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June 2026

Hot.

That’s the update.

OK, fine. An actual post that won’t the be about the fucked up British weather that is currently on fire (and no, we don’t have air con in our homes) but will probably drop 15 degrees overnight at some point, thereby giving our bodies no chance of acclimatising. I’m sitting between a large fan and two smaller desk fans in a house with an indoor temperature of 31.5 degrees.

So, yeah. Hot.

There won’t be any writing today other than a brief bit of planning. Heading out in a couple of hours for a reunion catch-up with some of my oldest friends. I’ve posted about this kind of thing before (particularly how one planned reunion a couple of years ago resulted in my writing a short story titled, surprisingly enough, Reunion) and the how essential this is to me. We’ve all been friends for more than thirty years and I can see us doing this same thing in another five years. Ten. Fifteen. And out there into the big black of whatever’s coming. I’m not sure how easy it is for me to make friends now I’m pushing fifty. Thinking about it, the last person I consider making as a real-life friend is the husband of one of the same friends who will be there later today – and that’s close to twenty years. This doesn’t really bother me either because of my age or because we’ve shared so much for so long that I don’t need much else. And need is definitely true. I go into the dark a lot with my fiction. This bunch along with my wife ensure I don’t get lost there. They are my lights in that dark.

Then tonight, we’re at a get-together for my sister’s birthday, so it’s a full-on day of good people and sweating my arse off. Tomorrow, I’m aiming to finish draft 4 of my current book. It needs the usual edits and a cut of probably around 10k which is no big deal. I have zero idea what to do with it once it’s ready to sub. I’m finding a lot of indie publishers aren’t open at the moment and/or I don’t fit their requirements to send them anything. As for agents, I have no idea. It’s been four years since I had one and after taking a break for a year from attempting to find a new one, nothing I’ve sent since has landed. It took me twenty-two years, fifteen books and rejections in four figures to get me my first, so I’m not hopeful on that score. I’ve also been moving between supernatural horror and dark/speculative thrillers for the last few books which is what I want to write but not great for publishing which generally wants to a stick a label on a writer and have them write in one genre. As much as a writer can help themselves by working with what’s required, the only issue under their full control is the writing itself. With that in mind, I’ve got two other books to read through and see if they’re worth fixing (both were written while all the shit with my ex-publisher was hitting the fan so that had a massive impact on their quality), then decide on what’s next. Which will mean going back into the dark.

That’s it for now. Fingers crossed there’ll be good news to share soon.

Talk soon. Be well.

May 2026

Cry your pardon for no update in April, but there wasn’t a hell of a lot to talk about. Plus life outside the words takes over sometimes which leaves less time for actual writing let alone site updates and social media larks.

In writing news, I mentioned going back to a book which, so far, has taken me three drafts to not be happy with it. Also, it’s missing the ending. For the last few weeks, I’ve been reading through draft 3, making some notes and breaking the story down to its basics from the overwritten and overlong mess I ended up with (120k without the ending). Doing that has helped in a big way. Ditto coming up with an outline based on the key points, cutting some subplots along with a few minor characters. Once that outline is finished, I’ll have something to guide me through draft 4. I can’t remember when a book last took me that many drafts and this long to finish (probably 20 years), and while the temptation to bin this one has been strong, I still think there’s something in this tale that works. And I’m nothing if too stupid to know when to quit.

Outside of that, a few short stories are doing the rounds along with the two books contracted by a now closed publisher. If anything comes from those books. . .who knows? In the lap of the gods and so on. I haven’t submitted anything to an agent in a while mainly because of the publisher business recently and also because I still have a ton of responses supposedly yet to come. These days, no response after a set time means no. But some agents don’t specify a timescale. I’ve had replies on the same day. Others after a couple of weeks. Others after almost a year. And one after three years. This isn’t a business for anyone who wants a quick response because publishing exists in its own universe. A slow and dreadful universe where every second is eternity.

In other news, I’ve recently read the excellent thriller Maneater by Ellie Graves and watched the also excellent 28 Years Later: The Bone Temple which I doubt will ever see a follow-up film but I still loved. Currently rewatching the creepy as hell Archive 81 and cursing whoever decided not to go with a second series. I’m also enjoing a good cup of coffee.

It’s the little things.

Talk soon. Be well.

March 2026

As I’ve mentioned in the past, I like to post an update here at least once a month. More if there’s tasty news to share. Also as I’ve mentioned, there isn’t always any news to share (tasty or otherwise) and I’m not convinced non-writers care too much about the process of writing a book. The finished result, yes. The weeks and months (sometimes years) of getting there. . .not so much. But that’s most of what this is about. Bum in chair, fingers on keyboard and looking for the story. For the characters. For the next word. And the next. And the next. Until things take off and go their own way from the idea or plot or notes the writer had in mind for their tale. For what it’s worth, I tend to work with a loose set of notes and something so vague that I’m not sure it can really be called an outline. Plenty of writers I admire a great deal start with an idea and a character and that’s literally it. They’re winging it page to page. Even after doing this for thirty years, I’m crap at that almost all of the time. It’s worked out once or twice but for the most part, I need a thin idea of what the hell is next and where I’m going. Otherwise I get lost and can rarely find my way out.

