Three Sailors and a Girl

The title should tip you off that inventiveness and originality will be in severely rationed supply here.

Warner Brothers musical Three Sailors And A Girl is based, very loosely based I might add on the George S. Kaufman play The Butter And Egg Man that ran on Broadway during the Twenties. It was one of Kaufman's earliest successes and one he did without a collaborator, unusual for him. It was the Navy participation in this film that was original.

Otherwise the plot has some down and out producer suckering a country yokel out of a lot of money to produce his show. In the film, the yokel is a sailor played by Gordon MacRae with a stern sense of morality, rather unusual for someone in the Navy. The crew has been on active duty for almost a year and their back pay which they've been unable to spend amounts to a considerable nest egg. While on Wall Street looking for an investment, MacRae, Gene Nelson, and Jack E. Leonard run into producer Sam Levene and he gets the boys to invest in his show. And the attraction is leading lady Jane Powell who falls for Gordon big time.

No big hits come from the score written by Sammy Fain and Sammy Cahn, but the numbers are serviceable to the plot. MacRae and Powell make a good team musically, too bad they were at different studios and didn't do more films together, Powell was on loan from MGM. Gene Nelson was as always great in the dance numbers, I've said it before on other of his films I've reviewed, he came along ten years too late, what a really big dancing star he would have been.

Jack E. Leonard was an early version of Don Rickles. I remember seeing him many times on the Ed Sullivan Show as a kid. His character was interesting, but too bad we didn't get one of his insult monologues for which he was so famous.

Part of the plot involves MacRae taking over the show and making a holy hash of it and Jane Powell calling in George Abbott, Ira Gershwin, and Moss Hart to contribute their talents to save the show. The real people weren't in Three Sailors And A Girl, just actors playing them. But as the show originated with George S. Kaufman, had all these people put their talents into this film for real, we might have seen a real classic unfold.

The mind boggles at the possibility.

Roy Del Ruth was a talented second-rung director who spent his career shunting from one studio to another, never achieving the valuable symbiosis which boosted the careers of better-known directors who dedicated their talents primarily to one particular studio (such as Ford at Fox, Walsh at Warners, Capra at Columbia, Minnelli at Metro-Goldwyn-Mayer). 'Three Sailors and a Girl', a brassy musical comedy directed by Del Ruth for Warner Brothers, is an uncredited remake of 'Born to Dance', a 1936 musical directed by Del Ruth for MGM. 'Born to Dance' has better production values, a better cast and a better score (Jimmy Stewart warbling Cole Porter!), but 'Three Sailors and a Girl' is very enjoyable in its own right ... and its plot has almost nothing to do with George S. Kaufman's play 'The Butter and Egg Man', which is inexplicably listed in the credits here as source material.

'Born to Dance' and 'Three Sailors and a Girl' have exactly the same plot: a Navy submarine docks in New York, and three sailors (a singer, a dancer and a funny guy) go ashore. They meet a musically talented actress named Powell who deserves to be a star, and they pool their efforts to make her the star of a hit Broadway musical (as sailors do). In 'Born to Dance', the actress is vivacious tap-dancer Eleanor Powell. In 'Three Sailors and a Girl', the actress is Jane Powell (more brassy than usual, but quite good). The three sailors -- with the unfortunate nicknames Porky, Twitch and Choirboy -- are played by Jack E. Leonard (the funny guy), Gene Nelson (the dancer) and Gordon MacRae (the singer and romantic lead). MacRae was never better than his material, so here he's much less interesting than he was in 'Oklahoma!' and 'Carousel'. Gene Nelson is excellent as the acrobatic dancer, although he too has been better elsewhere.

The real find in this movie is Jack E. Leonard, a vulgar and heavy-set insult comic who pre-dated Don Rickles, and who is not normally considered an actor. He's not very good here, but he's better than I expected him to be, and he might have had a decent career in supporting roles. His 'singing' voice is nothing to boast about, although he acquits himself well alongside Nelson and MacRae in the opening number (a snappy ditty called 'Oh, So Right!'), and he's decent enough in a (poor) comedy number with Jane Powell: 'Show me a happy woman, and I'll show you a miserable man.' Leonard also does a comedy monologue which isn't funny, and which relies heavily on a ludicrous costume and a penguin walk. Jack E. Leonard was severely overweight: a fact which shouldn't have disqualified him from movie roles, but which renders him utterly implausible here in the role of an active-duty sailor. Even more implausibly, the three sailors finance their Broadway musical by having a whip-round among their shipmates (yes, we all know that sailors have got lots of money socked away) ... and then, when these funds prove insufficient, they get further backing from the Marines. (Yes, we all know that the Navy and the Marines always work hand in hand towards mutual goals.) Still, this is a fun movie, and I don't want to dissect the plot line.

