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Tales of Wonder

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Irish writer Edward J. M. D. Plunkett, the eighteenth Baron Dunsany, was one of English literature's most original talents. The author of many of the best fantastic tales in the language, he also greatly influenced other writers working in the genre. 

104 pages, Kindle Edition

First published January 1, 1916

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About the author

Lord Dunsany

648 books803 followers
Edward John Moreton Drax Plunkett, eighteenth baron of Dunsany, was an Anglo-Irish writer and dramatist, notable for his work in fantasy published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes hundreds of short stories, as well as successful plays, novels and essays. Born to one of the oldest titles in the Irish peerage, he lived much of his life at perhaps Ireland's longest-inhabited home, Dunsany Castle near Tara, received an honourary doctorate from Trinity College, and died in Dublin.

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Displaying 1 - 30 of 33 reviews
Profile Image for Wreade1872.
778 reviews221 followers
October 9, 2023
Well that was a lot more misses than hits. I think i only really liked 5 or 6 out of the 19 tales in this volume.
The preface states 'THESE tales are tales of peace. Those who remember peace and those who will see it again may be glad to turn their eyes, though but for a moment, away from a world of mud and blood and khaki, and to read for a while of cities too good to be true.'

None of that is true, while a fair few of these stories involve places that is as near as it gets to its stated goal. Which was probably a good thing as a couple of the better ones are bloody or war themed.

Now Dunsany can be an acquired taste and his repetition and often languid cadence can frustrate some, but that's not me. Unfortunately most of these tales just weren't very good.

Made available by the Merril Collection.
Profile Image for Lance.
244 reviews7 followers
April 28, 2018
"'Come,' said the sultan to his hasheesh-eater in the very further lands known to Baghdad, 'dream to me now of London.'"

This final collection bringing together many of Lord Dunsany's modern fairytales spanning fantasy, alternative history, and magical realism, is this immensely ironic volume containing some of the most ludicrously imaginative tales I have read by this author. Although for me the sheer length of A Story of Land and Sea which interrupted the flow of the otherwise shorter stories and left the collection feeling less unified to me, I still enjoyed each of the tales on its own merits. A great debauch of mirth, full of cutting wit unique to the author's Irish-English heritage, the tone feels refreshingly modern even now. Contemporary fantasy is finally beginning to imitate Dunsany again with its self-criticism and subversion, this man was almost touching upon science-fantasy at times he was so far ahead of the literature of his own era.