That’s the case with the first draft of what I’m working on now. I started this book right at the beginning of January with my loose outline. Generally speaking, it went well until maybe six weeks ago when all the shit with my now ex publisher hit the fan. Turns out massive professional and personal stress isn’t good for creativity. So my output has slowed to a crawl since then. I think it’s taken me five weeks to write 20k which would usually be around two weeks of work. The bigger issue with this is it then becomes work rather than anything enjoyable. A slog. A grind. Scenes and events that don’t flow and end up feeling like a jumble of ideas the writer chucks at the page in the hope something sticks. Of course, the first draft of everything is shit and this is where further drafts and extensive edits come into play. But it’s still deflating to have it going well only for factors competely outside of the writer’s control to utterly fuck it all up.

On the other hand, that’s part of the job.

With that in mind, my focus since PublisherGate has been to stick to the new book and ignore everything else for now outside of sending my two homeless books to publishers. One has replied to say no thanks but sub again. The whole thing is always a long waiting game so I don’t expect any more replies for now. When they come, they come. Another issue out of the writer’s control. So, current draft should be done in the next month and come in somewhere around the 80-90k mark. Plenty of work for a second draft and I should really work out what the title is sooner or later. Once this draft is done, I’ll leave it for a few weeks and hit the submissions on my other books – publishers rather than agents for these two – and then get this new one into shape which includes the submission package (my least favourite part of this by a long way) for agents. And if there are any newbies reading this who are in the early days of the agent hunt, I can assure it never gets any easier. Sorry, but this isn’t a game for bullshitting anyone. It never gets easier.

Outside of writing, the plans my wife and I had to move house are on hold thanks to the UK mortgage industry shitting itself over the orange fuck’s disastrous war in Iran. If things calm down and approach normal (hahahaha) in the next few months, we can rethink it. For now, though, we’ll stay where we are and hope for the best.

Because what else is there?

Take care. Talk soon.

Luke

Further updates

I posted a week ago that after a lot of back and forth between the publisher and me, there would be a change to the release schedule for my next two books. I was assured that ‘it would be a better press going forward’.

This is not the case.

The publisher posted a message on Facebook Friday night to the private page for authors to let us know they were closing down so all rights would be reverted to the writers and all current books would be removed from sale. This includes my book Burn which was published last August.

Rage does not come close.

I am not going into any further detail about the reasons for the publisher’s decision. It is their decision alone. All I and a large number of other writers have is our disappointment and our anger at how this has been handled. Personally speaking, I am now left with two books that are homeless after planning for their release since the beginning of last year, and another which will more than likely never see publication again (most publishers don’t touch reprints unless you’re famous or successful). I can do my best to find other publishers for the two books but there are no gurantees of if or when this will happen. I was looking forward very much to seeing what others thought of Chaos and The Fall. As the situation stands right now, the chances of this happening are close to zero. At my last count, this is the fourth time I have gone through this with publishers, leaving my books out of print. As you can imagine, this wears pretty fucking thin pretty fucking quickly.

In the meantime, I’ll work on my new book. Because it’s all I can do. And if you want to buy Burn while you still can, please do so. I’m proud of this one and to have zero reviews because of zero marketing has been tough.

LINK – BURN

Chaos and The Fall – updates

If you’ve been paying attention, you’ll know I signed contracts for two books last year. Chaos and The Fall. And if you’ve been paying further attention, you’ll know Chaos was set for publication very soon. This coming Friday, in fact. The Fall was due in September.

This has now changed.

I’m not going into the extensive details of why. The basics are things happen and you can either roll with that or call it a day. After a week of ups and downs, I’m rolling with it. The upshot is that Chaos will now be published in June, and The Fall is out next January. Not ideal when we’re less than a week from the original publication of the first, but as the alternative was pulling both books from publication, this is where we are. I’m still genuinely excited about both books and looking forward very much to having them out in the world. Hoping others feel the same. I should have a cover for Chaos to share in May, so keep your eyes open for that. I have zero idea what I want for a cover for The Fall so that will be as much as a surprise for you as it will be me.

So, that’s my update. Disappointing not to have a new book out in a matter of days, but at least you get to meet Chaos soon.

He’s looking forward to it.

January 2026 (just)

Despite January lasting longer than eternity, today’s the last day of the month. I’ve been planning on an update for the last week or so but wanted to leave it in case I was able to share the cover for Chaos (published in a couple of weeks). Yet to receive the cover so thought I’d post a general update and hopefully be able to share it in the next few days.

