef, and bear witness as a good filmmaker continues his journey to becoming a great one.
I guess some people thought this movie was long and boring. Even some said acting was kind of bad. Well I think the total opposite of this. And I cannot see why anyone would think otherwise. This movie as basic as the plots and story lines were, totally kept my interest. I think it's Jon Favreau's best movie ever. It's a masterpiece. This could be a cult classic for Father's Day, like It's A Wonderful Life is for Christmas. Of course the general sway of Hollywood shun's on a great family life. However Jon Fav didn't give a crap and he decided to celebrate how to celebrate living again. Yeah not much going on but if you don't feel good after watching this then you have a crusty heart and your problems have deep rooted issues.
I thought this was probably one of the better movies I have seen all year. Personally. I believe we really - really need more movies like this to remind us about how precious life really is and how to enjoy special moments just eating a real beignet from New Orlean's French Quarter, and in search of the perfect Cuban sandwich recipe, and perfecting the ultimate beef brisket slider. I totally was impressed by this movie for it's full hour and fifty minutes. I loved a great - feel good - movie - - I recommend for any dad and most everyone to see it This will surely restore a sense of how important a support group of family and good friends can be. Great job Jon Favreau! I kind of thought you were like Hollywood stuck up before seeing this movie. Now I know you are a real guy and cool ass family man.
I thought this was probably one of the better movies I have seen all year. Personally. I believe we really - really need more movies like this to remind us about how precious life really is and how to enjoy special moments just eating a real beignet from New Orlean's French Quarter, and in search of the perfect Cuban sandwich recipe, and perfecting the ultimate beef brisket slider. I totally was impressed by this movie for it's full hour and fifty minutes. I loved a great - feel good - movie - - I recommend for any dad and most everyone to see it This will surely restore a sense of how important a support group of family and good friends can be. Great job Jon Favreau! I kind of thought you were like Hollywood stuck up before seeing this movie. Now I know you are a real guy and cool ass family man.
Jon Favreau's pet project, after a decade of big budget, heavy-on-special-effects, blockbusters and fantasy fair, is as charming as they come. The film follows a master chef (played by Favreau) whose career is derailed and, as a last resort, opens a food truck and drives across country with his young son and his sous-chef, played by John Leguizamo, selling Cubano sandwiches. Along the way, we're treated to food-porn at its best and introduced to a cast of characters that would make Woody Allen blush: Oliver Platt, Dustin Hoffman, Sofia Vergara, Robert Downey Jr., Scarlett Johansen, and a slew of other familiar faces.
This is still a far cry from 'Swingers' - the film that began the plague that is Vince Vaughn and managed to charm every straight man in America - but the man knows how to make a light comedy with clever dialogue that doesn't feel frivolous. This is far from indie/art-house but Favreau was candid in saying that he had no desire to make a cinematic contribution, he simply fell in love with the premise, ran with it, and the result brought the house down.
This is still a far cry from 'Swingers' - the film that began the plague that is Vince Vaughn and managed to charm every straight man in America - but the man knows how to make a light comedy with clever dialogue that doesn't feel frivolous. This is far from indie/art-house but Favreau was candid in saying that he had no desire to make a cinematic contribution, he simply fell in love with the premise, ran with it, and the result brought the house down.
Wusstest du schon
- WissenswertesJon Favreau did his own cooking by training with food truck chef Roy Choi. Choi sent Favreau to a week of intensive French culinary schooling, where Favreau sharpened his knife skills and learned how to make sauces. "I brought him into the kitchen and he just kind of fit in," Choi recalls. "I threw him a couple of tests, like a case of chives, or a case of onions, or peel two cases of avocados. Just to see where his mind and his situation and his abilities were and how interested he was in these things. He just attacked them. He really became a part of it." Five years after this film's release, Favreau and Choi teamed up again on The Chef Show (2019) which is a cooking/documentary show on Netflix.
- PatzerWhen Percy creates Carl's Twitter account they settle on the name @ChefCarlCasper. Yet Carl's very first tweet, which he thought was a private message to Ramsey Michel, was shown to have been posted by @CasperCarl. For the remainder of the movie his Tweets correctly identified him as @ChefCarlCasper.
- Zitate
Carl Casper: I may not do everything great in my life, but I'm good at this. I manage to touch people's lives with what I do and I want to share this with you.
[trailer abridged version]
- Crazy CreditsNear the end of the credits, there is a brief scene of chef Roi Choi teaching Jon Favreau how to make the perfect grilled cheese sandwich.
- VerbindungenFeatured in The Nostalgia Critic: Why Is Nothing Original Anymore? (2015)
- SoundtracksBrother John is Gone / Herc-Jolly-John
Written & Performed by Bo Dollis Jr. and the Wild Magnolia Indians (as The Wild Magnolias)
Courtesy of Nonesuch Records
By arrangement with Warner Music Group Film & TV licensing
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- How long is Chef?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Chef a domicilio
- Drehorte
- Austin, Texas, USA(Guero's Taco Bar and Franklin's BBQ)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 11.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 31.424.003 $
- Eröffnungswochenende in den USA und in Kanada
- 204.961 $
- 11. Mai 2014
- Weltweiter Bruttoertrag
- 50.440.695 $
- Laufzeit
- 1 Std. 54 Min.(114 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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