A tale of London ***
Beginning the collection on the humorous, often acerbic, note it means to continue throughout, this story tells of a sultan seduced by romanticised tales of London in which their "white camels" and "onyx streets" astound. A subversive look at the mundanity of contemporary living without whimsy, with an ample helping of scorn.
Thirteen at Table ****
This is a brilliant dark tale which would be at home in an early horror collection. I have deducted a star purely for the reason that the story beginning following a fox-hunt. The protagonist is forced after a long hunt to stay with country gentleman Richard Arlen who invites him to dinner with eleven women, all of which are long dead and present only in memory. "This kind of thing happened eleven times, the rustling, and the fluttering of the carpet, and the footsteps of the rats, and then the sad voice of my host introducing me to phantoms." As the narrator gets more and more drunk, he starts to believe in the women, almost lusting after Lady Rosalind because of the dainty impression her form has left in the empty chair. He insults the ladies with a crude joke and feels terrible for it in the morning, only to find that his crudeness has now dissuaded the grim ladies from returning to the host ever again.
The City on Mallington Moor ***
An enchanting tale of a marble city that appears to the drunk on a desolate moor in the north of England. The architecture is Eastern, but the inhabitants are their own race of grey skinned men and appear to have come from the moon. The real star here is the shepherd, who grows in character as the author believes the story that he is shunned for. "He had pulled himself together and steadied his shaking hand and cleared his mind, he had recovered his memory and his self-respect." An interestingly gruff humanisation of an alcoholic character.
Why the milkman shudders when he perceives the dawn ***
An incredibly sarcastic, anticlimactic tale building up the venerable age and secrecy of the milkmen's story, discussing its literary merits at length without actually proffering and information about the contents of the story, only to announce that the story is best kept secret for reasons of tradition. A serious extremely self-conscious tease.
The Old Woman in black
In this story, an evil witch has been seen abroad. But what will she do? Every time she leaves her house their is a disaster but no two disasters are linked. "never twice in their lives had she done the same infamous thing" A cautionary tale of the mental torture humans expend upon their own minds trying to pre-empt catastrophe.
The Bird of the Difficult Eye ***
Another heroic thief, Neepy Thang, albeit one who lives in more squalid times. He is sent by a new money peer to acquire an emerald, and does so with excessive magical realism. "if the bird migrated to Fairyland before the three eggs hatched out then they would undoubtedly all turn into emeralds" Yet, Neepy Thang knew the risk he was taking. The eggs do in fact hatch out, and presumably the chicks eat him alive. That, or something even more gruesome happens.
The Long Porter's Tale ****
We are back at the end of the world here, in an empty village from which the void of all time past can be seen from the window. Gerald Jones, a Londoner who once holidayed in the north of England, heard in his childhood an old woman singing a song outside a cottage in a field. "And always, whenever he heard men speak of time, he grudged him most this song." He goes to the ends of the earth and plucks the song from Time's refuse pile. The author doesn't believe the plausibility of the whole things, and thinks that the destruction of the moment by Time is finite, and writes the whole thing off as a lie concocted by the junkie long porter.
The Loot of Loma **
Honestly, I struggled to remember this story. There's nothing wrong with it, it's a perfectly interesting tale of the vengeance of the idols to gods of a routed city making escape impossible for the plunderers. But I can't give a story I had to read again because I'd forgotten what happened more than two stars.
The Secret of the Sea *****
This tale of sentient ships is one of the stand outs in the collection. I don't know if this story inspired Robin Hobb's Ship of Destiny series, but I get a similar vibe. Here, the ships are like large docile whales, easily overcome by the will of their human crew at most times but free to drift when the human crew is lost or incapacitated. There is an interesting take on disability, as a temporarily paralysed seaman is mistaken for black-out drunk by his ship which then sails of its own volition to the temple where the ships worship. The ships move against each other like animals, oblivious to the presence of one sentient seaman as the humans are to the sentience of the ships. All very interesting and I would have loved to see it expanded.
How Ali came to the Black Country ****
A bitter rebuttal of the Industrial revolution, in this tale desperate merchants send over to Persia for assistance from Ali, a powerful Muslim who contains a bottle for holding djinn. He arrives in Britain and sees the raw destruction of the landscape and offers to bottle up steam and allow humanity to return to a purer existence. "'the chief devil that vexes England and has done all this harm, who herds men into cities and will not let them rest, is the evil devil steam.'" But of course, the men of Britain and too preoccupied with what that would mean for profits. Ali leaves shaking his head like an exasperated Roman general surveying a territory not even worth conquering in the name of god.
The Beauraux d'Exchange de Maux ***
Another satire, in which men and women trade their sins with one another. The author exchanges his seasickness for a fear of being trapped in lifts to find out more about the process of exchanging sins, with fairly ambivalent results.
A Tale of Land and Sea ***
A mad subversion of Robinson Crusoe, this long short story follows Captain Shard, who first appeared in The Book of Wonder, as his pirate ship escapes the armadas of Britain, Spain, and Portugal by mounting wheel on the bottom of the ship and driving it off into Africa. "There is a fascination in the Sahara. A day there is delightful, a week is pleasant, a fortnight is a matter of opinion, but it was running into months." Dunsany himself repeatedly questions the geographical possibility of this feat. Although the character development of Shard was interesting as he struggled to maintain jollity whilst being beset by doubts he could not share with his crew, he was too self-absorbed to be in any way a likeable character.
A tale of the equator ***
A sultan is offered the promise of a palace in eternal summer by placing it on the line of the equator. He wisely never tests this possibility as the tale is intriguing enough.
A Narrow Escape ****
Another delicious satire. You know when you ask your wizarding apprentice to bring you the heart of the toad of Bethany and he bring back some asparagus or the wrong brand of Yorkshire pudding? So frustrating. There should be a delivery service. All this simple evil warlock wanted to do was destroy civilisation as we know it. "He decided one evening over his evil pipe, down there in his dank chambers, that London had lived long enough, and abused its opportunities, had gone too far with its civilisation. And so he decided to wreck it." But he sent an apprentice out for the toad's heart, and now has to sink into the ground and presumably perish horribly.
"The Watch-Tower" **
Again, I had little memory of this story. It documents the author's conversation with the ghost of a Norman tower eagerly on watch for Sarasens and refusing to accept that these are no longer a threat. A cool concept but not enough character development.
"How Plash-Goo came to the land of None's Desire" **
Another that I didn't remember particularly strongly, perhaps because the stories following it are so strong, perhaps because it is essentially slapstick. A small giant is vexed by the dwarf who lives above him, but underestimates the dwarf's strength and is himself thrown into the voice between the worlds.
The Three Sailor's Gambit ****
From the beginning of this story, this appears to be an elaborate chess pun. In this story, there are literally three sailors, and they open a game with a chess grand master as a trio, refusing to play alone. And the master loses. The sailors are grubby, don't know the names for the pieces, referring to a knight as "the one with the horse's head", but they win anyway. Their secret? A fellow sailor traded his soul for a glass orb that reveals winning moves in any game of chess. And they only play as a trio because they are happy to go to Hell, but desperately afraid of being alone there. It's quite a dark ending if you dwell on it.
"The Exiles' Club" *****
This was the stand-out story of the collection. Largely for this beautiful sentence. "Someone had started me talking on a subject that to me is full of fascination, that of old religions, forsaken gods. The truth (for all religions have some of it), the wisdom, the beauty, of the religions of the countries of which I have travelled to have not the same appeal to me; for one may only notice them in their tyranny and their intolerance and the abject servitude they claim from thought, but when a dynasty has been dethroned in heaven and goes forgotten and outcast even among men, one's eye no longer dazzled by its power finds something wistful in the faces of its forgotten gods" Lord Dunsany was exceptionally well travelled, and although far from perfect, one of the most tolerant British authors of the period that I have read. I really appreciate the respect he has for other civilisations, and the intelligence and commeraderie he displays with people of both real and fictional other cultures. In this story, the author is invited to a member's club for kings who have been ousted from their rightful lands, only to find that these once-great men are only the waiters at the club for forgotten gods above.
"Three Infernal Jokes" ***
A ridiculous final story full of bile and scorn at modern life. The protagonist sells his 'virtue' which is arguably homosexuality (which was my interpretation of "'to me, all men are equally ugly'") for three jokes that will make the listeners die laughing. He tells one to all his tout friends who sell the horrendously inaccurate and out-dated Briton Dictionary of Electricity . They literally die laughing. "this frightful thought leaped up all at once in his mind: it was forced laughter!" And the jokes are diabolical. Diabolical racist flops.
Profile Image for Tom.
56 reviews8 followers
April 16, 2013
Before I started reading, all I knew about Dunsany was that H. P. Lovecraft was a fan. I can see the connections, with both writers using the method of leaving Big Important Things unexplained, but where Lovecraft spins existential dread out of the unknown, Dunsany just takes it as a witty trick to enable him to say whatever the hell he wants without any obligation to wrap it all up at the end. It's the wit of Dunsany that was the main surprise for me, ranging from subtle winks about how storytellers can't be trusted, to totally taking the piss, as in the story of 'Why the Milkman Shudders When He Perceives the Dawn'. If you like the freewheeling ideas of Lovecraft but find it all a bit serious, maybe give this guy a try.