I’ve been working on the first draft of a new book for most of the month and it’s going surprisingly well. I say ‘surprisingly’ because the first drafts of the last two books were crap. This one is a little messy and has a few issues that will need work, but at 35k of what will probably end up somewhere between 80 and 90k, it’s actually pretty decent. As I mentioned somewhere here, it’s a different beast to my usual stuff. Think much more real world thriller than out and out horror. Although I’m still going into the dark here because. . .well, what else am I supposed to do? In any case, I’m aiming to have the first version finished in another six weeks. A lot of that depends on the house situation – my wife and I have started looking at new places. As work is Monday to Friday and 9-5, that really only leaves weekends to view. With a bit of luck, we can find somewhere soon and then begin the hideous process of arranging the move. We’ve been in this house for over a decade (it was supposed to be a max of around three years) so I’m not looking forward to the stress of moving. Not to mention what it’ll do to our elderly cat who likes nothing more than to sleep and…that’s about it. Cross that bridge and so on.

More to come about the current book and obviously the new one as soon as I have stuff to share. Talk soon, people.

2025. That’s that.

Well, another year done (almost). Things are getting darker, aren’t they? To be honest, I doubt we’ll fix things in any major way. All we can do is keep our little lights on. If that’s with our friends, families, our jokes and our work, then that’s where we are and what we own. It has to be enough because if it isn’t, then we really are up shit creek.

Anyway. For me, 2025 saw the publication of my horror/thriller Burn which was very cool. I also signed two contracts for Chaos (published very soon) and The Fall (published next autumn), and had a short story selected for the publisher’s best of as well as a different tale published. As I’ve mentioned before, the market for short fiction seems to be a lot more limited than it was a few years ago. Most of my focus this year has been on longer fiction – as much I still love a good short piece – which may continue next year. I don’t write to themes but when a good idea for a short tale hits me, then I write it. I’ve got a couple out on sub at the moment so will hopefully hear something soon. On a slight downer, I’ve got the rights back for a short story I sold Christmas Day last year but was never published so that one is looking for a new home. And on the positive side, I’ve had a full request for a particular book and sent that today.

Novel-wise, I wrote a third draft of a difficult book and the first draft of another which also has issues beyond the standard first draft crap. Outside those, I came up with another one which I really like and have high hopes for. The problem two are resting for now and I will come back to them eventually. For the immediate future, I’m writing a new one which will be a different beast for me. Think more grounded thriller than horror. Not to say it won’t be dark and nasty, of course, but it will be a lot more real world dark than most of my stuff. We’ll see if anything comes of trying something new. After that . . .who knows? More tales, in any case.

My wife and I are more than likely moving house in 2026 which will disrupt things but will be worth it once it’s all done. We’ve been in our current house for close to eleven years but circumstances are changing so it’s time to make a move. If nothing else, it’s a good excuse to throw stuff away instead of carting it from house to house.

I think that’s me done for the year. Tomorrow, I’m planning the opening scene to my next book, then starting work on it this weekend. January will be all about Chaos prior to publication so watch this space for info on that one. So, time for me for sign off. In a couple of hours, my wife and I are having a drink with some of our closest friends.

Because you have to keep your lights on.

Free short story – Writer’s Block

I thought it might be nice to post a free short story here. Kind of a thank you for joining me on my rambling nonsense about writing, publishing and all that. So here’s my tale – Writer’s Block. Hope you like and if we don’t speak before Christmas, have a good one, people.

WRITER’S BLOCK – Luke Walker

He sipped more wine, then pushed his food around the plate. It was the same whenever he struggled with a book. His appetite went on holiday and the urge to break out the oldest bottles in their wine cupboard came visiting.

“Go on, then.” Jane broke off another chunk of garlic bread. She offered it to him and he took it without wanting to. “What’s going on with the book?”

“I don’t know,” Brian Holt replied. That was almost a lie. The truth was a growing thing, pushing at his eyes and his denial. Weak snow spattered at the window; the curtains were open slightly and the lights in the back garden made the falling white shine.

The truth of the day. The truth of the winter dragging on towards Christmas next week; the third week of December and no end in sight to the bleeding fire of early sunsets. The truth of his writing dragging. Dragging into work instead of a joy.

“Brian,” Jane said, eyebrows raised. She was not a stupid woman. That, combined with twenty-five years of marriage, meant she knew him in deep ways.

“It’s nothing major.” He swallowed more wine and gave up on the pretence of wanting to eat. “The usual first draft rubbish. It’s all gone a bit messy over the last week.”

