La folie du roi George

THE MADNESS OF KING GEORGE shows us how mad the ruler of England became at some point in time due to an illness doctors knew little about.

How his illness is treated is at the core of this story, when King George III is assigned a doctor (IAN HOLM) to use whatever means are necessary to restore sanity. All the while, court intrigue has everyone in parliament conspiring about appointing a Regent to take over the King's duties. His son, the Prince of Wales (RUPERT EVERETT) is more then willing to replace his father on the throne.

Much of it is played for fine comic effect with many nuances and comic timing in spite of the seriousness of the central character's illness. NIGEL HAWTHORNE recreates his London stage role, playing the part of the mad king to perfection. HELEN MIRREN is highly satisfactory as his wife who wants nothing more than to see him make a complete recovery and RUPERT GRAVES is fine in one of the more low-key roles as one of the King's supportive aids.

As usual in all of these British historical pieces, the settings, costumes, photography, art direction--all are exquisite. The photography is a marvel at suggesting that only candlelight illuminates many of the scenes so that it's like watching a series of fine paintings come to life. Effective use of Handel's music provides solid support throughout.

British King George III has just recently lost his American colonies. At home, he is treated as a cross between a feared dictator, and a petulant child by his handlers. While politically, he is being marginalized and beset by ambitious self promoters on all sides. He is suffering from mental deficiencies, and his doctor is hopeless.

It's a fascinating look at the royal court. Nigel Hawthorne is terrific instilling power and energy in the manic regent. Helen Mirren is Queen Charlotte. Mostly this is great acting from interesting Brit actors. And Ian Holm is funny as the clueless doctor. It's a piece of history rarely shown on film.

The late Nigel Hawthorne received his only Oscar nomination for his outstanding role of King George III of England who developed a mental disorder that created chaos for the the nation's leader in the 1700s. His wife (Helen Mirren in an Oscar-nominated role) cannot cope and it turns out that no one can really help the king as the medical profession just lacked the modernism necessary to assist. Ian Holm is a genuine scene-stealer as the physician who uses some unorthodox methods to try and cure the titled character. Nigel Hawthorne, who sadly passed away recently, was one of the truly great actors of his time and this was his finest role. 4 stars out of 5.

I originally saw this on stage at the Royal National Theatre in 1992 and then I saw it in the cinema when released as a film. I read a biography of the King recently and the death of Sir Nigel Hawthorne over Christmas prompted me to have another look at this.

I'm still bowled over and this will always be one of my top ten films, Hawthorne was never better and this will stand as the best of his legacy of fine performances.

His portrayal of the King is painfully accurate and largely historically correct in a superb script by Alan Bennett. The King was well educated but not particularly bright and Hawthorne brings his preremptory manner out so well. The scene where the King cross examines the Prime Minister about a minor appointment tells you more than you need to know of the sane man in two minutes.

The descent into madness is subtle at first, and might just be eccentricty but then gets worse and the Government are appalled at how they might lose control to the Opposition if there is a regency declared. The machinations become immense as so much hangs on the King's sanity.

Meanwhile treatment goes ahead and in a superb scene Hytner parodies the Coronation service when the King is strapped to a chair and gagged to Handel's 'Zadok the Priest'. In the Coronation service this music has since 1727 been used when the monarch is ceremonially led to St Edward's chair and is enthroned at the precise moment the choir comes in on the music.

However, the King recovers, though he had separate bouts of subsequent illness before totally losing it (though by then to Alzheimers) in 1811, though he was to live until 1820.

Hawthorne was robbed of an Oscar here in my view. Scriptwriter Bennett, one of our best living playwrights, has a small part as an MP.

A moving exploration of mental illness masquerading as a costume drama. THE MADNESS OF KING GEORGE tells the story of George III, Britain's 'Mad King', whose life was beset by repeated ill health until his son, the Prince Regent, finally ruled in his stead.

This is far from your usual costume drama (something like THE YOUNG VICTORIA), because it's written by and based on a stage play by Alan Bennett, who immediately brings events closer to home. He focuses on characters, personalities and feelings throughout, and isn't so interested in the pomp and splendour that other directors might have favoured. Instead, this is a glorious rebellion put on film, showing with childlike glee the way one man fought back against the social constraints of his era.

Of course, that's not to say that this isn't an authentic-looking film; the costumes are splendid, the locations even more so, and the cast of British thesps are all very good. Nigel Hawthorne, in particular, gives one of his best-remembered performances (he'd played the same role on stage many times, which is why he's so confident in the part).