Pretty much every story involves someone passing on the tale while totally off their head on drink or drugs. If some of Lovecraft's stories - 'Shadow over Innsmouth', say - were told by Sir Rowley Birkin QC from The Fast Show, with a large glass of whiskey in his hand, I imagine it would be something like this.
Profile Image for Jonathan Terrington.
596 reviews598 followers
Read
June 10, 2017
Lord Dunsany is best suited to writing these types of stories: short tales of magic and intrigue. However, the quality of this work is not as consistent as his other fantasy works and so I cannot bring myself to praise it as highly.

Dunsany has his own particular style and way of writing about fantasy which makes it....well fantastical. Rather than create a large, elaborate set to draw his readers in or some scientifically designed magic system, Dunsany makes his world magical through the sudden acts of magic or the absurd. In fact, there is a sense of his magic being a kind of 'random acts of magic' work, but yet the magic is never so random as to be unbelievably dull, fickle or poorly planned.

I have little to say about the individual stories in this volume as they do not follow an overall arc like his novel The King of Elfland's Daughter or Time and the Gods. For these very reasons I must concede that the quality of the works rise up and down, fluctuating from story to story, yet having an overall Lord Dunsany charm.
Profile Image for Lorna.
156 reviews88 followers
January 18, 2018
Compelling very short stories that spark a full blazing fire of imagination and then leave you abruptly as if you have woken up from the very best kind of dream that you can never recapture not matter how hard you try.
Profile Image for Kristyn.
474 reviews1 follower
July 4, 2022
I usually really enjoy Lord Dunsany's books, but I found this one harder to get through than usual, and with some cultural appropriation. Still, his observations of some aspects of humanity through these fantasy stories and fables reveal some patterns in humanity.

The preface illuminated the setting in which this was written, during WWI, as he was wounded.

"Just now the civilization of Europe seems almost to have ceased, and nothing seems to grow in her torn fields but death, yet this is only for a while and dreams will come back again and bloom as of old, all the more radiantly for this terrible ploughing, as the flowers will bloom again where trenches are and the primroses shelter in shell-holes for many seasons, when weeping Liberty has come home to Flanders.