How to tell her the real truth: that the book was more than a bit messy or in the middle of fairly standard early draft issues. The book was work without the slightest element of joy in the writing, the creation of the world and its characters. Not like the early days of writing because there were people with lives and voices ready to sing on the page. There’d been worlds to explore, then. Before the contracts and the publishers, his agent and her deadlines. And definitely before the promotion side of it. The interviews; the book tours; the asinine questions and dull anecdotes he was forced to trot out.

“When does Susan want it?” Jane asked. She wasn’t the biggest fan of his agent despite Susan’s sterling work in the role. He was a wealthy, successful man. There was no argument with that and no argument with a lot of that success coming from Susan Cocker. She all but beat publishers into better deals for him and he suspected she threatened marketing departments with physical violence lest they ensure the ads for his new books were given priority over the more genre-focused writers. He was a rare beast and he knew it: a globally successful literary writer. He could afford to never publish another book again, but where the hell was the sense in that? Or the joy?

“Beginning of March,” he replied, realising Jane was still waiting for an answer.

“Can you ask for an extension?”

“I might have to.” He dropped the piece of bread he’d barely nibbled at and sipped wine. “I really can’t see it being ready. It’s. . .it’s not coming.”

“At all?”

“No, not really. It’s weak. It’s pedestrian. It’s pointless. It says nothing.”

There it was. His fear over his eighth novel. That it spoke no truth. And without truth, he was doing nothing more than typing. A hundred thousand words that didn’t matter in the least because it was a task, a job, a role he’d somehow fallen into over the last thirty years.

“I’m sure Jack can hold fire for another couple of months,” Jane said.

He shook his head. His editor was a patient man; calm, too, but like everyone in the chain between author and publisher and the great unwashed, he had his targets and his money to be made. Jack would no more hold fire than Susan would.

“He’s already asking Susan how it’s going. She’s dropped a few hints over this week. Nothing direct or supposedly pressure-inducing, but it’s there. I’ve got next to no time to fix this and that’s making it worse. It’s. . .not coming.”

Jane set about clearing away the remnants of their meal. He ran a hand over her hip as she stood and pictured the papers beside his laptop. The pile had remained at the same level for the last fortnight.

“Take two days off,” she said from the kitchen. He picked up his wine and followed her. “Reboot. Recharge. You’ve said it yourself plenty of times. You can think about it without thinking about it.”

She was at the dishwasher. Music played, low and soft, from the silly toy their son Ed had bought them the previous Christmas. Despite it being almost a year old, Brian had yet to touch the damn thing and told Ed during their Zoom conversation last Christmas Night that he’d always wanted one. Zoe had been home then; his daughter had seen the lie and feigned shock.

Jane made sense. Two days without the laptop and the document staring at him. Two days in the world of real things. He could go for a pint once or twice. It had been weeks since he saw anyone in their local pub. A walk through the village; reading for pleasure; a call to Zoe in London and Ed in Paris, checking on the good lives his children were building.

And no sense that his work was a dirge. A widening pit, sucking in any pleasure he’d long since forgotten in the act of exploring new people with their lives eager to commit to his hands and his page.

Only the ticking clock and the dying days of the year between him motionless over the keyboard and the agent, the editor, the publisher and the public all hungry to have a piece of his creation.

Brian pulled his hand into a fist, pushed back on the frustration threatening to spill over and stepped towards to his wife.

He fell forward, too surprised to yell, too shocked by his right foot being utterly dead to make a sound.

***

Brian managed to walk for about a mile before admitting that his pace wasn’t slow to due to the ice or the thin layer of snow. It was his bloody foot.

He carried on for another few minutes, passing the Green where two women walked their dogs, and drew alongside the high wall bordering the new secondary school. Vines dangled over its top, the green speckled with frost. He could hear the voices and the shouts of the children beyond the field behind the wall: a steady noise of exuberant life as the kids readied themselves for the last day of term. The pub was another five minutes but he wasn’t going to make it there in that time. Not at this crawl.

He stopped at a bench, sat and peered at his shoe. But it wasn’t the shoe, was it? He’d been in his socks the previous evening when he tipped forward like a drunk and Jane grabbed him by the shoulders. He’d slapped hands on the sink and his wife, keeping upright by luck over design, and told her his foot had gone to sleep.

Not the sock or the shoe. The foot. And it was the same now. A dead foot.

He tried to bend his ankle. Nothing happened. He tapped his shoe and heard the noise, but felt nothing in his toes.

Although the sun was strong and the sky cloud-free, there was no warmth in the air. Gritting his teeth against the teeth in the icy breeze, Brian untied his shoe and pulled it free.

One foot. A thick sock. Ten toes. An appendage that had served him reasonably well for sixty-three years and one that had, by the sense of touch, abandoned him. Attempts to wiggle his toes were pointless. He rubbed them, felt nothing, and tapped on his ankle. The sensation was there – just. If he’d been sitting on it, he would expect pins and needles at any second. Grimacing at the anticipated feel of the slush, he placed the ball of his foot on the ground. The cold registered along with the suggestion of damp, but neither sensation was anywhere near as strong as it should have been.

