2025

2025 was challenging for me as it was ultimately spectacular. Here you will see my publication output for the year, which I wrote or appear in. Paltry compared to many writers who are posting dozens of credited publications, but I am damned proud to have my concert photos and interview footage with recently departed drummer Nicko McBrain in Martin Popoff’s Hallowed by Their Name: The Unofficial Iron Maiden Bible. Popoff’s a Master Jedi of rock and metal journalism and we’ve been friendly over the years, but landing my stuff in this be-all-end-all (unofficial or not) monster tome was the lift I needed when I came close to saying fuck it all.

I hit a tough place in ‘25 where I was dished one goose egg after another. Rejection, rejection, rejection. California nos galore. I still kept submitting anyway. I had Bringing in the Creeps released this year, what should I be complaining about? Marketing yourself is goddamned difficult and worse, it’s goddamned expensive. I went at it brutally hard to push this thing on my own with an indie publisher. No interest from the press, no responses from the retailers. Even retailers who said they’d go for it just didn’t. I have great testimonials, I have a story that placed runner-up in Alfred Hitchcock Mystery Magazine. What I didn’t have was a budget to hire an effective marketing team. It was heartbreaking.

Let me just tell you all that no woman other than my mother and the women closest to me in my family and friend set has loved me like TJ does. TJ is a spitfire. She’s chippy. The trust we have in one another is the secret to our success and it’s why my 2025 went from a stinker in the making to one of the greatest rebounds of my life. It was TJ who kicked my ass in the wallowing of my self-deprecation and why I turned this year around after sinking into personal despair and a short-term financial drubbing.

There was a prolonged stretch where I dropped duckets in promotion and then paid for an editor on my new novel, October Rust. It’s a deep, personal project for TJ and I which is now being rewarded with a publication offer. Deeper into the financial rut I went to pay the editor and this with TJ and I seeking our new home. It was a point of contention where I needed to do some soul searching, especially with more rejection, rejection, rejection and California nos galore for October Rust. My social media accounts were ghostly, despite my constant interaction. Despite all the friends and family I have who love me, I felt worthless as a writer. There’s more to it, but screw the doldrums. I’m back on track, I’m out of the funk, my savings are healthy again and I’m inspired as hell. Onward and upward from here on out.

I have made numerous author and publisher friends in just the past few years, and in 2025, it’s gone through the roof. I’ve always been fearless in my approaching of people of notoriety and it’s a gambit which pays off for me maybe a third of the time. I’m not trying to ride coattails. I’m not trying to be a whore. I’m interested in genuine friendships with people who love what I love, who are on their own journeys of the word to be heard and seen. If you have status, great. If you don’t, just as great. In fact, the more of you like me pushing yourself and networking with all you have at the risk of annoying some folks by your earnestness to engage, I’m your brother in the trenches.

I’d hit such a funk my wife laid it all on the line for me and I’ll keep that conversation private, but it was an Adrian Balboa type of chewing out in disguise of a loving pep talk. When Rocky didn’t think he could beat Clubber Lang in a rematch, you could see his wherewithal shaken, his confidence left flat on the canvas where Clubber dropped him brutally the first time. TJ fearlessly gave me the juice to stand up and “go for it” with a more sensible and less emotive attack plan. I love this woman.

In my grousing to TJ, I’d added how deflated I felt having put in 16 years of freelancing in music and film and how I’d been ghosted right on out of there. I never once became arrogant about it, but being called an “A-lister” writer from the industry had given my morale such a boost it made me work that much harder. Until it was gone.

And then the Metal Hall of Fame came knocking in 2025. The catalyst moment. The turnaround. I’d already been supported by Jack Mangan, who’d interviewed me a couple times in recent years to promote Revolution Calling and Behind the Shadows and to talk shop on his podcast about metal and punk journalism. Similar to how I landed my six-year run at Blabbermouth, he put my name in the hat with the Metal Hall of Fame and lo, here I am. I’ve had a handful of articles and lost footage interviews I did which festered silently until now. More of that to come in ‘26, but the Hall of Fame and the Popoff inclusion rescued my year, rescued me after my wife did it first. Thank you, Jack, Rich, Pat, Mark and my brothers at the Metal Hall of Fame. Simply thank you.