To some of you in America, this may seem an unnecessary and wasteful quarrel, as other people's quarrels often are; but it comes to this that though we are all killed there will be songs again, but if we were to submit and so survive there could be neither songs nor dreams, nor any joyous free things any more."

In the short story, "The Long Porter's Tale"
"Yet it may be that the devastation wrought by Time is merely local, and that outside the scope of his destruction old songs are still being sung by those that we deem dead."

In the short story, "A Story of Land and Sea"
"But custom is not easily overcome and long survives its use."

In the short story, "The Exiles Club"
"One only notices in [the religions of today] their tyranny and intolerance and the abject servitude that they claim from thought; but when a dynasty has been dethroned in heaven and hoes frogotten and outcast even among men, one's eyes no longer dazzled by its power find something very wistful in the faces of fallen gods suppliant to be remembered, something almost tearfully beautiful..."
Profile Image for osoi.
789 reviews38 followers
April 28, 2015
Для знакомства с лордом Дансейни одного рассказика, вырванного из контекста сборника, категорически мало. «Почему молочник боится рассвета» оказался неприлично коротким, но мучала я его целых два вечера, проведенных в ожидании того момента, когда же смогу наконец раскачаться и поскакать по волнам витиеватой притчеватости господина лорда. Пф, не тут-то было. Практически на каждой строке меня поджидала подляна – вот я вроде бы читаю текст и вникаю, а через пару строк осознаю, что внимание уехало отдыхать в жаркие страны и я слушаю как дерутся коты во дворе вместо того, чтобы вдуплять что же такое возвышенное пытается протолкнуть этот фэнтезийный столп. Сжав волю в кулак, я все же заставила глаза не отрываться от текста и с горем пополам домучала это двухстраничное недоразумение.

Кстати, никакой фэнтезятины тут нет и в помине. Только старательное нагнетание атмосферы в духе «еще пара абзацев и ты познаешь ВЕЛИКУЮ ТАЙНУ», уютный кружок посвященных, винишко, камин и мэрисьюшная история, от которой даже веники начинают шабаш во имя сей кладези мудрости. А тот факт, что в итоге автор оказался наглецким обманщиком, даже не разочаровывает – меня с первых же строк, невозможно пафосных, преследовала его скрытая ухмылочка. Мол, устраивайся поудобнее, ушки развесь, ага.

Только дочитав, думала поплеваться в сторону рассказа, мол, оставил равнодушной, а ожидания были такие-растакие. Даже придумала центральную фразу, что-то вроде «пустышка в изящном оформлении». Но катастрофический недосып и неожиданно навалившиеся заботы сделали свое дело – я прониклась лукавым Дансейни если не до печенок, то до ребер точно. Он отлично подходит для заторможенных мозгов, когда от усталости нет сил злиться или праведно негодовать, и остается только принять его таким, какой он есть. Подозреваю, оценка поставлена в основном перемигиванию и обмену ухмылками с автором ;)
И название – самое крутецкое заманилово, что встречалось мне за последний год (ну полгода точно), а после прочтения тролльность сего вопроса так вообще зашкаливает :P

annikeh.net
Profile Image for Jefferson.
614 reviews13 followers
January 16, 2023
Things of Value Thrown out of a Burning House

“And at last, when melancholy brought only regret and the uselessness of his work gained round him with age, he decided to consult a magician.”

Most of Lord Dunsany’s nineteen Tales of Wonder (1916) depict such yearning to escape the everyday real world of London, work, business, steel, gas, etc. for the magical, beautiful, and exciting world of fantasy. Drugs (e.g., hashish or “bash”) or alcohol (e.g., rum or “Gorgondy”) may ease the passage or open the vision to “the Edge of the World,” the liminal site of wondrous adventures or sights (milk, “a cursed beverage,” won’t work). Even in stories where the real world is not transcended, it is transformed (as with the Bureau d'Exchange de Maux), or larger than life protagonists (like Shard, Captain of Pirates) attempt amazing feats in it. Dunsany’s imagination is fertile and original, his writing style rich and elegant, and his tone playful with wistful, ironic, and ominous undertones.

The following passage embodies the pleasures of Dunsany's fantasy:

“And so with painful steps (for the shores of the world are covered with huge crystals) he came to the risky seas of Shiroora Shan and saw them pounding to gravel the wreckage of fallen stars, saw them and heard their roar, those shipless seas that between earth and the fairies' homes heave beneath some huge wind that is none of our four. And there in the darkness on the grizzly coast, for darkness was swooping slantwise down the sky as though with some evil purpose, there stood that lonely, gnarled and deciduous tree. It was a bad place to be found in after dark, and night descended with multitudes of stars, beasts prowling in the blackness gluttered [See any dictionary, but in vain.] at Neepy Thang.”