Suddenly sure people were watching him – a silly old fart on a bench, staring at his foot – Brian checked the pavements. One of the women from the Green was on the other side of the road and walking in the direction he’d come and while any number of people could watch from their windows, there was nobody out and about. The day was too cold for pleasurable walks and the warmth of his house with a fresh cup of coffee beckoned. Jane was at work; she had a production of Lear to oversee and wouldn’t be home until about seven this evening. He had the day to wonder about his foot and to write.

“Sod it,” he muttered and slid his shoe on. Coat zipped to his neck, focus on his feet, Brian stood and managed to walk at an old man’s shaking pace. Every step took concerted effort and awareness of his legs as if they belonged to another. Sweating freely, hot below his layers, he took twice as long to walk home as he had to reach the bench. Door locked, coat flung at the stand and shirt sticking to his back with clammy eagerness, he pulled his shoes free and all but dragged his foot to the kitchen, then his study.

It was time to forget about the issue with his foot. It was probably just a trapped nerve or age or one of those passing things.

He sat heavily, eyed the screen as the device came to life, then ran a fingertip over the manuscript. All he had to do was turn over the latest page, re-read it and then drop into this new world.

As simple as that.

An hour later, Brian lowered his hands and had to close his eyes.

Barely a hundred words, his fingers hunting and pecking, and the rhythm of the words and the language lost to him. It was a dance and he had no partner.

He needed to tell Susan there would be a delay. It was inevitable.

Eyes open, his focus forced, Brian typed out an email to his agent and sent it without proofing it.

“An extra month. That’s all I need.”

She’d agree. She had to. He was the writer, for God’s sake. Everything began with him. There was no process or role for anyone else without his creation.

His work.

Abruptly furious, he slammed his fist on the desk, causing his laptop to bounce and sending a few pens rolling to the floor. Reflexes automatic, he reached for the falling pens and they bounced off his fist.

He watched them fall, end over end, then stared at the fist he couldn’t open.

***

Dr Palmer looked like a child’s idea of Father Christmas – or so Brian had always thought. Tall, overweight, happy eyes and a white beard. He’d been their family doctor for thirty years and appeared to have aged, at most, ten. Brian tried to put these loose, rambling thoughts from his mind while he sweated in the air-conditioning set to hot and listened to what the doctor told him.

“There’s no obvious sign of nerve issues or problems with tendons. No overdone exercise or walking?” Palmer rubbed sanitising gel between his fingers, the smell strong in the bright room. “Too much writing?”

Brian looked at his hand. It was flat on his knee. He could move the fingers, albeit slowly, and he felt it as part of his body, but it still was not right. No more than his foot.

“Not much chance of that.” He pictured his fingers moving from key to key two days ago, stumbling from letter to letter as if he hadn’t been typing for decades.

“Not overdoing any exercise?” Palmer asked.

“Not much chance of that, either.” Brian tapped his stomach. He’d put on a stone over the last year and kept planning on taking up walking as exercise.

“It wouldn’t hurt you to shift a few pounds.” Palmer smiled. Two middle-aged men who enjoyed good food and expensive wine, sharing the joke of their bellies and their appetites. “But in the meantime, I’ll arrange an appointment for you at the hospital. X-rays and so on. You may have to wait until the new year unless I can pull some strings. I can’t see the slightest indication you’ve broken anything. There’s no pain or inflammation. No strains or sign of pulled muscles.”

Brian shook his head as Palmer listed the issues he didn’t have.

“How are the books?” Palmer asked.

Brian flinched. He felt it in his face and tried to turn it into a cough. Palmer wasn’t fooled.

“Up and down at the moment.”

“Still selling millions?”

“Well, not quite, but they’re doing okay.” He never liked to talk about the success he still occasionally thought was a dream. It was tempting fate as well as gauche.

“Working hard?” The doctor’s tone was light. His eyes were not. Behind his glasses, they were focused, unblinking.

“As always. Well.” Brian pursed his lips. “I’ve taken the last three days off the words to get over a challenging bit in the new book and then this happened.” He nodded at his foot, then raised his hand. Making a fist required actual concentration. Opening it made him sweat further.

“Challenging?” Palmer asked. Outside his office, a door closed and low voices passed by. The blinds were down; the sunshine was bright enough to show the flakes of wet snow brushing the glass as they had the other night before his foot went dead.

To sleep. It went to sleep.

“Yes. It’s. . .it happens. I’m not a hundred per cent okay with the book and the characters. Things slow down and I have to step back. Walking helps. Fresh air.” He smiled weakly.

Lies. All of it.