Sam Levene, giving his usual performance, is quite good as the sharpy who produces the Broadway musical ... which of course is a hit. There's a totally unexpected (and very funny) cameo appearance by Burt Lancaster as a leatherneck, which leads to Levene speaking the funniest line in the movie.

Except for that Powell/Leonard duet, the songs (by Sammy Fain and Sammy Cahn) are excellent: very nearly as good as Cole Porter's score for 'Born to Dance'. I'll rate 'Three Sailors and a Girl' 7 points out of 10. Delightful!

Warners borrowed Jane Powell from MGM in 1953 and put her in a Doris Day kind of role, as an up- and-coming Broadway leading lady starring in Sam Levene's not-very-integrated-looking musical. Together they charm sailors Gordon MacRae, Gene Nelson, and Jack E. Leonard (trying to be Jackie Gleason, the Fat Funny One) into investing, and turn an out-of-town flop into a Broadway smash. Not an original story by any means, but it's lively, and the Sammy Fain-Sammy Cahn songs are good. It seems stinting of the screenwriters not to write in a girlfriend for Nelson, who has two spectacular tap numbers, and the no-name supporting characters (Georges Givot as a temperamental Ezio Pinza-like basso, somebody else as the sarcastic secretary, somebody else as the doofus playwright) don't have much interesting to do. But the songs and dances are really lively, and it's a chance to see Levene playing a Nathan Detroit-like schemer at the top of his form. MGM was making better musicals, even Warners was, but this one's an unpretentious good time.

"Three Sailors and a Girl" is a lighthearted comedy musical, the only film that Jane Powell and Gordon MacRae made together. It includes Gene Nelson who was teamed with MacRae in a number of films. The boys are in the Navy and just docked at the Brooklyn Navy Yards for a month's ship repairs. They've been at sea eight months, and their pay is burning a hole in their pockets. They all have a 30-day furlough.

Most of the guys talk about living it up. That usually means a few nights of booze and girls, and then their money is all gone. But Choirboy Jones (Gordon MacRae) says he plans to invest his money to make it grow and amount to something. He said he's going to double - maybe triple his money, and he's heading for Wall Street. Well, it convinces a whole crew to chip in a chunk of their money for the same purpose. So, Choirboy is tabbed with two buddies, Twitch (Gene Nelson) and Porky (Jack E. Leonard) to invest a duffel bag full of dough -- $50,000.

But when they go to the top Wall Street investment firm of Morrow and Peabodu, they get sidetracked and conned into investing in a Broadway show. It happens to star a new singer, Penny Weston (Jane Powell), and a known actor, Emilio Rossi (played by George Givot). The original investor is Melvin Webster (played by Archer MacDonald) who wanted his play to be produced. His terrible plot is constantly being rewritten. After the promoter, Joe Woods (Sam Levene), gets into too many troubles, he sells the rights to the show to the guys. These musically talented gobs get more backing from the Army, the Air Force and the Marines, and put on a dazzling show. It all works out for the best in the end, and in a stroke of justice, Joe gets the show back and the boys double the money for the Navy guys.

There's lots of comedy, very good music and dancing and a nice romance in this film that people should still enjoy well into the 21st century. Watch for the Burt Lancaster cameo at the end. Here are some favorite lines.

Faye Foss, "Where would sailors get that kind of money?" Joe Woods, "How do I know? Maybe they're pirates."

Joe Woods, "We'll get married as soon as I get a hit. I wouldn't want a swell doll like you to marry a failure." Faye, "Oh, thanks."

Penny Weston, "But I wanna be an actress. I don't wanna make people like me just to get their money." Joe Woods, "Well, that's what every good actress does to every audience."

Melvin Webster, "Mr. Woods, I wrote a play about my childhood - a tragedy. You turned it into a musical comedy. Then you started changing scenes to get in stars. Now it's a ruin - no story, just scenes. We even have a scene of Shanghai to pay off the man who does your laundry."

Joe Woods, "Fail? Who said we failed?" Porky, "Just the audience and the critics."