And here is an annotated list of the stories:

In “A Tale of London,” a Baghdad “hasheesh eater” dreams of the wonders of “the desiderate” city of London, transforming it into an exotic Arabian Nights-like place.

“Thirteen at Table” depicts the unintentional exorcism of a haunted manor house via an offensive joke.

In “The City on Mallington Moor” an alcoholic shepherd helps the narrator access a fabulous city of white marble and gold minarets in the British moors via a strange rum-like beverage.

“Why the Milkman Shudders when he Perceives the Dawn” is a teaser story with a great hook-question that’s never answered, because we’re not of the company of milkmen.

“The Bad Old Woman in Black” is another teaser story in which said woman is rumored to have run down the ox-butchers’ street, leaving unanswered questions in her wake, like “What future evil did this portend?”

In “The Bird of the Difficult Eye,” if the renowned jewel thief Neepy Thang can steal the eggs of a mythical bird before they can hatch, they’ll turn into extraordinary emeralds; otherwise, it will be “a bad business indeed.”

*Here’s Sidney Sime's exquisite illustration of the Bird:*


The narrator of “The Long Porter's Tale” hears a story about a quest for an old woman’s song leading to a wondrous city at the edge of the world.

“The Loot of Loma” is a Native American pastiche, with warriors who raid Loma stealing four of its idols and, unwittingly, a secret curse.

“The Secret of the Sea” reveals that when an entire ship’s crew falls down drunk, their ship goes its own secret way to the Temple in the Sea to meet other similarly free ships, but we cannot know “what lyrical or blasphemous thing their figureheads prayed by moonlight at midnight in the sea.”

In “How Ali Came to the Black Country,” a man with the seal of King Solomon comes from Persia (on foot) to save England from the devil Steam, but when asked to save it from the devil Petrol, he says, "And shall a man go twice to the help of a dog?"

The fine concept of “The Bureau d'Exchange de Maux”—a bureau d’exchange where the “goods” exchanged are evils, the narrator trading his sea-sickness for another man’s fear of lifts—is marred by antisemitism.

To evade the pursuit of five navies in “A Story of Land and Sea,” the pirate captain Shard unprecedentedly sails his “merry” but “volatile” men on his “rakish craft the Desperate Lark” through the Sahara, only to run afoul of some stubborn Arabs.

In “A Tale of the Equator” a poet so vividly tells of a wondrous land lying south of the world and the fabulous palace his Sultan will have built there that the Sultan says, "It will be unnecessary for my builders to build this palace, Erlathdronion, Earth's Wonder, for in hearing thee we have drunk already its pleasures."

“A Narrow Escape” features a jaded magician who decides to wreck London, requiring for the purpose the heart of a particular toad.

In “The Watch-Tower,” an old man claiming to be the spirit of an old Provencal tower tells the narrator to beware of the Saracens, who’ve been gone for 400 years.

In “How Plash-Goo Came to the Land of None's Desire” a single combat between a giant and an ugly dwarf ends unexpectedly.

“The Three Sailors' Gambit” is about a team of three sailors who seem ignorant of chess but beat a legendary master in two straight games, thanks to the devil, a crystal, and a soul.

After riffing on forgotten gods, the narrator of “The Exiles’ Club” is invited by an exiled king to a dinner attended by other exiled monarchs, whereat a faux pas reveals that the ex-kings are but the waiters for the real members of the club, who are "upstairs" and prone to flinging lightning bolts at curs.

In “The Three Infernal Jokes,” the narrator meets a tout who regrets having received three killing jokes as part of a fateful bargain.

Although the best stories here are good, I found this collection less wonderful than the earlier Book of Wonder (1912), and I had trouble remembering the stories enough to write about them. Partly that’s due to the readers of the LibriVox version I listened to being less than stellar (though Sandra reads her stories fine), but it's also due to some of the stories being short, teaser-ish, or insubstantial.