The next pivotal moments to my year of transition came at this year’s Horror on Main and Shore Leave conventions. Both is where I got to engage with horror stars and fellow authors and best of all, meet esteemed horror film director Mick Garris, in person. I’d interviewed Mick twice in the past during his masterminding of the beloved Showtime anthology series, Masters of Horror. My interactions with Mick were short, but he did me the tremendous honor of remembering me, chatting with me and introducing me to his family as a “pal.”

Right afterwards, I met Friday the 13th series music composer, Harry Manfredini, who shared some hilarious stories with me. Horror on Main revitalized me. I had such a wonderful time chatting up publishers who actually knew my name (even if I’ve yet to drive home a winning submission with them) and other authors I know. Including John Boden, one of the greatest indie horror authors out there and someone I consider a real friend.

It’s TJ who has bridged me to the Shore Leave crew, a fine league of New York Times bestsellers, Star Trek and fantasy authors who were all her friends and most of them are now mine.

At this point in the year, late summer into fall, I burst inside. I put October Rust to the side for a few months while licking my wounds. I went on a writing explosion, penning nearly two dozen new short stories that have all been submitted. Three of which have been recently accepted. I did back-to-back book signing events including Frightreads, and had the best sales of my entire career, selling out of Revolution Calling in Delaware, once my weakest-selling book. I made more connections, I made new writer friends, I got my recent acceptance for “Shred of the Dead” for the Living Adjacent anthology through these book conventions. I even got to meet Troma head honcho, the hysterical Lloyd Kauffman.

A few local bookstores started carrying my books. Thank you, Snug Books, in Baltimore City, for having me down to sign copies for sale! It may sound mamby pamby to the major leaguers out there signing massive quantities and hitting the road on the promotion trail, but my year has been all about baby steps and gaining momentum.

As I began to make headway with my writing this year, I still took the “L” on submissions and coming into December, I took a few more. The ones which stung for only a moment came from those I’d spent quite a bit of time getting to know as people while networking, but with any and every rejection, I try to place the blame on myself. I know there are conspiracy theorists out there who claim favoritism rules and I’m certain that’s applicable all over the place. I choose to keep grinding, plain and simple.

I fell into the company of a large writing group in Maryland this year along with cultivating friendships with other local authors, landing me at the Scary Stories to Tell at Cult Classic Brewery. This gave me such verve, I can’t help but thank them all. It was like my old open mike days, reading “Galaga Dreams,” which was well-received at the venue and ended up getting republished this year by Books & Pieces and now for a fourth time in an anthology collecting the Cult Classic event stories.

If there’s one thing I’m proudest of for my 2025, aside from finding October Rust a home with Anuci Press after doing an eighth rewrite, it’s moderating the Godzilla panel and being on five others at Philcon this year. I’ve only dreamed of being on a Godzilla panel, and other cons, I’m always that guy with lots of contributions for those panelists. Getting to run the show for my own Godzilla panel? Holy shitballs, what a rush and man, was it a success. That came largely from my rockstar panel who made 50 minutes flow like ten, and I run a tight but fun ship, from the three total panels I’ve led thus far. Philcon was one of the biggest joys of the year for me and I got to spend much of it in the company of Mia Dalia and her wife, Chelsea, two of my sisters for life.

2025 finished as grand as you possibly can with TJ and I getting our home. I’ve gushed on what this moment means to us, in this post and prior ones. As we filter our lives into our new digs and we’ve already made instant friends with our new neighbors, the entire saga feels like 2026 is only bound to skyrocket. And hey, I got 5 letters published in comic books this year, plus TJ and I read together at the annual 24-hour Poe marathon, Doomsday! Not to mention getting our stories picked up together.

A dozen thank yous to all of you beautiful people finding your way here to Roads Lesser Traveled. I know my output has been spotty and I’m guilty of veering from the original course of this blog. Life has gotten tremendously busy and hopefully even busier, but I will strive to get this thing back to its roots as I can, while continuing to filter what I’m up to. At either rate, I appreciate your support of this little nook in cyberspace.

