Torpilles sous l'atlantique

What's really impressive about this movie is the photography. When you see Robert Mitchum actually standing on the deck of a destroyer with depth charges going off behind it, you know somebody went to a lot of trouble to get all this on film. That destroyer is no movie set. You'll find very few backdrops and special effects here except for underwater shots of the enemy U-boat, and even those are above average. It all seems ahead of its time somehow, the brilliant color footage, the musical score, and the attention to detail.

The Enemy Below is a fascinating study of WW2 anti-submarine warfare. Although the ending is a little corny, the anti-war message is timeless and quite appropriate. Especially now (Oct. 2004) as America is being dragged into another real conflict. It's certainly worth a look.

Have to agree with "bob the moo" on this one. I've seen it probably two dozen times, and will see it many more, I'm sure. One of my favorite "war" movies (w/Robert Mitchum and Curt Jurgens as destroyer and submarine captains, respectively). My other faves are "Platoon," "Full Metal Jacket," "Decision Before Dawn," (w/Oskar Werner and Richard Basehart--most excellent!), and of course, Kubrick's "Paths of Glory," w/Kirk Douglas, Adoph Menjou and George MacReady.

More than a blood-and-guts war movie (though it has plenty of terrific action scenes), it's more of a man-vs-man "cat and mouse" story. Absolutely excellent direction (by Dick Powell) and some terrific cinematography. Terrific scene between Jurgens and Theodore Bikel (who plays his Exec. Officer), that is nothing but facial gestures and eyebrows.

A very "moral" tale, it shows that even sworn enemies serving their countries in wartime can show respect and compassion toward each other, especially since they're all men-of-the-sea: sailors. Conversations between Mitchum and his ship's doctor and between Jurgens and his exec officer mirror each other. Note the scene of the American sailors pulling the German sailors aboard their lifeboats near the end; Mitchum helping rescue the U-boat captain and his exec after ramming them.

Great tale, well-scripted, acted, directed and shot. An model of how to make a terrific story into a movie.

"The Enemy Below" released in 1957, was one of those films directed by Dick Powell, and starring Robert Mitchum, that sparked with genuine realism and utmost attention to detail. This film also showed the harsh realities in war, and the dedication that men on both sides of the conflict can give to the task appointed. Mitchum plays the commander of a US Naval vessel that has the task of seeking out and destroying enemy submarines; having just recently lost one command, he is going to make sure such doesn't happen twice. The renowned German actor, Curt Jurgens, portrays the submarine commander whose presence has been detected by Mitchum's destroyer, and the chase is on.

Both commanders, Mitchum and Jurgens, in their characters, reveal that each was firm in their beliefs toward their respective countries. While Jurgens is not a gung-ho Nazi, he does have a firm dedication to his fatherland, and what it was before the war. Mitchum has the same firm devotion to his country, and what he is doing is the right course to bring a successful ending to the war, ultimately. There is a lot of verbal discussion during the course of the film, who is right, why are we engaged in this action, etc., but both commanders are desperately trying to out think and outmaneuver the other.

There were several good movies made during the 50s, this film, "The Enemy Below",and "Run Silent, Run Deep" come to mind, and are certainly worth a view. This film does give a look at both sides involved in the type of chase done here. An 8/10

Inexorable duel of great stars into a submarine and a destroyer . During World War II, an American destroyer escort 'USS Haynes' (it was played by the real 'USS Whitehurst') captained by a tough skipper (Robert Mitchum) meets a German U-Boat commanded by an intelligent captain (Curt Jurgens) . Both captains are good ones, and the engagement lasts for a considerable time . Both of them pursuit one another and square off in the South Atlantic . This movie's closing epilogue states: "Twentieth Century-Fox wishes to thank the Department of Defense and the United States Navy for their assistance in the production of this motion picture."

Thrilling as well as exciting battle of wits between two skippers who gradually come to respect each other . Both of whom are a compellingly balanced match as two clever as well astute captains . This nail-biter is a tightly-knit drama centered on the relentless sea maneuvers of a destroyer going after a submarine and vice versa . The film is famous as one of the best WWII submarine movies, though some scenes at sea, however, suffer from the utilization of obvious models in a just as obvious studio tank . Interesting screenplay , being based on the novel by D.A. Rayner and the book and it's dust-jacket can be seen at the beginning of one of this movie's trailers . German player Curt Jurgens made his major mark on the international scene and it was American movie debut for German actor . The cast spent about a month filming on board this vessel. Many of the crew of the 'USS Whitehurst' appeared in this movie. Secondary cast is frankly good such as Theodor Bikel , Frank Albertson , Russell Collins , and this picture marks the feature film movie debuts for David Hedison -as Al Hedison- and Doug McClure . 20th Century-Fox production notes for this movie from the AMPAS Library declare that the 'USS Whitehurst' was a battle-hardened veteran from the Second World War which had during World War II been stationed at Pearl Harbor, Hawaii. Harold Rosson's colorful and vivid cinematography , including spectacular maritime scenes , though set in the South Atlantic Ocean of World War II, this movie's ocean scenes were filmed in the Pacific Ocean. . The motion picture was stunningly directed by former movie star Dick Powell who efficiently captures the claustrophobic up and undersea tension ,; this was one of the final theatrically released movies of director Dick Powell who soon after worked exclusively in television.

This suspenseful sea epic represents one of a select group of a few World War II submarine movies which have won the one single Academy Award in a technical category, that's just only the one Oscar in either special effects or sound editing. These movies include ¨Crash Dive¨ ; ¨Torpedo Run¨ and ¨U-571¨. The non-WW II sub-movie, ¨The Hunt for Red October¨ also won just the one Oscar as did the WW 2 part sub-movie 49th Parallel , but for Best Original Story . Furthermore , other important films about submarine are ¨Run Silent Run Deep¨, ¨Crimson tide¨ by Tony Scott with Denzel Washington and Gene Hackman; ¨K19¨ with Harrison Ford and Liam Neeson and the best ¨Das Boot¨ (1982) by Wolfgang Petersen with Jurgen Prochnow .

This was a Great WWII DE versus Sub movie. One of the few movies that actually used proper Navy voice procedure and a radar with no sound.

I liked it better than "Run Silent, Run Deep" and "Dos Boot", though I liked both.

An almost perfect Navy movie with the one exception of always returning to course 140. If one as ever navigated or plotted via radar, you know that if you've vectored off course , e.g. zigzagged for any length of time, to get back on your original course, it would not be the same exact 140 as it started.

I can't wait for this movie to be released on DVD and in Wide Screen.