When Col and Danee shift out of normal space into a parallel universe, free from government jurisdiction or control, their mission should be simple enough. Law enforcement officers, they’ve come to Jubilee, the free-for-all galactic pleasure garden, to take possession of a corpse and return to their planet. Unfortunately, they are met with some technical difficulties, given an exclusive hotel room for the night, and wined and dined as only that locale can offer. It’s not the cesspit some believe. In fact, the Jubilee experience can cater to whatever passions you bring. Want to lose your inhibitions about gambling, drink, drugs, or sex? You can. Want to have a day in near-Zero G, bouncing around and having fun? You can. Want to indulge in the simple decadences of exquisite food and lovely wine? You can do that to. This is Col’s first visit to the place, and while he’s there he even gets a security team job offer from the AI in control of the place. He’s happy with his current role, thanks, but he promises to keep it in mind.
When they finally arrive at their home planet to find much has changed in the two days they’ve been away. The Movement 4 Morality (M4M) group has secured power on their home planet and are applying a tight control over the various branches of government and enforcement. Soon enough, Col and Danee are on the run, dodging torture and threats alike, and making their way back to the one safe port—Jubilee. There, they will work with Jubilee’s AI Douglas to devise a plan to outmaneuver the M4M, recover Col’s wife Sana from servitude to the sinister M4M leader, and possibly smash the oppressive M4M by ferreting out its dirtiest secrets. To do so may require DNA modifications, ferreting out a hidden LAI (Large Artificial intelligence), outwitting a psychotic chairman, and dodging true believers and tormentors alike.
Stephen K. Stanford’s science fiction novel Jubilee is a space opera romp that effectively balances light adventure with some dark consequences. At the novel’s beginning (following a cheeky “translator’s note” from the far future), we find ourselves in the hands of a point of view character who is unafraid of sharing his awestruck moments at the possibilities of Jubilee’s strangeness and excesses. Soon enough, the novel gets pulled out of the gee whiz future speculations into much more grounded issues about the grimdark side of legislated morality and totalitarian control, which includes the protagonist losing a body part in a moment of pure body horror. However, the text’s “translator” also breaks the fourth wall just before it happens, inviting a page turn for those who would prefer not to see such material.
In fact, there are a few moments where such intrusions occur, and they are cleverly utilized and never gratuitous. Folks who don’t mind delving into darker regions can carry on, but those who’d prefer not to be triggered can read the book with little worry about hitting on their personal squirm buttons. The writing is generally clever stuff, applying some intriguing references to quirky and comic sf of the past (I noted sections that might have been offering nods to such fare as Red Dwarf and the TTRPG, Tales of the Floating Vagabond) as well as staid entries in the genre (this book evokes and plays with almost as many permutations of society as Haldeman’s The Forever War) but an awareness of such influences is unnecessary in appreciating the wit and ideas at play in the story itself. The book is self-contained, with clear beginning, middle, and end but there is a wealth of material the author might exploit for future books.
Where Stanford’s book offers the best surprises is in how quickly things can change and how much ground the prose can cover in relatively short order. By the time we hit the middle of the book, the characters are familiar, but the situations are a far cry from where we started. There are numerous twists, not only in the plot but in terms of where our characters go and how they wind up.
Jubilee is the sort of book that will please both regular readers of non-intrusive space opera adventure as well as those looking for the pointed social critiques of the coolest New Wave sf. And which is as entertaining a look at human foibles as any crime novel written by Elmore Leonard. Stanford’s writing is infectious, readable stuff. Ideas and action flow nicely, the characters pop, the situations veer from light to dark and back again with ease, and the book balances beach read readability, grit, and satiric punch.
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Special Thanks to NetGalley and Flame Tree Press for providing an eARC in exchange for an honest review.