2025 was transformative for me and I can’t WAIT to see what next year brings, since I’m coming into it already on the ups. May your 2026 be a pleasure trip and all that you hope.

–Ray Van Horn, Jr.

Back to the Grind!

What a wonderful Christmas. Now it’s back to the mission aside from the move. At my wife’s persistence, I am at work on a third collection of horror shorts. Everything’s a trilogy these days, am I right? I have the title. I have nine stories already done. 107 pages and counting. I’m treating this like my open mike days, going all out to make you remember me and what I’m all about. I needed that long sleep last night. I have the new Spirit World album and Godzilla grinding at my elbow. They’re waiting on the reaper, who’s already knocking at my door with dark inspiration. Let’s ride!

–Ray Van Horn, Jr.

Ten Naughty and Nice Christmas Comics

It’s that time of year again and being an adult, I miss the agonizing stretch in December a kid writhes through in wait for Christmas Day. Being a grown-up, the countdown to Christmas flies, to the point children cannot understand why we panic, rush and miss the glory and moreover, the fun of the season. We decorate and we pause just enough to admire our festive handiwork before making out our guest lists, party menus and of course, the mad dashes to accumulate presents. Hopefully at genuine discounts, since you have to do proper math to make sure the stocking wool’s not being pulled over your eyes by humbug retailers. In this zany digital age, the new urgency (beyond the looming question mark of potential Christmas bonuses) is to click and shop for gifts with calculations of timely arrivals upon our doorsteps. It’s a new dynamic even Santa himself must be leery of.

Being that I’m obsessed with comics, Christmas gives me the opportunity (like Halloween) to dig around for holiday-themed books and ease the tension of a season that once gave me weeks of joy. Yes, we all expect that proverbial magic of the season to erase the grind of life, but caveat! Life doesn’t stop just because Nat King Cole’s waxing nostalgic about chestnuts on an open fire over the radio, his slow tempo all but ordering us to jerk the cogs of our spinning wheels to a blissful crawl. Would that we could slip into an old Norman Rockwell holiday canvas and shut the world out. If you’re like me, you’re taking a thick fistful of comics with you for that kind of wishful escape.

So here are a bunch of Christmas comics I love, some naughty and some nice. Make your own case for such jolly (and in some cases ghoulish) comic fun like Ambush Bug: Stocking Stuffer, Elvira’s Haunted Holidays, Krampus! Archie’s Christmas Love-In, St. Nick and His Christmas Commandos, Shiver SuspenStories, The Deviant, “Never Kill a Santa Claus” from The Witching Hour # 28 or the thoroughly bananas Batman/Santa Claus: Silent Knight runs.

Some of these picks are outright funny while some force us to realize bad guys do their damnedest to destroy people’s holiday seasons for their own nefarious, no-goodnik reasons. All of it being yuletide escapism to chase off those sugar plum fairies nagging at us to buy just one more gift for someone who inadvertently missed the cut. Not on the list, but highly recommended, Grant Morrison’s Klaus was all the adventure and spectacle you could ask for in a comic–with tremendous heart, to-boot. You’ll want to go get that extra pestering gift after reading Klaus.


Let’s start with ten hitting the nice list:

1. Captain Marvel Adventures # 19: Helping Santa faster than you can say “SHAZAM!” times two…

2. Batman # 45: Let’s spread some holiday cheer, chum!

3. Avengers Annual # 1 (2013): A wonderful and hilarious holiday-themed respite from the strenuous “Infinity” story line.

4. Action Comics # 105: Because even Santa needs a little Kryptonian nudge at certain chimneys after scarfing bucket loads of sugar cookies all night.

5. Archie Giant Series # 512: Archie’s Christmas Stocking: Even ginger swingers can have the best of both worlds to warm his hearth.

6. The Tick: Big Red ‘n Green Christmas Spectacle: He’s a bumbling buffoon, but never question Tick’s big heart.

7. Christmas With the Super-Heroes # 2: Don’t you wish your office party was this high profile? Someone had better put Mera on alert, though; methinks Aquaman has other designs in mind, using that toy wagon as his cover. This veers perilously close to the naughty list!