“In that case, I would suggest this is physiological.” Palmer indicated Brian’s foot and pointed to his hand with a pen. “Stress. The creative mind pushing the body without care of the effects. I have no idea if writers’ block actually exists. I don’t care, frankly. What I will tell you, Brian, is that it or something like it may be having an impact on you, physically. I will still put you forward for the x-rays. In the meantime, I would suggest as much rest and relaxation as possible. Don’t work on your book. Give yourself the rest of the month. Have a proper Christmas break. Cut back on the coffee, the wine even if it is the silly season. Walk. Stretch. Keep things simple.”

He smiled and Brian expected him to hold his belly and laugh.

Rest. Walk. Stretch.

Relax.

He could laugh as he’d pictured Palmer doing. Susan had already replied to say she could give him a couple of extra weeks, but things were in motion. Schedules agreed; spends agreed. Yes, of course, she appreciated it was art, not shoving out a product to the shelves; she wanted his best as much as he did and the last thing he needed was to over-exert himself, but if he could get the draft to her without an extensive delay it would do him the world of good to put this stage of the process behind him. In the meantime, have a splendid Christmas, Brian. All best. Susan.

The process.

Not writing a book because he had a story that needed to be told. The process.

“Get some rest. Decent sleep.” Palmer rummaged in a drawer and passed Brian a leaflet. “Some exercises in there. They’ll keep the muscles moving.”

“Thank you.”

He had to get out. From the heat and the smiles and this man he had never seen anywhere outside this building. Back through the town, out to the village and his doors closed against a world of demands and process.

Pulling on his coat and catching the sleeve on the hand he hadn’t realised was a fist, Brian said goodbye to Palmer and limped out to the reception where he asked the receptionist to call him a taxi. Driving for forty years and his car remained locked in the garage because he couldn’t use his sodding foot properly.

Texting Jane took twice as long as usual. He deleted the message three times before settling on telling her enough.

Palmer says I need to take another couple of days off. X-ray soon but nothing broken. Just a dodgy foot. Let me know when you’ll be home. Chinese takeaway?

She didn’t know about his hand and wouldn’t know he couldn’t easily cook dinner.

Brian pocketed his phone and moved to the windows, waiting for his taxi. At his side, the lights and tinsel draped upon the surgery’s tree flickered. Watching car roofs gleam and a few birds flying in the dazzling light, the thought he’d been blocking for forty-eight hours broke through.

What if I can’t write? What if my hand seizes up?

He stared at his hand. He wiggled his fingers. More or less.

***

Brian woke to the sound of the en-suite shower and the mutter of the radio. Even though it had been many years, he still missed Wogan in the mornings. But then, he missed quite a lot of things, didn’t he?

Brian bared his teeth at the ceiling. Mauldin, nostalgic, bitter. He’d become all these things and worse without realising it. Drifting into sleep the night before with Jane’s shape and heat a blessing at his side, he’d rejected his self-pitying waste of time and decided to embrace the magic of his life. First world problems. That was how Ed referred to this sort of business. Gone days were dead days and there was nothing to be gained in remembering the wild ride of telling a story and spending months with new people in his early fiction. He still worked in the same manner and was the same writer. Agents, editors, marketing teams and pointless questions from interviewers who’d read, if he was lucky, the press release about his new books were all just background noise to the real importance.

Writing.

And it was time he remembered that.

The shower switched off. He thought of Jane in there and glanced at the beside clock. He probably had half an hour before she needed to leave the house and fall back into the bosom of the Bard. It wasn’t long but it would be enough.

Smiling, Brian flexed his fingers. They were tight but malleable. He pulled the covers back and shifted to get out of bed.

His legs from the knees down were utterly dead. It was like trying to shift rocks.

He stared at them, thoughts of joining Jane in the bathroom wiped clean.

Move.

The lone word was an alarm bell pounding in his head. He knew he was suddenly perspiring; it was second-hand news and the salty droplets on his skin did not belong to him.

Brian wheezed and kneaded the unresponsive flesh of his shins and knees. Skin moved. He pushed and knew his fingers were on his legs but he knew it only from sight. Wild terror beat a rhythm and it was a terror of being discovered in this state. Of being caught.

Enough rationality remained for him to know the idea was insane. He was in trouble, not guilty of anything. Even so, the rat of panic scampered through his chest, little claws sinking deep into his lungs and his heart. He was caught. Jane would walk through from the shower at any second. And. He. Was. Caught.

Fuck.”

Brian spat it at his legs, spittle spraying, and thumped his shin. It stung his fingers and failed to register on his leg.

At first.

Seconds after the blow, a faint warmth spread towards his knee from the impact. The skin had reddened. He did it again, an inch below the first thump. Nothing again, then more warmth.

“Come on, you bastard.”

“Brian? Are you awake?” Jane called.

“Yes,” he replied, smiling at the door she’d left ajar. His eyes were too large; his mouth was a rent in his face and he was going to fall into his own smile.

