Origin and history of arrhythmic

 16c. spelling variant or attempted classical correction of Middle English rime "measure, meter, rhythm," also "agreement in end-sounds of words or metrical lines, rhyme; a rhyming poem" (12c.), from Old French rime "verse," from Latin rhythmus "movement in time," from Greek rhythmos "measured flow or movement, rhythm; proportion, symmetry; arrangement, order; form, shape, wise, manner; soul, disposition," related to rhein "to flow" (from PIE root *sreu- "to flow"). Compare rhyme.

The word rhyme has no connection with the word rhythm, nor is rhyme necessary to accentual verse. Nevertheless, rhyme was usually present. On the other hand, in classical Greek metrical poetry, rhymes, if not accidental, were never an essential element of metrical verse structure. [Henry Osborn Taylor, "The Classical Heritage of the Middle Ages," 1911]

The spelling fluctuated 16c.-17c., rithme and ri'me also being used. From 1550s as "metrical movement, movement in time characterized by equality of measures and alteration of stress and relaxation." By 1776 as "regular succession of beats or accents in music."

The rhythm method in reference to birth control is attested from 1936. Rhythm and blues, U.S. music style, is from 1949 (first in Billboard magazine).

prefix meaning "not, without," from Greek a-, an- "not" (the "alpha privative"), from PIE root *ne- "not" (source also of English un-).

In words from Greek, such as abysmal, adamant, amethyst; also partly nativized as a prefix of negation (asexual, amoral, agnostic). The ancient alpha privatum, denoting want or absence.

Greek also had an alpha copulativum, a- or ha-, expressing union or likeness, which is the a- expressing "together" in acolyte, acoustic, Adelphi, etc. It is from PIE root *sem- (1) "one; as one, together with."