8. Teenage Mutant Ninja Turtles # 65: Mikey’s bodacious Christmas spectacular was indeed that. Cowabunga and then some!

9. Sgt. Rock # 414: Once in a while, beauty and a truce between enemies in the holiday spirit does resonate.

10. Marvel Holiday Special # 1: Read it with the Brian Setzer Orchestra’s Boogie Woogie Christmas spinning and you’ll get ripe in the mood.


Aaaaaaaand now, the naughty list:

1. The Vault of Horror # 35: For better or worse, here is where the killer Santa subgenre was founded. The ending of “And All Through the House” still packs a wallop, no matter how many times you’ve read it or seen the Tales from the Crypt t.v. adaptation.

2. Panic # 1: Ah, those rubes back in the day at EC Comics. Tell me this cover didn’t leave scars upon you the first time you saw it.

3. Spectacular Spider-Man # 112: This one did a number on me back in the day. St. Nick The Terminator on the cover, Peter Parker thwarting a store Santa stalker…and the most gratuitous (non-superhero) butt close-ups in a single issue for its time.

4. Flash # 87: And bah humbug to you too, jerks.

5. Iron Man # 254: Spymaster as Santa Claus? Oh, you dirty bastard.

6. Grimm Fairy Tales 2011 Holiday Edition: Now you know what orphaned Robert Brian Wilson in the OG Silent Night, Deadly Night would say here before seeking the nearest mounted antler set: “NAUUUUUGHTYYYY!”

7. Jonah Hex # 34: Speaking of orphanages gone wrong during the holidays, even Santa needs an old west enforcer to negate the evil tidings of Santa impostors.

8. JLA # 60: Seriously? That’s just wrong. A parental nightmare trying to explain this visual to a youngster tripping across it. Funny how this prick’s an early-on ringer for even bigger prick Homelander from The Boys.

9. Spawn # 39: And this image (pun intended, heh) would give anybody nightmares, maybe even the Pumpkin King himself.

10. Avengers # 24 (variant cover): I don’t care what it may look like; Deadpool is never up to any good.

—Ray Van Horn, Jr.

Sometimes, You Gotta Take Yourself On a Date

Once in a while, you need to just take yourself out on a “you” date. I haven’t done this since doing my final Spartan at Fenway Park, Boston, last year. This time, I got to commune with my patroness, Sekhmet and bury myself in Egypt while taking in art at the Walters Art Museum, which I used to hit three to four times a year.

The museum renovations are spectacular. There are two separate wings dedicated to Egyptian art and artifacts and a sectioned-off study room for the public to sit in quietly and get a deeper look at some of the museum’s curated pieces. It was here I was first drawn on the hunt for Sekhmet. She threw me an omniscient thread where to find her in a peaceful, meditative spot before I went to the two main Egypt wings. Special thanks to the Walters security who saw me deeply immersed in the Egyptian deities and brought me a stool so I could read the low-lying placards and have a deep, personal moment with the goddess.

The Walters has long housed one of Baltimore City’s leading collections of Old Master, Renaissance, Byzantine, Flemish, Dutch, Baroque and Rococo paintings and sculptures. I dove back into the Christian triptychs, La Pietas and Madonna and Childs ad nauseum I’ve known all my life and felt a lost piece of me restored.

It seems, by my eyes, the Walters has doubled their treasures, though I found my old favorites where they’ve always been. Switched around, maybe, but still aesthetically appealing and as a horror author, I’ve been long drawn to a specific gory painting which has been a gallery staple for decades, Trophine Bigot’s visceral “Judith Decapitating Holofernes.” Having veered off my usual path lines from the past due to the new additions, I found Judith doing her dirty work towards the end of my run.

Before the Christian Madonna and Child, there was Isis and baby Horus. Food for thought.

An impromptu fire alarm at the Walters chased us out of the gallery for a bit, so I got to go connect with my roots at Baltimore’s Basilica of the Assumption of the Blessed Virgin Mary, the oldest in America. I used to go here to pray and meditate on lunch breaks when I worked downtown ages ago. I also took my ex-wife here to a Christmas Eve mass and participated in the Stations of the Cross.