“Coffee’s on,” Jane said. She was still in the bathroom and had he been thinking barely a minute ago of the normality of embracing his naked wife? Had he been that man instead of this man pummelling and spitting at his dead legs?

Stand. Get on your feet.

It was a fine idea. He would see it through.

Grunting, shaking, Brian pushed on his left leg, shoving it to the right so both fell over the edge of the bed. Feet landed on the carpet. He could see his toes.

Caught in an awkward bend, Brian pushed back on his fists and slid over the bed. At once, he tipped to the side and broke a fall by slapping a hand on the wall. Sweat, cold and oily, soaked his body. Despite the winter, he often slept naked and the room was warm. Too bloody warm. He longed for bracing air and blinding sunlight. To walk in both. To run across winter fields as he had a child.

“You will move,” he whispered to his legs.

They didn’t hear him.

“You will move, you bastards.”

They’d become a stubborn animal, a beast that wouldn’t obey his command, and he had nothing because he was losing control.

No. He’d lost it.

“I’ve got breakfast on,” Jane said. She passed by the bedroom door, shadow brushing the wall, and Brian’s sight greyed. If she pushed on the door, if she. . .if she. . .

Jane moved on. “Don’t take too long.”

“I won’t,” he called with mad joy.

Jane reached the stairs and descended. Brian panted, bent over and pushed at his knees. It took him a few seconds of staring at both hands to realise he was pushing with bent fingers. Fingers he could not uncurl.

Then he cried.

***

Quarter past twelve. Brian knew that because his hands were in view and he could see his wrist.

It was around the time he usually stopped for lunch. Perhaps some soup; perhaps a bacon roll or two.

He didn’t think lunch was on the menu today.

Jane hadn’t been happy he was going to the book before breakfast or even before managing to dress properly. He’d mollified her by saying he would eat in a few minutes; it was just to get a few notes down on the problem. He’d switched the laptop on and fumbled with it as she came up the stairs, calling his name, and he’d hidden his left hand under the desk. A promise to his wife, turning to her to kiss and hoping she didn’t see what was wrong because he was. . .

Caught.

It was a stupid, nonsensical idea. He wasn’t caught at anything. He was guilty of simply trying too hard with his stories and letting them write him instead of him writing them. There was no writer’s block here.

“No block,” he whispered.

His manuscript remained beside the laptop. He kept a small bin next to the desk and longed to shoved the whole thing over the edge into the bin. Yum, yum, said the bin. Thanks for the meal, Brian. Yummy.

“Yummy.”

There was no active screensaver on the laptop and how he wished that wasn’t the case. A loop of photos would be better than the email from Susan.

Asking about his health; assuring him they had time and in the next line but we can’t hang around too long, Brian. It’ll be up to your usual standard; I have no doubt of it.

Jack was champing at the bit; his editor had his work to do before the book went any further and oh, by the way, Brian. There are a few interviews lined up. The Mail, the Times and the Literary Review are all keen to have a word, and we’re looking at Tracks of My Years on Radio 2 which will be nice. So, drop me a line later. Best, Susan.

“Best,” Brian muttered.

It was snowing again. Thicker flakes than recent days. They tapped on the glass as if seeking access. Christmas snow as the year gave up the ghost and people drank and laughed in that growing silence.

Jane wouldn’t be home until gone six. The house would be dark by then and he wouldn’t have dinner underway. Brian shifted his gaze from the screen to his manuscript.

There was no real extension for him and his work and there was absolutely no way back to the joy of creating. There was here and now: the snow on the windows, and his body outside of his mind.

Jane would find him in his chair. He hoped he would be able to move his eyes to his wife when she did. He hoped he would be able to look away from his unfinished manuscript.

December 2025

A week off work and just like my week off last year around the same time, I have a shitty cold. I’m putting it down to being in the office more than usual lately (people ugh). On the plus side, not being in my 9-5 gives me time to take care of writing stuff that isn’t actually writing. I remember as a kid thinking about how I wanted to write books and assuming that was all there was to it. Joke’s on teenage me all these years later. Researching markets, subbing to them, keeping track of the subs, chasing them when required, checking social media accounts and sites to see if the markets have updated their status to CLOSED since you sent the initial sub. And then there’s rewriting, editing, polishing, deciding if a piece has legs or needs to be retired. And by ‘retired’, I mean ‘binned’.

That’s what I’ve been up to over the last few weeks. I went back to a book I wrote three versions of and then put to one side in order to write another book and take care of few other bits. Reading through it, noting I had another twenty pages to read and slowly realising that the version I was reading wasn’t complete. That it was missing the final 20k. You see, my old laptop crashed and died in the summer. I back up to a stick, external hard drive and email myself. Problem was I took a version saved a couple of weeks before the crash and uploaded that to my new laptop. Then overwrote the other saved versions. Turns out the most recent emailed version was slightly out of date. End result? A third draft of the book without any ending.

