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Origin and history of willowy

willowy(adj.)

"flexible and graceful," 1791, from willow + -y (2). Earlier "bordered or shaded by willows" (1751). Willowish is older (1650s) but in reference to the color of willow leaves. Related: Willowiness.

Entries linking to willowy

type of tree or shrub characterized by pliant, woody branches, Middle English wilwe, from Old English welig "willow," from Proto-Germanic *wel- (source also of Old Saxon wilgia, Middle Dutch wilghe, Dutch wilg), probably (Watkins) from PIE root *wel- (3) "to turn, revolve," with derivatives referring to curved, enclosing objects.

The change in form to -ow (14c.) paralleled that of bellow and fellow. The more typical Germanic word for the tree is represented by withy. Especially a symbol of grief for unrequited love or loss of a mate (1580s); also formerly a wood used to make bats, hence figurative senses in cricket (by 1846). The willow-pattern popular on blue domestic crockery and based loosely on Chinese originals, was designed late 18c., so called by 1829.

very common adjective suffix, "full of, covered with, or characterized by" the thing expressed by the noun, Middle English -i, from Old English -ig, from Proto-Germanic *-iga-, from PIE -(i)ko-, adjectival suffix, cognate with elements in Greek -ikos, Latin -icus (see -ic). Germanic cognates include Dutch, Danish, German -ig, Gothic -egs.

It was used from 13c. with verbs (drowsy, clingy), and by 15c. with other adjectives (crispy). Chiefly with monosyllables; with more than two the effect tends to become comedic.

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Variant forms in -y for short, common adjectives (vasty, hugy) helped poets after the loss of grammatically empty but metrically useful -e in late Middle English. Verse-writers adapted to -y forms, often artfully, as in Sackville's "The wide waste places, and the hugy plain." (and the huge plain would have been a metrical balk).

After Coleridge's criticism of it as archaic artifice, poets gave up stilly (Moore probably was last to make it work, with "Oft in the Stilly Night"), paly (which Keats and Coleridge himself had used) and the rest.

Jespersen ("Modern English Grammar," 1954) also lists bleaky (Dryden), bluey, greeny, and other color words, lanky, plumpy, stouty, and the slang rummy. Vasty survives, he writes, only in imitation of Shakespeare; cooly and moisty (Chaucer, hence Spenser) he regards as fully obsolete. But in a few cases he notes (haughty, dusky) they seem to have supplanted shorter forms.

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