One of the best lines in the collection comes at the end of Dunsany’s Preface, written in 1916 while he was recovering from a wound:

“And now I will write nothing further about our war, but offer you these books of dreams from Europe as one throws things of value, if only to oneself, at the last moment out of a burning house.”
Profile Image for Nadia.
26 reviews
August 3, 2017
What a waste of time. There seems to be a narrator, he does nothing and has a presence of an old useless furniture. And wtf was the story "A Tale of Land and Sea" about? It had zero anything, I don't know what the hell was the point. None of the stories had any thrills, plot, or twist, the author just talks into the wind, forever annoying.
Dunsany's stories are devoid of women, men talk with other men, the female sex is barely acknowledged. Thrilling. I totally agree with the reviews that say the writing is old-fashioned, it might be beautiful, but the it amounts to zero. Yawn.
Profile Image for E.A..
Author 3 books9 followers
August 21, 2018
I've loved Dunsany since I discovered his work over 15 years ago, but this collection was difficult to get through. I realized that the first half was all the stories collected in Wonder Tales, which I read and enjoyed some years ago, and the second half was new to me. The second half is where I put the book down for weeks and only now got around to finishing it. The stories were inconsistent. I liked some and disliked others. I've never disliked Dunsany before, so it was strange to be disappointed by some of these tales.
Profile Image for James F.
1,621 reviews119 followers
October 24, 2021
The seventh collection of Lord Dunsany's fiction, unless I have missed some. Apparently a sequel to The Book of Wonder, this is a collection of about twenty stories. With each subsequent collection there seems to be a lower proportion of what Dunsany is most famous for, stories set in a fantasy world, and a higher proportion of tales set in the actual world, "the fields that we know", although still full of magic and "wonder." In this collection, only the seventh story and perhaps one other very short one is of the first type.
Profile Image for Brian.
569 reviews16 followers
January 21, 2016
Companion to the Book of Wonder. Tales are hit and miss, but with some real gem, such as: Thirteen at table; The Exiles Club; Three Sailors Gambit; Three Infernal Jokes; and How Plash-Goo Came to the Land of None's Desire.
Profile Image for Tessa.
11 reviews9 followers
December 31, 2021
A collection of tales is always difficult to rate as I have enjoyed some more than others. Overall they are quite short and therefore a quick read.
Profile Image for Kerry Handscomb.
112 reviews2 followers
August 25, 2024
The Last Book of Wonder is Lord Dunsany's seventh book of fantasy short stories, first published in 1916—at least, that is the title of the American first edition; the Britsh first edition, published the same year, is Tales of Wonder. I am reviewing the American first edition, illustrated with six plates by Sidney H. Sime, and containing a preface written by Dunsany and addressed to his American audience.

At the time, Dunsany was serving as a Captain in World War I, and the preface is written from an army barracks, where he was recovering from a wound. Dunsany writes,

Just now the civilization of Europe seems almost to have ceased, and nothing seems to grows in her torn fields but death, yet this is only for a while and dreams will come back again and bloom as of old, all the more radiantly for this terrible ploughing, as the flowers will bloom again where the trenches are and the primroses shelter in shell-holes for many seasons, when weeping Liberty has come home to Flanders.


He finishes,

And now I will write nothing further about our war, but offer you these books of dreams from Europe as one throws things of value, if only to oneself, at the last moment out of a burning house.


American forces would join World War I the following year, in 1917. Fortunately, The Last Book of Wonder does not live up to the melancholy preface—the preceding book, Fifty-one Tales, published earlier in World War I, has this darker purpose. In any case, Dunsany will soon turn to writing directly of war, in Tales of War and Unhappy Far-off Things, the two volumes of short stories to follow The Last Book of Wonder.

Indeed, most stories in The Last Book of Wonder are light and humorous. Dunsany's style has evolved more fully now; he is a largely a raconteur of witty tall tales rather than a poet. Dunsany will develop the new style more fully, most famously with the Jorkens books.

One of my favorite stories in The Last Book of Wonder is "The Long Porter's Tale." Dunsany is at his very best here, with beautiful fantastic description combined with nostalgia for a long-ago childhood. The story begins,

There are things that are known only to the long porter of Tong Tong Tarrup as he sits and mumbles memories to himself in the little bastion gateway.
He remembers the war there was in the halls of the gnomes; and how the fairies came for the opals once, which Tong Tong Tarrup has; and the way that the giants went through the fields below, he watching from his gateway: he remembers quests that are even yet a wonder to the gods. Who dwells in those frozen houses on the high bare brink of the world not even he has told me, and he is held to be garrulous. (p. 60)


The long porter guards access to the Edge of the World. Jones, the protagonist, is sent by a magician to the Edge of the World to recover or relive the lost childhood memory of a song:

”Of course it is not in the world," the magician said, "but over the Edge of the World you may easily find it." And he told the man that he was suffering from flux of time and recommended a day at the Edge of the World. Jones asked what part of the Edge of the World he should go to, and the magician had heard Tong Tong Tarrup well spoken of; so he paid him, as is usual, in opals, and started at once on the journey. The ways to that town are winding; he took the ticket at Victoria Station that they only give if they know you: he went past Bleth: he went along the Hills of Neol-Hungar and came to the Gap of Poy. All these are in that part of the world that pertains to the fields we know; but beyond the Gap of Poy on those ordinary plains, that so closely resemble Sussex, one first meets the unlikely. A line of common grey hills, the Hills of Sneg, may be seen at the edge of the plain from the Gap of Poy; it is there that the incredible begins, infrequently at first, but happening more and more as you go up the hills. For instance, descending once into Poy Plains, the first thing that I saw was an ordinary shepherd watching a flock of ordinary sheep. I looked at them for some time and nothing happened, when, without a word, one of the sheep walked up to the shepherd and borrowed his pipe and smoked it—an incident that struck me as unlikely; but in the Hills of Sneg I met an honest politician. Over these plains went Jones and over the Hills of Sneg, meeting at first unlikely things, and then incredible things, till he came to the long slope beyond the hills that leads up to the Edge of the World, and where, as all guidebooks tell, anything may happen. You might at the foot of this slope see here and there things that could conceivably occur in the fields we know; but soon these disappeared, and the traveller saw nothing but fabulous beasts, browsing on flowers as astounding as themselves, and rocks so distorted that their shapes had clearly a meaning, being too startling to be accidental. Even the trees were shockingly unfamiliar, they had so much to say, and they leant over to one another whenever they spoke and struck grotesque attitudes and leered. Jones saw two fir-trees fighting. The effect of these scenes on his nerves was very severe; still he climbed on, and was much cheered at last by the sight of a primrose, the only familiar thing he had seen for hours, but it whistled and skipped away. He saw the unicorns in their secret valley. Then night in a sinister way slipped over the sky, and there shone not only the stars, but lesser and greater moons, and he heard dragons rattling in the dark. (pp.64-66)


Yes, Dunsany at his best here. You can get to the Edge of the World by boarding a train from Victoria Station in London. Victoria sends trains into Sussex, Surrey, and Kent—Dunsany spent part of his childhood in Kent. Jones encounters the long porter, who accedes to his wish to recover the childhood memory at the Edge of the World:

[T]he grizzled man arose, and, dangling his musical keys, went up through door after door and by many stairs and led the stranger to the top-most house, the highest roof in the world, and in its parlour showed him the parlour window. There the tired stranger sat down in a chair and gazed out of the window sheer over the Edge of the World. The window was shut, and in its glittering panes the twilight of the World's Edge blazed and danced, partly like glow-worms' lamps and partly like the sea; it went by rippling, full of wonderful moons. But the traveller did not look at the wonderful moons. For from the abyss there grew with their roots in far constellations a row of hollyhocks, and amongst them a small green garden quivered and trembled as scenes tremble in water; higher up, ling in bloom was floating upon the twilight, more and more floated up till all the twilight was purple; the little green garden low down was hung in the midst of it. And the garden down below, and the ling all round it, seemed all to be trembling and drifting on a song. For the twilight was full of a song that sang and rang along the edges of the World, and the green garden and the ling seemed to flicker and ripple with it as the song rose and fell, and an old woman was singing it down in the garden. A bumble-bee sailed across from over the Edge of the World. And the song that was lapping there against the coasts of the World, and to which the stars were dancing, was the same that he had heard the old woman sing long since down in the valley in the midst of the Northern moor (pp. 68-70)


The Sime drawing on the frontspiece of the book shows the house on the pinnacle looking over the Edge of the World. Dunsany adds a postscript to the story, which says in part,

Accustomed as I am to the incredible from knowing the Edge of the World, the story presents difficulties to me. Yet it may be that the devastation wrought by Time is merely local, and that outside the scope of his destruction old songs are still being sung by those that we deem dead. I try to hope so. (p. 71)


Surely, he refers here to comrades lost in the War.

A different kind of tale is "A Story of Land and Sea," which returns to pirate Captain Shard and his merry men of the bad ship Desperate Lark, who are introduced in "The Loot of Bombasharna" from The Book of Wonder. As far as I know, these are the only two Captain Shard stories Dunsany wrote.

Another notable story from The Last Book of Wonder is "The Three Sailors' Gambit," which is the only fantasy story I know to be about Chess—Dunsany himself was a very strong Chess player and was champion of Ireland at one point.