Ordinarily, this would be a total disaster but as the book has a lot of problems and needs a fourth version, I’m relatively calm about it. It does tie in with a bigger issue about this book and what I’m writing at the moment – basically, is this one worth keeping at all or put it to one side and the come back to it in the future? A big decision. Same decision I need to make about the book I wrote after the first one. Usually, I stick to one book at a time but that might not work with these two. Something to think about over the next week or so.

Outside of that, I’ve written a short story I really like. Genuis that I am, I’ve written a Christmas themed horror story WAY too late to sub it anywhere for this Christmas. I did the same thing about five years ago with a story I really like. As with that one, this new tale will have to wait until next year before I do anything with it. At some point, I’ll write a Christmas horror story at the right time to then sub it for (hopefully) publication in December. Which means writing it the previous January. I’ve got another tale I’ll be posting here in the next few weeks – something to add to the winter chill with a bit of luck. Keep your eyes peeled.

That’s it for now. Take care of yourselves.

On imposter syndrome

A couple of days ago, a writer friend (the thoroughly excellent Ally Wilkes) asked me if I was going to the World Fantasy Convention which is on in Brighton (a part of the country I can get to although I don’t really live anywhere near it). It was a big no from me partly because my wife and I are hoping to move house next year so all my spare cash is going towards that. And because of imposter syndrome.

For those who don’t know about this, let me share the opening paragraph from the Wiki page:

Impostor syndrome, also known as impostor phenomenon or impostorism, is a psychological experience in which a person suffers from feelings of intellectual and/or professional fraudulence. One source defines it as “the subjective experience of perceived self-doubt in one’s abilities and accomplishments compared with others, despite evidence to suggest the contrary”.

These days, it’s piss easy for people to say they’re a little bit OCD or ‘aren’t we all on the spectrum in some way’. Crucially, imposter syndrome isn’t a mental disorder (if it were, it would be up to someone with actual qualifications and expertise to diagnose it) but that doesn’t stop it from kicking people’s arses. Including mine. And stopping me from attending events like the WFC.

I’m not at my best with new people. Or crowds. I quite like the seaside so Brighton would be an ideal destination. Sadly, the focus at something like the WFC would be more on people rather than wandering around the beach in November. Thing is, I know a lot of people who’d be there after spending most of the last fifteen odd years on social media. I’ve met up with a handful once or twice but that’s been more of a ‘drink in the pub’ thing rather than a fuck off big convention. I went to Comic-Con in London about seven years ago at the request of a publisher I was with at the time. Being there with the Godfather of Gore that is Shaun Hutson (one of the funniest people I’ve met) and trying to pimp the book I had with that publisher to anyone who came over to our display while I stood next to the Red Dwarf crew – a pretty unusual experience for me. But the WFC with the great and the good of the publishing world and a genre I’ve loved since I was a kid. . .you know in the film Inside Out when you see the brain characters going absolutely nuts or dying of embarrassment? That would be my head every single second. Literally.

My first book was published by a tiny US publisher in 2012. The second the year after. Both went out of print when the publisher closed the year after that. Since then, I’ve had books published by small presses, done a few myself, been signed by an agent after two decades of trying, been dropped by that agent when nothing happened, written twenty or so books and accumulated rejections in the four figures after twenty-six years of submitting my stuff to agents and publishers. I’d have to double check but I think my next book, Chaos, (published early next year) will be my thirteenth release if you include everything outside of my short stories. So, on paper, I’m not exactly setting the world on fire but thirteen books isn’t bad. A hell of a lot more than some writers manage. And I’m proud of each book even though I know without a doubt that I could open up any one of them at any random page and spot massive chunks I would want to rewrite.

None of this matters when it comes to imposter syndrome.

The fact these books haven’t done well; the fact my agent dropped me like a rock and I haven’t landed another one in the last three years; the fact that I’m horribly close to 50 without being anywhere with this; the fact my current book doing the submissions rounds hasn’t hit with anyone; the fact that if I stopped writing tomorrow, I honestly believe nobody would really give a shit.

This is what matters when it comes to imposter syndrome.

Please don’t think for one minute this is a pity party. It isn’t. The publishing world doesn’t owe me anything. Readers don’t owe me anything if they don’t buy my books. This whole thing is on me and what I choose to do with my time. I could stop right now and there’s no more imposter syndrome because I wouldn’t be in the position where attending the WFC comes up. Problem is, enough of me still wants to write these stories that I keep going even while the rest of me says there’s no way you of all people can go to the WFC you fucking loser you’d absolutely die on your arse.

Hopefully, I will get to an event like the WFC one day. If I do and you see me there, you’ll know I managed to drown out that second voice just enough to walk through the door. And to keep walking.

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