This Book Two Is, If Anything, Better Than Book One
You know that old prescription - "moderation in all things"? Well, these Fairy Tree books strike me as perfect examples of how well that works as a guiding principle when it comes to early chapter books, and kids books generally.
Our heroine, Piper, is energetic, reckless, opinionated, and a little scatterbrained. But not too much. She's romantic, loyal, friendly, and considerate. But not too much. She's quirky and full of personality. But not too much. The reader never gets tired of her always-on personality. The reader never feels manipulated to like a kid who is unlikable. I think this is partly because the author presents Piper to us with generous good humor and a light touch, and mostly because the book is paced so well. Piper is good and friendly, then she does something thoughtless, then she feels bad and apologizes, then she gets a little manic, then she's thoughtful, then she's selfish, then she's considerate. It's up and down and up and down, and then there's a quiet scene, and then she's up and down again. It's sort of like watching a pinball machine, but that's what kids are like, (especially when you boil it all down for a short chapter book), and this is a pinball you like and are rooting for.
A couple of other things elevate this book above the crowd. Potter writes adults really well; better than anyone else I can think of who's writing these kinds of books for early readers. Mom and Dad are smart, alert to what's going on, and patient up to a point, after which they actually parent. Teachers know what's going on and have a believable presence. Even minor characters, like the lobster boat captain, or a neighbor, or another kid's parents, feel like reliable adults who are watchful and active in their kids lives. A lot of what Piper thinks about is how adults are reacting to her actions, and isn't that what the readers of these books are wrestling with themselves? And isn't it nice when the adult reactions are calm, supportive and understanding, while still human and believable.
In the same vein, the other kids in these books feel authentic. They can be supportive, or mean, or obtuse, or silly, or distracted, often changing from moment to moment. There is a lot of socializing in these books, and Piper is alert to what other kids are doing and how they are reacting in the same way she keeps taking the temperature of the important adults. This is not silly stuff; this is important stuff to the readers.
It helps that the "magic" angle is minimal. The angle is that Piper puts a gift in the Fairy Tree and then something else appears in exchange. It usually isn't a gift that makes sense until that thing comes into play further along in the plot. No wands or spells or magic. It's more like a funky convenient coincidence and just adds some winking fun to the story. I like it when a kid who gets herself into a mess has to get herself out using her own wits and character, and that's what happens in these books.
So, the upshot is that you get a reasonably complex heroine, a satisfying and layered story for an early chapter book, and some very subtle and unobtrusive fine writing holding it all together. A very nice find.
Please note that I received a free advance ecopy of this book in exchange for a candid review. Apart from that I have no connection at all to either the author or the publisher of this book. (That said, I've read enough Potter to really admire her work, and to wish she were better known, so I should divulge that bias.)