I figure the fire alarm was an act of divine intervention, a well-intended fight for my attention amongst the deities whom I give adoration to, including Jesus Christ. I feel like Jesus wanted His moment with me, since the Basilica is a mere two blocks away from the Walters. I was overcome by the moment and sat for twenty minutes amidst the splendor and the church keyboardist getting in some practice licks on a harpsichord. I paid my due respects and marveled at the engulfing inner dome, much as I ever did years ago.

After my Walters and Basilica excursion, I took down a couple of pints at Union Craft Brewery, which was pumping. Having become one of Charm City’s crown jewel operations, what I dig about Union, aside from the reliably gnarly beers, is the fact the entire staff are unified owners in the place. Hence the “Union Collective” signs you see around town. They split all gross tips from a day’s take amongst the whole lot of them. You gotta love it, as much as I loved the seasonal IPA, Lot Trees, they have for Christmas, and their trusty winter stout, Snow Pants.

My final landing was the new Silent Night Deadly Night film, which is absolute garbage, pun intended. It honors a few moves from the original but does its own thing. I hated the Dexterising of this thing with the internal voice guiding our Billy, and it was just a dismal experience for me. I’m surprised the extreme right hasn’t torpedoed this thing yet for the Neo-Nazi massacre scene, and that’s all the spoiler I’ll give. I know the new Santa slaughter film has a lot of supporters in the horror community and more power to alla yas with respect. For me, four ridiculous sequels and now two whatever remakes? Enough already! I assure you this one will never make the cut on my annual slash ‘n wrap tradition. OG SNDN all day.

–Ray Van Horn, Jr.

My Fab Fives of ’25

Ahh, that time of year again. Not merely the holiday season, but also the yearly “Best of” lists and awards dispensations!

When I was still writing for music magazines and websites, now would be the time we critics would be asked to drop our annual Top 10 album lists. Sometimes we’d be asked for our top three or five individual category favorites (i.e. full bands, vocalists, guitarists, bassists, keyboardists and drummers, even record labels), but most of the time, we were asked for our favorite records of each year.

There was a certain bit of pressure when you received hundreds of promotional albums, videos and books and reviewed all that you could in a year’s time. Your rep was on the line according to what you dished on your annual Top 10. There was that grave risk of being labeled a poser if you went all mainstream, but on the flipside, you earned the trust of your readers if your list was loaded with deep dive records only the truly devout supported in the underground.

I stand on all the lists I was asked to whip up in my 16 years covering music, save for 2004. I still cringe at myself anytime I launch the album or “Blood and Thunder” roars to life on Sirius XM’s Liquid Metal. That year I errantly gave the pole position best album of ‘04 to Cradle of Filth’s Nymphetamine instead of Mastodon’s rumbling maelstrom, Leviathan. I still think Dani Filth and company dropped polished black metal gold, but Leviathan remains one of the all-time greatest metal recordings in the genre’s vaunted history. I shanked it giving Leviathan number two that year. I own it.

Siggghhhhh…

Well, I’m no longer called upon to pick the best of a year’s finest albums, and to be honest, I feel so out of it when I see current writers and fans dropping a slew of bands (take your pick of genre) that I have no clue about. I get my music largely through satellite radio since I’m not deep in the business and I seldom road dog anymore. My daily commute is a mere five minutes. It’s great for gas, total bullshit for the music consumption. Seriously, it’s disconcerting. I feel naked. I inadvertently feel like that poser I never wanted to be.

Then again, who the hell cares? I’m a horror author primarily now, so the only pressure I have on me is whatever I heap upon myself. Thus, with unnecessary caveats out of the way, I offer you all the added disclaimer when coming up with the categories and picks of my for-fun “Fab Five of ‘25” that I’m not that deep dive guy I used to be. Simply because the access is no longer there. Nor is the time. I’m writing, constantly. Reading or watching shows and films with my family when I’m not writing. Working out in the gym. I do a wild balancing act, to be sure.

