When her ship comes in
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
The revolutionary costume for today
The 20th anniversary revival of Richard Foreman and Michael Gordon‘s What to Wear at the PROTOTYPE Festival showcases a fabulous ensemble.
Stealing fire
Esa-Pekka Salonen and The Los Angeles Philharmonic serve a feast for all five senses.
The best thing I saw this year was Pittori fiamminghi
Part of the annual Festival Illica honoring the city’s native son Luigi Illica, the performance offered a precious opportunity to hear a rare score by an even rarer composer in a gorgeous medieval piazza.
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“When there’s so much to get right, unsurprisingly a lot can and, as we all know, does go wrong.”
Two recent Paminas feature in concerts at Lincoln Center and Carnegie Hall.
I can’t say 2025 was my best operagoing year; apart from a superb Fille du régiment, most of my good nights at the opera were decidedly mixed affairs.
The oddball pairing of Bernie Williams and Jonathan Tetelman doesn’t quite knock it out of the park at Carnegie Hall.
What do you get when you blend innovative 17th century composition, 1970s family drama, and one of the most sordid tales of the New Testament?
Sarah Kirkland Snider’s Hildegard gives the Middle Ages the Bridgerton treatment at the Prototype Festival.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Grand Tier Grab Bag
Grand Tier Grab Bag
When her ship comes in
When her ship comes in
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Grand Tier Grab Bag
Erste Brautnacht
Erste Brautnacht
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Grand Tier Grab Bag
Tabled for now
Tabled for now
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
Grand Tier Grab Bag
My heart belongs to daddy
My heart belongs to daddy
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
Grand Tier Grab Bag
Mediterranean crossings
Mediterranean crossings
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Grand Tier Grab Bag
Ritorna un’altra volta
Ritorna un’altra volta
Parterre Box anticipates Ailyn Peréz‘s upcoming New York performances of Madama Butterfly with the Puccini role most closely associated with her
Parterre Box anticipates Ailyn Peréz‘s upcoming New York performances of Madama Butterfly with the Puccini role most closely associated with her
Tobias Kratzer‘s production of Das Rheingold at the Bayerische Staatsoper was a resounding success.
A pairing of rarities makes for an inspired evening with the Brooklyn Art Song Society.
Looking back, this Stiffelio in Piacenza is the one I cherish the most.
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
I wasn’t alive during the golden age of Verdi baritones like MacNeil, Warren, or Gobbi, but hearing Amartuvshin Enkhbat live in an opera house must be the next best thing.
A high-drama Vanessa by the Boston Symphony Orchestra offers something to believe in.
Sir Simon Rattle and the Bavarian Radio Symphony Orchestra strike (almost) all the right notes in their new recording of Mozart’s Idomeneo.
Talk of the Town
The Talk of the Town
The best thing I saw this year was Pittori fiamminghi
The best thing I saw this year was Pittori fiamminghi
Part of the annual Festival Illica honoring the city’s native son Luigi Illica, the performance offered a precious opportunity to hear a rare score by an even rarer composer in a gorgeous medieval piazza.
Part of the annual Festival Illica honoring the city’s native son Luigi Illica, the performance offered a precious opportunity to hear a rare score by an even rarer composer in a gorgeous medieval piazza.
The Talk of the Town
The best thing I saw in 2025 was Robinson Crusoé
The best thing I saw in 2025 was Robinson Crusoé
“When there’s so much to get right, unsurprisingly a lot can and, as we all know, does go wrong.”
“When there’s so much to get right, unsurprisingly a lot can and, as we all know, does go wrong.”
The Talk of the Town
The best things I saw in 2025 were Nina Stemme and Les Arts Florissants
The best things I saw in 2025 were Nina Stemme and Les Arts Florissants
I can’t say 2025 was my best operagoing year; apart from a superb Fille du régiment, most of my good nights at the opera were decidedly mixed affairs.
I can’t say 2025 was my best operagoing year; apart from a superb Fille du régiment, most of my good nights at the opera were decidedly mixed affairs.
The Talk of the Town
The best thing I saw in 2025 was St. John the Baptist
The best thing I saw in 2025 was St. John the Baptist
What do you get when you blend innovative 17th century composition, 1970s family drama, and one of the most sordid tales of the New Testament?
What do you get when you blend innovative 17th century composition, 1970s family drama, and one of the most sordid tales of the New Testament?
The Talk of the Town
The best thing I saw this year was Das Rheingold
The best thing I saw this year was Das Rheingold
Tobias Kratzer‘s production of Das Rheingold at the Bayerische Staatsoper was a resounding success.
Tobias Kratzer‘s production of Das Rheingold at the Bayerische Staatsoper was a resounding success.
The Talk of the Town
The best thing I saw in 2025 was Stiffelio
The best thing I saw in 2025 was Stiffelio
Looking back, this Stiffelio in Piacenza is the one I cherish the most.
Looking back, this Stiffelio in Piacenza is the one I cherish the most.
Dan Johnson on the unique voice of Hildegard composer Sarah Kirkland Snider — and why some music could only ever be written by a woman.
I’m going with four outstanding, deeply personal NYC recitals
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
It’s a dazzling, shocking, and entertaining 100 minutes – one of the best new operas I’ve seen.
