its always "i love you" and "im in love with you" never "i wanna know what your face feels like when youre smiling"
its always "i love you" and "im in love with you" never "i wanna know what your face feels like when youre smiling"
its always "i love you" and "im in love with you" never "i wanna know what your face feels like when youre smiling"
its always "i love you" and "im in love with you" never "i wanna know what your face feels like when youre smiling"
not every single long sentence is a song title by fall out boy
there are two ways to read this
I believe wholeheartedly that if you're some sort of tough guy you really need to get into namby pamby stuff to at least a midlevel understanding and if you're some namby pamby softie you need to get into toughguy stuff as well. It's can't be ironic or subversive either. No edgy hello kitty or only engaging with art about Spartan warriors.
If you wear corduroy overalls and listen to Phoebe Bridgers you need to watch through at least seven John Woo films and get really into The Predator and if you're into MMA or read a lot about the Navy SEALs you need to be monday night quarterbacking local performances of The Nutcracker and getting really into oscar nominated short films from Iranian directors exploring family and identity.
AO3 should have an Annotation Mode where you can click to view all of the author's commentary and thoughts about certain parts of the work. A little comment that says "I spent five hours researching vintage radio mechanics for this and didn't even end up using it" or "this is an ancient Hebrew literary technique!" would make my day
YOU'RE A REGULAR WRITER! YOU CAN CRAFT A COMPLETE SENTENCE! YOU'RE A REGULAR WRITER! YOU USE THE RIGHT AMOUNT OF COMMAS! YOU'RE A REGULAR WRITER! YOUR PROSE IS GOOD AND RIGHT! YOU'RE A REGULAR WRITER! EVERYONE UNDERSTANDS YOUR VISION!
its always "i love you" and "im in love with you" never "i wanna know what your face feels like when youre smiling"