Thus, what you see here is valid only to what I’ve been able to make the time for and pull into my radar. This is not an authentic Best-of listing of books, records, comics, films and t.v. shows. I ground out a lot with these categories, but I also shamefully missed a ton of stuff. In truth, with today’s expansive audile and visual streaming platforms, there is just too fragging much to stay on top of it all. Ditto for books and comics, which pains me to say as a writer vying for an audience as much as my brothers and sisters of the word.

So, enough of the self-flagellation. Let’s have at it with my Fab Fives of ‘25!

Books:

Now, I galloped my way through Joe Hill’s newest novel, King Sorrow specifically for this category, since the hype was massive and when it was gifted me last week in time for this favorites list, I got right on it. Keeping in mind I still have Clay McLeod Chapman’s Wake Up and Open Your Eyes in my TBR pile and Stephen King’s latest, Never Flinch on its way for Christmas from my dear friend Paulette (she’s gifted me every King book for Christmas since all the way back in 1983 beginning with Pet Semetary), this list is sorely remiss. Plus, I have my buddy T.D. Severin’s acclaimed medical thriller, Deadly Vision to knock out along with Richard and W.H. Chizmar’s expanded reissue of Widow’s Point. Patting myself on the back consolingly, I did get a lot of books knocked out this year, and here’s what I loved most:

  1. Godzilla: The First 70 Years – Steve Ryfle and Ed Godziszewski
  2. The End of the World as We Know It – edited by Christopher Golden and Brian Keene
  3. The Rack II – edited by Tom Deady
  4. King Sorrow – Joe Hill
  5. Thrift Store Puzzles – John Boden

Comic Books:

With recent price hikes and a forthcoming relocation to our new home, I’ve had to get somewhat stingy with my comic book pickups lately. It’s been a blast yakking about comics for my “Great Fraggin’ Life” newsletters, thus I keep searching for new titles to try and hopping back aboard existing properties which get sparkly lifeblood. I could easily flood this list alone with the horror comic anthologies, but let me simply give props to Creepshow, Hello Darkness and the EC/Oni Press reboots Epitaphs of the Abyss, Catacomb of Torment, Blood Type, Shiver SuspenStories, Cruel Kingdom, Cruel Universe and Outlaw Showdown. Horror comics in general are coming quite close to taking over the genre altogether. James Tynion IV alone is thriving as a horror comic scribe and 2025 was another gold standard year for him with W0rldtr33, Something is Killing the Children, The Deviant and one of my Fab Five picks for comics.

This has also been a banner year for Godzilla in comics as I find a comic starring King Green nearly every week in my pull box. When you have three different publishers (IDW, Marvel and DC) hammering out simultaneous titles, I mean, SKREEEEEONK!!! I’m gonna cut to the chase and give top ‘zilla honors to Van Jensen and Kelsey Ramsay’s Godzilla: Heist from IDW. Also stellar this year is DC Comics’ Absolute line. At first, I sneered at this initiative as a direct response rip on Marvel’s Ultimate line, which I dropped this year, except for Ultimate Black Panther, and that’s about to come to the finish line. The Absolute alterverse is for real, kids, and Kelly Thompson and Scott Snyder wrote what I consider the “absolute” triumphs of the year.

  1. Absolute Wonder Woman
  2. Absolute Batman
  3. Exquisite Corpses
  4. F.M.L.
  5. Star Trek: Red Shirts

Albums:

Here is where I’ll ditch the spiel, since I feel like there’s an easy hundred albums from differing genres I missed out on this year. So I’ll merely drop my favorite new records of 2025. Two of which are soundtracks/film scores. I will say the only drama in this section came with my begrudgingly having to shoehorn the new Testament album, Para Bellum out of the running for Fab Five. This is a band which has enjoyed a far superior second career to a venerated first half. Testament Mark Two is one of the mightiest heritage metal acts out there. My top pick, that was a total no-brainer. The Deftones surpassed my expectations, and I’m an uber-fan. Private Music is their most sublime body of work ever, an incredible refinement of aggression and sensuousness. For me, Deftones remain one of the G.O.A.T.s of metal music, any generation. This is yet another legacy statement for the band. Perhaps the legacy statement.

