Metapost: Progress and Prologues

The novel is progressing much quicker in my head, and much slower on the page than I had hoped. It’s densely complex, frighteningly so, but I’m keeping notes. I have no shorts planned at the moment, my excitement with the world at hand is too great. Apologies for a lack of updates, but I thought I’d share this with you, the prologue, as it stands, for “This Side of the Blue”.

 

The meteorite is the source of the light
And the meteor’s just what we see
And the meteoroid is a stone that’s devoid
of the fire that propelled it to thee

– Joanna Newsom, Emily

The falling star carved a burning scar across the night sky. On the open plain below, a dozen eyes tracked the hot red trail from east to west, watching small flakes of fire peel away from the heart of the meteor. The glow lit their smooth faces, and as the ember at the center cooled and vanished, they turned back to the cook fire, chattering to one another in excitement. Some were old enough to remember the winter of shooting stars, when streaks of fire crossed the sky with a steady, mystic rhythm. They told stories, sung in complex harmonies, and laughed beneath the quiet sky.

A distant rumble rolled across the grassland from the west, and they craned long and elegant necks, waiting in silence for something more. But the only sound was the wind, hissing through the waving stalks of golden grass, and they soon returned to the old songs.

Part I: The Garden and the Graveyard
….
Hope the weekend finds you all well, and thanks, as always, for reading.

 

The Blues

The Blues appeared in episode 351 of the Pseudopod Podcast. I am beyond thrilled to have made a sale to the very market that got me interested in writing short horror.
 
 
The first wave hits me as I stand on the old bridge, looking down into the green and still waters. It’s like an army of fingertips, starting in my scalp and tracing down my skin and I shudder involuntarily. Familiar fog takes shape in my mind, a cotton candy spiderweb, snaring thoughts and vibrating in time with the wind through the trees. In the distance I can hear King hollering, followed by the tinkling sounds of shattered glass, and then Leif’s laughter.

I shut them out, make my world the rusting footbridge, the warm air, and the dark water below. An untouched bubble of space that I alone inhabit. On the worn concrete abutment beneath me, someone has scrawled in white paint the words LOOK UP, and I do so, without thinking, the command bypassing conscious thought. The sky is perfectly blue, cerulean above me and cornflower in the distance. I tumble the words through my hands, adding to them: azure, cobalt, bondi, indigo, ultramarine. The blues merge and swirl, dripping through my hands leaving long streaming trails of letters.

I shake my head and laugh loud, listening to the sound travel on the warm breeze. Happy. For the first time in many months, I am free, in control. My life is my own again.

“Rog! Roger!”

I try to ignore the voice, but I know Alex is already walking down the bridge toward me. The brief surge of freedom is already starting to fade. I try to hold tight to the moment, leaning out and surveying the debris choked creek beneath. What I had taken for a filthy styrofoam beer cooler catches my eye, and I look closer and see a green and mossy haunch. A rotting human thigh, the remaining skin greenish white, the rest of the body vanishing into the algae choked water.

I feel sick, the last scraps of joy congealing, turning rancid. The fear is creeping back in. I turn to Alex, my island of calm in the half-year storm, and watch him walk towards me like a barefoot saint, his sandy hair tangled and wild. His wide and white grin lights up his face beneath dark eyes, and the fear does not vanish, but halts its approach.

“How you feeling, Roger?” He asks, his eyes twinkling.

Continue reading “The Blues”

Metapost: Something Very Cool.

Through a recent collaborative project, I had the fortune of meeting Christian Frederiksen, an extremely talented artist.
Christian has been working on a series of images to accompany the first half of my story, One, and I am more than thrilled with the results. Below are some low res versions of the images, which I’ve also threaded into the original story. You can see the higher res versions, along with many other excellent images in a wide variety of styles at his sketchblog.
What amazes me is how close these matched the images in my head when I was writing, down to a few uncanny details. I can’t wait to see the images from the second half.

Shiva

My mother is crying so loud that at first I can’t make out the words. When I pick his name from the tinny sine wave of her wailing, I know my brother Lev is dead. My guts constrict, wrapping into a knot, and I the air rushes out of me. I let her go as I struggle to stand, eyes tilting skyward to stem the tears. When she’s out of breath, I hear my father’s cracked baritone mutter. After a while I start to hear his words, hear ‘shiva’, and my guts twist again, counterclockwise this time.

They want me to come home.

1

I land in time for the funeral, crossing the continent in a few bleary hours. At the cemetery, I still wear the sweaty reek of the plane’s cabin on my clothes. The coffin is in the ground before I fully grasp what it means: this is my brother’s body, and this is forever. I’m still spinning the thought like a smooth stone in my hand when we arrive home. I place my bags onto a familiar bed that looks smaller than I remember, and return to the ground floor.

I shake hands and nod to a swirling fog of faces from childhood, grown strange with age. I find the rhythm in answering the same questions, my work, my life, the past twenty years, and soon I no longer have to think about the responses.

The faces drift away with the daylight, and the house becomes dark and empty. Wherever I twist my eyes, something triggers a tiny explosion of memories. A dented baseboard. Dull silver on a salt shaker.

My mother and father sit side by side in plastic folding chairs across from the couch. For a moment I think about helping them to some relative comfort. The moment passes. I sit in my father’s overstuffed recliner, and try to keep my head above the flood.

The edges of my vision grow dim – there’s something odd about the light. I look to my mother, and see the shining chrome trim of her glasses, see the dark hollows of her eyes almost black. The contrast sharpens, and the uncanny light becomes too painful to look at, to even think about. I shake my head, and look back to the neutral tones of the embroidered couch.

My brother is there.

Dressed in funereal black, his hair is long and wild. He is staring at me, and beneath his uneven beard, his mouth moves. No sound escapes, not even the sibilant pops and clicks of lips and teeth. No breath.

Engines whir in my head, and I close my eyes. I’m tired. Under extreme stress. Still not quite well. I should have expected this. I press fingertips to my eyes, and focus on the purple and blue geometric explosions of false light. Count the angles and lines. Breathe.

Breathe.

Open.

Lev leans forward, reaching his arms across the table at our parents, and his lips continue to dance without sound. My parents look down, leathery faces impassive. My father is asleep.

Lev turns to me, and his bright eyes flash. He smiles. That wild, wide Lev smile. Mischief and revelation and something else. He speaks, and with a sudden snap, like the bursting of a soap bubble, I hear.

“The light, Ronen. Can you see?”

Breath escapes me like a pierced balloon, one long sigh until I am empty, and at last I begin to cry. Lev’s eyes are locked on mine, and I clutch at the moment, until the creak of my father standing breaks the silence.

“I’m glad you’re home,” he mumbles as he takes my mother and leads her towards the stairs. “Thank you.”

Irrational, childish anger wells up in me, and I turn to scream at him, but the strange light has faded. I am crying in an old chair in a familiar room on a warm, wet evening.

Lev is gone.

Continue reading “Shiva”