The Last Book of Wonder, while stepping further away from the poetic fantasy of Dunsany's earlier work, contains several lovely stories. The book is worth reading for "The Long Porter" alone, in my view, but there is much other fine Dunsany work that anticipates the dominant style of his later short stories.
Profile Image for Christian Spließ.
20 reviews
February 26, 2018
Lord Dunsany ist als Autor durchaus nicht unbedingt zu fassen. Einerseits, weil er seinen Schreibstil im Laufe des Lebens geändert hat, teilweise auch weil man bisweilen nicht weiß, wie man seine Geschichten packen soll. Gedichte in Prosa, Fantasy, phantastische Erzählungen - irgendwie sind die Geschichten in "Tales of Wonder" all das und doch auch wieder nicht. Dunsany spielt bisweilen mit den Erwartungen seiner Leser und löst Dinge auch mal nicht auf. Warum Milchmänner die Dämmerung fürchten? Wissen wir auch nach dem Lesen der Geschichte selbst nicht, weil das Ereignis nicht vorkommt. Was für Folgen der Austausch von kleinen Übeln hat? Keine Ahnung. Was passiert mit den Indianern, die von einem Fluch belegt wurden? Gute Frage. Teilweise scheinen die Geschichten klassische Geisterstories zu sein - aber dann auch wiederum nicht.
Allerdings hat Dunsany Ideen. Und wenn sein Stil auch nicht einheitlich ist, es gelingt ihm immer eine Atmosphäre zu schaffen, eine Erwartungshaltung. Und sie unterhalten, weil er Humor hat. Mehr braucht man eigentlich auch nicht.
Profile Image for kvbixal.
39 reviews
March 14, 2022
An absolutely enchanting collection of tales mostly featuring Orientalism in reverse: the Western mundane made magical. I found myself laughing and enraptured by turns, utterly transported and filled with childlike wonder.

I will say that the first story in the collection, A Tale of London (in which London is the fabled far-away land upon which a Sultan wishes to fix his waking dreams) was, for me, the least interesting by far; it felt forced, and in fact gave me some misgivings as to what I'd gotten myself into. I understand its use as a framing device for the rest of the stories, but it didn't grab me the way the others did.

That said, I'm so glad I persisted, because the remainder of the book was utterly delightful. It's easy to see how Dunsany influenced writers such as Tolkien and Le Guin, though I had never even heard of him before I stumbled across this title on LibriVox!
Profile Image for Sue Bridgwater.
Author 12 books50 followers
August 16, 2022
Dunsany is remembered today as a writer of fantasy, and he was indeed a great writer in that field. These short tales of World War I deserve to be read by anyone who wants insight into what the effects of war are on ordinary people. They are lyrical in the Dunsany manner but the realities of war show harsh and painful through the beauty of the prose.
Profile Image for Jared.
68 reviews1 follower
Read
May 6, 2024
I enjoyed the intersection of classical fantasy with industrialization modernity, but for the most part, I felt these stories lacked the spark of those found in Dunsany's previous collections. Though I did enjoy a few, namely "Thirteen at Table," "The Secret of the Sea," "A Story of Land and Sea," "The Three Sailors' Gambit," and "The Exiles Club."
Profile Image for Leonard McCullen.
33 reviews
September 27, 2020
Much better than its predecessor The Book of Wonder, but still far from a Dunsany masterpiece.

Some of the stories are interconnected and have much more depth than the last time around. I also see an ancestor to the Jorkens tales here in the pirate stories.

Worth reading, if uneven.
26 reviews
December 5, 2023
An inconsistent effort from one of my favourite storytellers. The great ones here are The Exiles' Club, The Three Sailors' Gambit, Story of Land and Sea, A Narrow Escape, The City on Mallington Moor and How Ali Came To The Black Country.
Profile Image for Bill Borre.
632 reviews4 followers
Currently reading
October 20, 2024
The Three Infernal Jokes is also printed in the Big Book of the Masters of Horror
The Three Sailors' Gambit is also printed in the Big Book of the Masters of Horror
Profile Image for Gabriel Garza.
35 reviews
June 19, 2018
This story is much like Tenacious D’s “The Greatest Song in the World: Tribute”. Lord Dunsany did it many years before.

Merged review:

I gave four stars because of its foresight and continuing relevance nearly 100 years later. Ali offers to magically solve the problems of industrialization (pollution, climate change, smog, etc..) and is rebuffed. They return to him in dire straights years later to find he will no longer solve their problem.

Merged review:

This tale has an interesting premise that can only take you so far in the short story format. A man runs a business wherein its patrons can exchange a problem they have for another persons problem. It is a strange take on the saying: “the grass is greener on the other side”.

Merged review:

Strange how a a story’s meaning and relevance can change over a hundred years. A supernatural entity that is the personification of a medieval watch-tower(and its sentinels) keeps warning people about the coming of the Saracens, during the post World War 1 era.
Profile Image for Elizabeth.
53 reviews1 follower
July 13, 2013
How have I made it this far in life without reading anything by Lord Dunsany before? This book is absolute genius.
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