  1. Deftones – Private Music
  2. Spirit World – Helldorado
  3. Various Artists – Sinners soundtrack
  4. Nine Inch Nails – Tron: Ares score
  5. Orbit Culture – Death Above Life

Movies:

I got to many films this year and it’s been a pleasure having my kid with me for nearly all of them. It was a joy taking him to see the reissue of Star Wars Episode III: Revenge of the Sith. As his favorite in the entire series, he’d unfortunately been born two years after its original run in 2005. It was my honor to give him the cinematic experience and the pleasure on his face, man, that’s what you live for as a parent, especially once they approach adulthood. Likewise, the 4K reissue of Shin: Godzilla was a total blast, no matter how many times I’ve watched my DVD of it (and twice before on the anime streaming platform Crunchyroll). The theater was a-rumbling for that one night only event, as it was for the new Superman film, which was superb. Especially Nicholas Hoult, who served us a newly iconic Lex Luthor and Edi Gathegi, who stole the show as Mister Terrific. We saw a few clunkers, but most of our movie excursions were fun, including Ballerina and Guillermo del Toro’s brilliant reimagining of Frankenstein.

Del Toro truly deserves to land in my Fab Five films, and I mulled over it to the point of exasperation, but the films which made the cut are just that damned good, masterpieces in their own right. As a publisher told me when passing on one of my submissions, the competition was just that fierce and a 9.5 effort was beaten out by 10s. 10-rated films that were genuine events.

  1. Sinners
  2. The Long Walk
  3. Weapons
  4. Fantastic Four: First Steps
  5. Bring Her Back

T.V. Shows:

Here is where I feel utterly lost when it comes to keeping up with all that’s current and fashionably hip. It’s just too goddamn much and we have five streaming platforms on top of cable. TJ and I watch a lot of Midsomer Murders mystery reruns, paranormal shows, historical and ancient civilization documentaries and I turned her on to James A. Janesse’s riotous kill counting YouTube channel, Dead Meat. Those are just for starters. I am forever working on Shameless (I’m at season 5) and Breaking Bad (season 3) and for Cobra Kai’s entire run, I’ve had to strongarm everyone out of the living room to blast that sucker. Twice. Cobra Kai ended on a nifty note at the beginning of 2025, even if the theatrical Karate Kid: Legends was entertaining enough, but a shortcutting, over-with-too-fast cheat. Cobra Kai remains one of my drugs. I’m always spinning Zach Robinson and Leo Birenberg’s masterful genre bending scores.

I push TJ into trying a lot of the new streaming shows out there and we’ve had a number become recent addictions like Andor, Shogun, The Last of Us and Reacher, which were gangbusters in 2025. I was hooked by The White Lotus, but TJ was not, and instead we fell into what became our summer into fall project. If our tube was ruled by one show this year, it’s Dexter. As I have been selected to appear on a livestream panel in the new year focusing on the beloved serial murder series, we binged the entire Dexter canon from Original Sin through the eight-season main arc to this year’s mind-blowing Resurrection. Now that we’ve completed our Dex journey (I’d originally watched Seasons 1 to 4 of the main run before nixing our Showtime subscription years ago), my son is begging us to hop on to the similarly unnerving television adaptation of Caroline Kepnes’ You series. Future agenda, kid. Promise.

So here are my picks for all the television we binged this year, and I wish I could add the totally sick and stupendous animated gem, Predator: Killer of Killers. It’s a standalone movie, alas, but one of the goriest blasts of shit-kicking fun out there. TJ and I had a scream geeking out over this one with Billy Chizmar at this year’s Frightreads.

  1. Dexter: Resurrection
  2. Love, Death + Robots Season 4
  3. Welcome to Derry
  4. Alien: Earth Season 1
  5. Eyes of Wakanda

I’m exhausted just thinking about all I’ve taken down in media this year. Being a glutton for punishment, I’m counting down the months into 2026 for Blade Runner: 2099. My life will go on complete standstill when each episode of that one runs next year. Don’t even get me talking about Blade Runner 2049, my second favorite film ever. I think I’m listed out for now.

—Ray Van Horn, Jr.