Ivy pauses to consider the carpet.
Migrating Canada geese on the river a block away.
I found a long walk with lots of frogs. I love frogs. I think about the frogs, and the bananaquits and hummingbirds, and the flock of chickens that live near our apartment in San Juan. I think about how I've heard all the trees are down when I wake up early in the morning and there are no distractions, just the undulating landscape of my mind.
Tallulah's hurricane school. They have miniature donkeys, which are available after school as well.
The school is a seriously good fit. Maybe too good. Tallulah tells us she doesn't want to go home. It's hard to think about living with no power again, it's true--but then again most people in Puerto Rico are doing just that, right now. The mask of the modern world has been ripped off. All that surrounds us now in this cute little town is in fact pure luxury.
Off to the haunted house at St. Lawrence University.
My frog walk has other beauties.
We carved pumpkins for the first time in maybe ever.
The information I needed to apply for unpaid family leave for the rest of the semester. To not have to leave the family here while I go back--into a critical, historic struggle to which I, we, will return, and soon. But right now I'm hitting a wall. I have the luxury of hitting a wall. "It's your self-preservation," a friend tells me. I have imagined myself living alone amid the devastation, seeking out water and food, and power. I know for sure I can do these things. But then they are here, Adam working long and unpredictable hours, Tallulah letting herself into the apartment and wondering when I'll be back, and I am a thousand miles away, sitting with my headlamp on, opening up the scar of Katrina and staring into it.
Migrating Canada geese on the river a block away.
I found a long walk with lots of frogs. I love frogs. I think about the frogs, and the bananaquits and hummingbirds, and the flock of chickens that live near our apartment in San Juan. I think about how I've heard all the trees are down when I wake up early in the morning and there are no distractions, just the undulating landscape of my mind.
Tallulah's hurricane school. They have miniature donkeys, which are available after school as well.
The school is a seriously good fit. Maybe too good. Tallulah tells us she doesn't want to go home. It's hard to think about living with no power again, it's true--but then again most people in Puerto Rico are doing just that, right now. The mask of the modern world has been ripped off. All that surrounds us now in this cute little town is in fact pure luxury.
Off to the haunted house at St. Lawrence University.
My frog walk has other beauties.
We carved pumpkins for the first time in maybe ever.
The information I needed to apply for unpaid family leave for the rest of the semester. To not have to leave the family here while I go back--into a critical, historic struggle to which I, we, will return, and soon. But right now I'm hitting a wall. I have the luxury of hitting a wall. "It's your self-preservation," a friend tells me. I have imagined myself living alone amid the devastation, seeking out water and food, and power. I know for sure I can do these things. But then they are here, Adam working long and unpredictable hours, Tallulah letting herself into the apartment and wondering when I'll be back, and I am a thousand miles away, sitting with my headlamp on, opening up the scar of Katrina and staring into it.